Emory Parnell Movies

Based on a novel by Barry Fleming, Colonel Effingham's Raid stars Charles Coburn in the title role. Upon retiring from the army, Effingham returns to his home town of Fredericksville, Georgia. Dismayed by the town's paucity of civic pride, the Colonel begins writing a newspaper column honoring Fredericksville's old traditions and chastizing those who would tear those traditions down. His pet peeve is the city administration's plan to rename Confederate Square after the pompous, mildly corrupt town mayor (Thurston Hall). When it seems that his protests are falling upon deaf ears, Colonel Effingham literally stage a "military assault" against City Hall, which in real life would get him thrown in the looney bin but which in a whimsical comedy of this nature results in a smashing success for the "good guys". If Colonel Effingham's Raid seems to be popping up on TV at a rate of once a day, it is because the film lapsed into public domain in 1973. ~ Hal Erickson, All Movie Guide

A loose remake of the 1935 Charlie Ruggles-Mary Boland comedy of the same name, Mama Loves Papa stars Elisabeth Risdon in the title role. Thanks to the efforts of his social-climbing wife Jessie (Risdon), furniture store employee Wilbur Todd (Leon Errol) is tossed headfirst into the world of small-town politics. Sized up as a patsy by crooked politician Kirkwood (Edwin Maxwell), poor Wilbur is plied with champagne as part of Kirkwood's scheme to land a sweetheart playground-equipment contract. Awakening with a huge hangover and minus his trousers, Wilbur finds that he has inadvertently brought disgrace to everyone concerned, including his wife. Everything turns out all right, of course, but only when Jessie agrees to allow Wilbur to stay in his own backyard. The film is highlighted by Leon Errol's classic "rubber legs" routine, which was already familiar to aficionados of Errol's two-reel comedy escapades. ~ Hal Erickson, All Movie Guide

In this musical comedy, an arrogant war journalist is sailing back to the Big Apple after the end of WW II. En route, he has been assigned to watch over a band of teenagers who were trapped in Europe four years ago while entertaining the troops. Their entrapment has done nothing to dim their enthusiasm for performing and while waiting for passage the crews entertain everyone at every opportunity. Songs include: "I'll Buy That Dream" (sung by Anne Jeffreys), "Heaven Is a Place Called Home," "Seven O'Clock in the Morning (Waking up Boogie)," "Somebody Stole My Poor Little Heart" (Herb Magidson, Allie Wrubel), and "The Lord's Prayer" (arranged by Albert Hay Malotte). ~ Sandra Brennan, All Movie Guide

What a Blonde gets under way when wealthy lingerie manufacturer Fowler (Leon Errol) runs out of valuable gas-ration coupons. Knowing that he can secure additional coupons if he forms a car pool, Fowler orders his butler Pomeroy (Richard Lane) to seek out a few "riders." Pomeroy returns with a group of brassy showgirls, headed by boisterous blonde Pat (Veda Ann Borg). In the fine tradition of RKO Radio's Leon Errol 2-reelers, Fowler is saddled with a jealous wife (Lydia Bilbrook) who looks askance when her husband piles into his car with a bevy of gorgeous girls. Hardly the "mirthquake" advertised by the studio, What a Blonde is still an enjoyable time-killer. ~ Hal Erickson, All Movie Guide

The last and least of RKO Radio's B-series based on radio's "Great Gildersleeve", Gildersleeve's Ghost is a standard "scare" comedy redeemed by some enthusiastic performances. The barely relevant title comes from the fact that the film opens in a graveyard, where two spectral ancestors of Springfield water commissioner Throckmorton P. Gildersleeve (Harold Peary) discuss his chances in the upcoming mayoral election. The rest of the film takes place in a spooky old mansion, where mad scientists Wells (Frank Reicher) and Lennox (Joseph Vitale) are experimenting with an invisibility formula. Their unwilling subject is vivacious blonde Terry Vance (Marion Martin), whose ability to appear and disappear at will causes a lot of embarrassment for poor old Gildersleeve. The film doesn't miss a trick: there's even an extended bit involving a gorilla. Very basic stuff, Gildersleeve's Ghost admittedly delivers plenty of laughs. ~ Hal Erickson, All Movie Guide

Heavenly Days was the last of three RKO Radio film vehicles for the popular radio duo of Fibber McGee and Molly (aka Jim and Marion Jordan). Unlike their first two films, which were cacophonous, plotless musical farces, this one actually has a coherent storyline and not a little "heart appeal." Self-styled expert on everything Fibber McGee takes it upon himself to leave the safe environs of Wistful Vista to go to Washington DC, intending to present himself as the "common man" before the US Congress. Naturally, Fibber's wife Molly goes along for the ride, if only to keep her husband from making a fool of himself. Fibber's actions are given credibility when pollster George Gallup (played by Don Douglas) selects the McGees as Mr. and Mrs. Average Man (or Person). While at large in DC, the McGees also become involved with a group of wide-eyed war orphans. The film's highlight is an impromptu musical interlude with Fibber, Molly, and a group of GIs, played by the King's Men Quartet (regulars on the Fibber McGee and Molly radio show). Perhaps because it took itself a bit too seriously, Heavenly Days failed to match the box-office success of RKO's earlier Fibber-and-Molly efforts, posting a loss of $205,000. ~ Hal Erickson, All Movie Guide

"Some are born great, some achieve greatness, some have greatness thrust upon 'em." Firmly in the latter category is Norval Jones (Eddie Bracken), a feckless wartime 4-F who must stand by helplessly as his sweetheart Trudy Kockenlocker (Betty Hutton) entertains every visiting GI in town. One morning after a particularly wild night, Trudy labors under the apprehension that last eve, she'd married a soldier named Ratzkywatzky or something. Evidently something had happened that night, for soon Trudy discovers that she's pregnant. Hiding this information from her bombastic policeman father (William Demarest), Trudy begs Norval to tell the world that he's the father. He agrees, but only after secretly wedding Trudy under an assumed name. Complications and disasters pile up thick and fast, and before long Norval is facing arrest on a variety of charges. Providentially, Trudy gives birth to sextuplets-and suddenly Norval is a national hero! This vintage Preston Sturges farce plays so fast and loose with the censorial restrictions of mid-1940s Hollywood that critic James Agee was moved to comment that, "the Hays office must have been raped in its sleep." As usual, Sturges populates his cast with steadfast members of his stock company-- including, in guest roles, Brian Donlevy and Akim Tamiroff, the stars of his previous film, The Great McGinty. Originally filmed in 1942, Miracle was held from release from two years, not because of censor problems but because its parent studio, Paramount, was overloaded with product. Miracle of Morgan's Creek was remade (and considerably laundered) as the 1958 Jerry Lewis vehicle Rock-a-bye Baby. ~ Hal Erickson, All Movie Guide

A plot revealed through the correspondence between German-American businessman and his Jewish partner, Lukas, the German-American, returns to Germany during the early Nazi years and gets caught up in the racist philosophies. He goes to the point of denying even his partner's daughter, who is engaged to Lukas's son. Disastrous results follow this man's newly acquired bigoted decisions. ~ All Movie Guide

In this drama, a remake of Hat, Coat and Glove (1934), a hard working attorney is upset when he learns that his long-suffering, neglected wife is having an affair with an accused murderer. This does not prevent the highly principled lawyer from representing the man and his wife in court. Not only does he get them acquitted, he also manages to keep the whole mess out of the newspaper. ~ Sandra Brennan, All Movie Guide

After producing, writing and directing one hit film after another, Preston Sturges finally misfired with the biopic The Great Moment. Sturges was always fascinated with the saga of W.T.G. Morton, the 19th century Boston dentist who, after inventing the first truly effective anesthesia, was forced to give up his proprietary interest in the invention and ended up dying in poverty and obscurity. Joel McCrea stars as Morton, a young oral surgeon determined to find a painless method for exracting teeth-which he does, virtually by accident. Betty Field costars as Morton's faithful spouse Elizabeth, while Sturges regular William Demarest offers a gem of a performance as Morton's best friend-guinea pig Eben Frost (his persistence upon recalling his first meeting with Morton -- "I was in excru-ci-ating pain"-is one of the film's highlights). Completed in 1942, The Great Moment was taken out of Sturges' hands and heavily re-edited and re-arranged by the Paramount executives: as a result, the story is confusing and downright incomprehensible at times (the film's present ending, for example, originally occured in the middle of the film). The result was varying runtimes for the film of 80, 83, 87, and 90 minutes. An enormous box-office flop in 1944, the film proved to be the beginning of the end for Sturges, who was never able to completely recover from its failure. ~ Hal Erickson, All Movie Guide

The racy, ribald Cole Porter musical Du Barry Was a Lady is here given a thorough dry-cleaning by prudish MGM. Richard "Red" Skelton takes over the role of Louis Blore (played on Broadway by Bert Lahr), while Lucille Ball steps into the shoes of the original play's Ethel Merman. The story proposes that Blore is a men's room attendant in a New York nightclub who has a yen for gorgeous showgirl May Daly (Lucille Ball). After drinking a potent mixture, Louis dreams that he is King Louis XV of France, and May is the magnificent Madame Du Barry. Also showing up in Louis' dream is Alex Howe (Gene Kelly), who in "real life" is the guy who ends up with May at fade out-time. It's hard to determine what's more fun to watch in Du Barry Was a Lady: the three stars, the antics of supporting player Zero Mostel, or the incredible sequence in which Tommy Dorsey & His Band -- including drummer Buddy Rich -- perform in 18th century garb and powdered wigs. Five of the original Cole Porter songs are retained for this Technicolor-ful film: "Katie Went to Haiti," "Do I Love You, Do I?," "Well, Did You Evah?," "Taliostro's Dance,", and, best of all, "Friendship." ~ Hal Erickson, All Movie Guide

This lesser Laurel and Hardy vehicle casts Stan and Ollie as the proprietors of the "Arthur Hurry" dance studio. Despite a rather sizeable student body (consisting mainly of 20th Century-Fox contract starlets), the boys would starve to death were it not for their only paying customer, socialite Trudy Harlan (Trudy Marshall). Trudy is in love with Grant Lawrence (Robert Bailey), an aspiring inventor who needs financial backing for his revolutionary new flame thrower. Laurel and Hardy undertake several moneymaking schemes to help Grant, most of these coming a-cropper. Finally, Ollie remembers an accident-insurance policy taken out on Stan. He tries to arrange an accident so that the boys can collect a huge fee, but this scheme culminates in a wild bus ride, resulting in Ollie breaking his own leg. The plot of Dancing Masters is a hodgepodge of underdeveloped situations and old gags lifted from such earlier Laurel & Hardy comedies as The Battle of the Century and Thicker Than Water; only occasionally does the comic genius of Stan and Ollie shine through. If the film is memorable at all, it is because of the presence of Robert Mitchum, in an unbilled but sizeable role as an insurance racketeer. ~ Hal Erickson, All Movie Guide