Emory Parnell Movies

Based upon an idea by Broadway columnist Mark Hellinger, The Roaring Twenties opens during World War I as doughboys Eddie Bartlett (James Cagney), Lloyd Hart (Jeffrey Lynn), and George Hally (Humphrey Bogart) discuss what they will do when the war is over. Bartlett wants to go back to repairing cabs, and Hart yearns to be a lawyer, but it becomes clear that Hally has less reputable plans in mind for himself. Come the end of the war, things are not as easy for veterans like Bartlett as they should be. He is unable to get his old job back and ends up driving a cab for little money. One night he is asked to deliver a package (which turns out to be whiskey) to an address that turns out to be a speakeasy. This starts him on a life of crime, as he gets deeper involved as a bootlegger. Things are not made easy by a rival bootlegger -- who turns out to be Hally. The two join forces and prosper. Hart shares in their prosperity, as Bartlett engages him to take care of his legal matters. Unfortunately, Hart is also interested in Jean Sherman (Priscilla Lane), a young woman that Bartlett has had an eye on for quite some time. He loses her to Hart at about the same time that his criminal empire crumbles, and he is reduced to driving a cab again while Hally continues to prosper with his ruthless ways. Eventually, Hart -- now a crusading prosecutor -- runs afoul of Hally, who tells Jean that he will kill him if he doesn't change his ways. Jean begs Bartlett to intercede with Hally; because he still is carrying a torch for her, Bartlett agrees -- but by doing so, he may have signed his own death warrant. ~ Craig Butler, All Movie Guide

A remake of Paul Leni's The Last Warning (1929), this "Crime Club" series entry once again presents the spectacle of an actor murdered in mid-performance and in front of a sellout crowd. This time the unfortunate thespian is John Wofford (Don Douglas), whose body subsequently disappears. To solve the mystery, police detective Arthur McHugh (William Gargan) goes undercover as a producer wishing to reassemble the original cast for a staging of the seemingly hexed play "Dangerous Currents." During rehearsal, the actor playing Wofford's old role, Carleton (Walter Woolf King), is found murdered and a series of threatening notes purportedly written by the dead actor continue to frighten the surviving cast and crew. Wofford's voice, heard over a disconnected telephone, adds to the terror, as does the actor's very dead body, which reappears behind a crumbling wall. But is the theater really haunted? And, if not, who is behind the strange goings-on and why? To learn the answers to these troubling questions, McHugh and his equally undercover wife, Gloria De Vere (Dorothy Arnold), must discover exactly how the original murder was committed. ~ Hans J. Wollstein, All Movie Guide

In this crime drama, a shyster lawyer makes his living earning acquittals for his guilty clients. Most recently he freed a powerful crime lord. He comes to regret this when his daughter falls in love with the gangster. Despite his efforts to dissuade the criminal from pursuing the relationship, the gangster does. The desperate lawyer then kills the gangster and soon finds himself on trial for murder. ~ Sandra Brennan, All Movie Guide

Zany radio comedian Joe Penner delivers one of his best (and most believable) screen performances in the Runyonesque comedy The Day the Bookies Wept. Penner stars as Ernest, the trainer of a broken-down racehorse named Hiccup. It seems that the nag turns into a potential champion whenever he's promised a bucketful of beer. Poor Ernest remains ignorant of this, but Hiccup manages to locate enough brewski on his own to win the inevitable Big Race. Betty Grable, still a year or so away from full stardom, is an appealing heroine in this likeable contrivance. ~ Hal Erickson, All Movie Guide

The MGM Our Gang series began its slow but steady decline with the sub-standard one-reel entry Tiny Troubles. On this occasion, the gang is held responsible for the crimes perpetrated by a midget named Light-Fingered Lester (played by prolific dwarf actor Jerry Maren). The notion that the kids would mistake the obviously mature Lester for a tiny baby is as hard to swallow as the rest of the story. Tiny Troubles was originally released on February 18, 1939. ~ Hal Erickson, All Movie Guide

An outbreak of cholera threatens a luxury liner in this surprisingly low-budget melodrama from RKO. En route from Shanghai to San Francisco, chief engineer Crusher McKay (Victor McLaglen) and shipboard doctor Tony Craig (Chester Morris) become rivals for the attention of nurse Ann Grayson (Wendy Barrie). A Chinese stowaway, meanwhile, infects the stokehold with cholera and it is left to Crusher to keep the engines at full throttle until reaching harbor. But morale sinks to an all-time low when Crusher himself is stricken and the overworked men threaten with mutiny. Tony attempts to keep the stokers in check but the situation is growing more dangerous by the minute when a heroic Crusher rises from his sickbed. Leaving their previous petty squabbles behind, Tony and Crusher manage to guide the ship safely to harbor, where the doc and Ann rekindle their romance. ~ Hans J. Wollstein, All Movie Guide

I Am the Law is arguably the best of the late-1930s films inspired by the racket-busting career of New York district attorney Thomas E. Dewey. Edward G. Robinson switches to the right side of the law as the Dewey counterpart, here named John Lindsay (!) A feisty, no-nonsense law professor, Lindsay is approached by a group of concerned citizens to act as special prosecutor to rid up their (unnamed) state of big-time lawbreakers. He wastes no time taking charge, storming into the prosecutor's office and firing anyone whom he suspects of being "on the take." With the help of his dedicated law students, who work alongside him for free, Lindsay purges the local government of such corrupt influences as Eugene Ferguson (Otto Kruger), the outwardly respectable "brains" behind the rackets. Among the minor pleasures in I Am the Law is watching Robinson dancing the Big Apple with gun moll Wendy Barrie in an early scene, and his firing of suspicious-looking Charles Halton with a brusque "Don't like your face! Never have! You've got shifty eyes and a weak chin!" (which, indeed, were Halton's screen trademarks). Barbara O'Neil, who the following year played Scarlet O'Hara's mother in Gone with the Wind, is quietly effective as Robinson's supportive wife. ~ Hal Erickson, All Movie Guide

Arson Gang Busters was a slick little Republic programmer highlighted by several well-staged miniature sequences, courtesy of the talented Lydecker Brothers. Robert Livingston plays a firefighter who feels that the police aren't moving fast enough in tracking down an arson ring. Livingston decides to do a little sleuthing himself, ultimately going undercover and joining the crooks. It turns out that the culprits are insurance underwriters, seeking a quick turnover by creating their own "accidents". The 65-minute Arson Gang Busters was later reissued to television as the 54-minute Arson Racket Squad. ~ Hal Erickson, All Movie Guide

In this saccharine Klondike adventure, a brave female reporter who has a rapport with wild animals heads north to cover a story. Included in her animal entourage are a pair of bear cubs, a talking rook, and a homeless collie. After she gets lost, a handsome guide shows up to lead her out of the wilderness. It is an arduous journey fraught with many natural dangers, and the travelers nearly die from hunger until another man shows up to save them. When he begins pursuing the reporter, the guide gets jealous and a terrible fight erupts. ~ Sandra Brennan, All Movie Guide