Geoff Parry Movies

This intriguing low-budget crime-thriller is reminiscent of vintage film noir detective stories with their distinctive atmosphere and musical scores. Price (David Bradshaw) is an investigative reporter with a nose for news. His editor (John Ewart) is always on edge, but the man may have good reason to be nervous. A series of murders (and one possible suicide) lead to suspicions about the activities of the government and their connection to secret scientific experiments. As Price digs deeper and deeper into his investigation, the plot twists and turns toward an ending that offers some fast-moving action. ~ Eleanor Mannikka, Rovi

Fresh out of medical school, Paul Armstrong (Simon Burke) has landed a job at an Australian urban venereal and sexual disease clinic. While he understands the medical stuff he learned in school pretty well, he is stuffy and a bit of a prude. Most of all, he hasn't yet adjusted to the idea that homosexuals are real human beings. However, in this fast-paced yet gentle comedy, which focuses on the intern's clinical encounters, he swiftly learns the ropes and changes his tune on a lot of issues, as he encounters women and men with all sorts of social and sexual problems. ~ Clarke Fountain, Rovi

This stunning, post-apocalyptic action thriller from director George Miller stars Mel Gibson as Max Rockatansky, a policeman in the near future who is tired of his job. Since the apocalypse, the lengthy, desolate stretches of highway in the Australian outback have become bloodstained battlegrounds. Max has seen too many innocents and fellow officers murdered by the bomb's savage offspring, bestial marauding bikers for whom killing, rape, and looting is a way of life. He just wants to retire and spend time with his wife and son but lets his boss talk him into taking a peaceful vacation and he starts to reconsider. Then his world is shattered as a gang led by the evil Toecutter (Hugh Keays-Byrne) murders his family in retaliation for the death of one of its members. Dead inside, Max straps on his helmet and climbs into a souped-up V8 racing machine to seek his bloody revenge. Despite an obviously low budget and a plot reminiscent of many spaghetti Westerns, Mad Max is tremendously exciting, thanks to some of the most spectacular road stunts ever put on film. Cinematographer David Eggby and stunt coordinator Grant Page did some of their best work under Miller's direction and crafted a gritty, gripping thrill ride which spawned two sequels, numerous imitations, and made Mel Gibson an international star. One sequence, in which a man is chained to a car and must cut off a limb before the machine explodes is one of the most tense scenes of the decade. The American version dubbed all the voices -- including Gibson's -- in a particularly cartoonish manner. Trivia buffs should note that Max's car is a 1973 Ford Falcon GT Coupe with a 300 bhp 351C V8 engine, customized with the front end of a Ford Fairmont and other modifications. ~ Robert Firsching, Rovi