Sunshine Parker Movies

Tremors is actually two movies in one. On its own terms, it's an enjoyable modern sci-fi horror-thriller, with good pacing and a sense of humor; but it's also a loving tribute to such 1950s low-budget desert-based sci-fi-horror films like Them!, It Came From Outer Space, Tarantula, and The Monolith Monsters. Kevin Bacon and Fred Ward are the stars, a pair of small-town handymen living in a small desert community, who stumble upon several difficult-to-explain phenomena, including a couple of people who've died under extremely strange (and, in one instance, very grisly) circumstances. Eventually, they and a handful of their neighbors find the cause: gigantic prehistoric worm-like creatures that streak under the desert the way fish swim through oceans, reaching up and grabbing anything they need for food. Cut off from the outside world, they have to figure out how to get across the desert alive while these creatures -- that are smart as well as fast -- close in on them, stalking them like monster sharks. The film benefits from the presence of special effects that are good enough to pull this all off, keeping the shock value high, and also from a subtly humorous script and performances to match by the entire cast, and director Ron Underwood's breezy pacing of the whole picture. ~ Bruce Eder, Rovi

Director Alan Rudolph's 1989 model mood piece stars Tom Berenger as shabby private eye Harry Dobbs, who is hired by the mysterious Miss Dolan (Anne Archer). Dolan wants Dobbs to tail her abusive boyfriend, Rick (Neil Young). Dobbs immediately demonstrates his uncanny powers of detection by trailing the wrong man (Ted Levine), whose story turns out to be far more fascinating than Rick's. Meanwhile, Dobbs is himself pursued by female P.I. Stella Wynkowski (Elizabeth Perkins), which hardly pleases Dobbs' jealous girlfriend, Doris (Ann Magnuson). ~ Hal Erickson, Rovi

Co-written by Paul Reubens and Phil Hartman, Pee Wee's Big Adventure marks the debut of director Tim Burton, who stamps the entire film with his quirky trademark style. The premise: Pee Wee (Reubens), an overgrown pre-pubescent boy sporting a molded Princeton cut, blush, lipstick, and a shrunken gray flannel suit, lives an idyllic life in his bizarre home (some have compared the remarkable set design to the expressionistic The Cabinet of Dr. Caligari) until someone nabs his most prized possession: a fire engine-red customized bicycle. He then embarks on an epic cross-country search to find his lost love, not to mention more than a little adventure. Along the way, he makes friends with various oddball characters, visits the Alamo, endures various hallucinatory nightmares, and has a supernatural run-in with a spectral trucker. In this reprisal of his popular standup routine, Reubens is wonderful as the nerdy man child; he plays it silly, yet he manages to imbue the role with some sensitivity without ever seeming maudlin. The score by Danny Elfman is terrific -- as is the case in nearly every film Burton has directed -- and the script is fresh and inventive. Some of the most memorable moments: the opening sequence involving Pee Wee's morning activities is a stroke of genius (note the bunny slippers and talking breakfast), as are the scenes at the truck stop, and the "Hollywood" version of Pee Wee's story at the end (starring James Brolin and Morgan Fairchild in surprise cameos). In all, Pee Wee's Big Adventure is a delightful film, enjoyable for children as well as adults. ~ Jeremy Beday, Rovi

This highly anecdotal film centers upon Doc (Nick Nolte), a self-employed marine biologist who lives by the ocean and interacts with the neighborhood denizens, trying to conceal a troubled past. Across from Doc's digs stands the local bordello, the Bear Flag Restaurant. Across the entrance ambles Suzy (Debra Winger), a drifter who tries to become one of the girls and fails miserably. However, she does set her sights on Doc and acts accordingly. ~ Paul Brenner, Rovi

This sequel to Every Which Way But Loose finds Philo Beddoe (Clint Eastwood) on the road, orangutan companion Clyde in tow, as he makes his way as a bare-knuckle fighter. The action begins with Philo punching out a new victim while Clyde relieves himself on the seat of a police car, setting the tone for the rest of the story. From there, Philo and Clyde return home, where Philo, who still lives with Ma (Ruth Gordon), is offered a contest with Jack Wilson (William Smith), the Mafia-sponsored East Coast bare-knuckle champ. Philo inadvertently saves Wilson's life, but then the Mafia kidnaps his girlfriend (Sondra Locke) to force him to go ahead with the match. Philo and Wilson team up to battle the Mob, but somehow they end up fighting anyway in a grueling climactic sequence. Country music, bikers, the Mafia, an orangutan, pick-up trucks, defecation jokes, fighting, drinking, and swearing -- it's all here in this lowbrow comic stew. ~ Don Kaye, Rovi

A pair of pool hustlers steal the "General Lee" while Bo (John Schneider) and Luke (Tom Wopat) are skinnydipping. Chasing after the "General", Sheriff Roscoe (James Best) sees the car crash into a local pond, and becomes convinced that the Duke boys have drowned. Boss Hogg (Sorrell Booke) takes advantage of this "tragedy" by claiming that Bo and Luke had stolen his watch before their untimely demise--all the while keeping the timepiece locked in his own safe so he can collect the insurance. Once the boys find out what Boss is up to, they decide to get even by "haunting" the billious Boss, using a few splashes of luminous paint to transform themselves and the "General" into phantoms! (Trivia note: this is series star John Schneider's favorite episode). ~ Hal Erickson, Rovi

Although Salty Hubbard (Arthur Hunnicutt) is Sunville's biggest liar, everyone in town believes Salty's claim that stranger Hoss Cartwright is really notorious outlaw Big Jack (Mike Mazurki). To stay alive, Hoss is forced to fake his own death, funeral and all. Meanwhile, the real Big Jack prepares to take full advantage of "Good Tuesday", a local bank holiday. In the episode's comic highlight, Hoss suddenly rises from the dead as the nonplussed Preacher (John Carradine) and the other mourners look on in bug-eyed terror. Others in the cast include Ivor Francis as the Banker and Milton Parsons as (what else?) the Undertaker. First shown on December 7, 1969, "Dead Wrong" was written and directed by Bonanza star Michael Landon. ~ Hal Erickson, Rovi