Paul Graetz Movies

Not to be confused with the character actor of the same name, producer Paul Graetz was in charge of Germany's Terra Films from the mid-1920s to 1933. Fleeing his native country when Hitler came to power, Graetz relocated to France where he organized Transcontinental Films. Most of his productions were geared primarily for domestic consumption: exceptions include 1962's A View From the Bridge and 1966's Is Paris Burning?, his last film. During the late 1940s, Paul Graetz became one of the pioneers of European commercial television. ~ Hal Erickson, All Movie Guide
1966  
 
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In 1944, with Paris on the verge of Liberation by the allies, Adolph Hitler ordered that the City of Light be blown up and burned to the ground. General Dietrich Von Choltitz, after much rumination, decided that he didn't want to go down in history as the man who destroyed Paris. His refusal to follow Hitler's orders would make him a pariah in Germany for the rest of his life; nor was his gesture ever rewarded by the Allies. From this very human story in the midst of one of the most inhuman conflicts in history grew the screenplay (by Gore Vidal and Francis Ford Coppola) of the all-star, internationally produced Is Paris Burning? Whereas the earlier The Longest Day was able to support a castful of celebrities and brief subplot vignettes, Is Paris Burning? seems more weighted down than weighty. Still, a modern audience will have fun playing "spot the star" throughout the film, especially when those spotted stars include the likes of Gert Frobe (as Choltitz), Jean-Paul Belmondo, Alain Delon, Kirk Douglas (as Patton), Glenn Ford (as Bradley), Yves Montand, Simone Signoret, Robert Stack, and even Anthony Perkins as a wide-eyed GI. Filmed on a gargantuan scale, Is Paris Burning? was based on a book by Larry Collins and Dominique LaPierre. The film was lensed in black and white, save for the Technicolor finale (in the original road-show prints). ~ Hal Erickson, All Movie Guide

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Starring:
Jean-Paul BelmondoCharles Boyer, (more)
1962  
 
A View from the Bridge is set in New York, but the alleged political undesirability of playwright Arthur Miller dictated that this film be lensed in France. Director Sidney Lumet shot the film in both English and French, with the English version sounding more recited than acted at times. Raf Vallone plays Eddie Carbone, a tough Italian-American longshoreman living in Brooklyn with his wife Beatrice Carbone (Maureen Stapleton), and her comely niece, Catherine (Carol Lawrence) -- to whom he feels an overwhelming yet undeclared attraction. Then two illegal immigrants, Rodolpho and Marco (Jean Sorel and Raymond Pellegrin), turn up, and rage builds in Eddie when he senses a burgeoning, mutual attraction between Rodolpho and Catherine. To divert suspicions of his own incestuous desires, he first declares Rodolpho a homosexual, then does everything in his power to ensure that Rodolpho and Marco are deported - thus setting the film up for a surprisingly grisly and shocking climax. The film is more commonly remembered today for a "shocking" set piece, in which Eddie kisses Rodolpho full on the lips to "prove" that the boy is gay. ~ Hal Erickson, All Movie Guide

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Starring:
Raf ValloneJean Sorel, (more)
1961  
 
An uneven mix of right-on situations and two-dimensional characters or worse, La Giornata Balorda is all the more interesting because it was banned in Italy -- not because of sexual or anti-religious content, but because of its depiction of Italian society. David (Jean Sorel) is a poverty-stricken young man who has impregnated the woman he loves and now wants to marry her. The baby has already been born when David sets out to "buy" a job. His uncle, not a model of propriety, gets him introduced to a slick operator who really does not want to hire David at all. But the future employer's mistress takes one look at David and lets her lover know he just has to give him a job. Meanwhile, David is still stuck with the problem of getting the money together to "buy" his job, and he solves that in a rather creative manner. This story of networking among the non-yuppy population did not sit well with the Italian censors. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Jean SorelLea Massari, (more)
1957  
 
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In Nicholas Ray's WWII drama, two British officers, Captain Leith (Richard Burton) and Major Brand (German character actor Curd Jürgens, who would later play Bond foe Karl Stromberg in The Spy Who Loved Me), a South African, are being considered to lead a daring raid to steal crucial documents from a Nazi stronghold in Libya. The two don't seem particularly fond of each other. Brand's wife, Jane (Ruth Roman of Strangers on a Train), arrives on the base. There's an odd awkwardness when Brand introduces her to Leith at the officers' club. It turns out the two already know each other, intimately. They were romantically involved long ago, until Leith broke it off without warning. Jane later met Brand. Leith and Jane keep their relationship a secret from Brand, but he realizes something's up when he goes out for a bit and comes back to find them dancing together. He later gets angry when his wife slips up and refers to Leith as "Jimmy." Brand and Leith are chosen to lead the mission together. Jane says goodbye to Leith, and Wilkins (Nigel Green of The Ipcress File) and some other soldiers see them together. The raid goes fairly smoothly, until Brand can't bring himself to kill a German sentry, and Leith feels compelled to step in and do it for him. Brand's resentment of Leith grows. The team steals the documents and heads out across the desert to make their escape. They're attacked by a German patrol, and after the melee, Brand arouses suspicious when he orders Leith to stay with three badly wounded soldiers while the rest of the group leaves for the rendezvous point. Bitter Victory is based on the novel by René Hardy. Jean-Luc Godard famously said of the film in his review, "Nicholas Ray is cinema." ~ Josh Ralske, All Movie Guide

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Starring:
Richard BurtonCurd Jürgens, (more)
1955  
 
Like its American namesake, Les Hommes et Blanc (Men in White) is a drama of the medical profession. Raymond Pellegrin stars as Nerac, an idealistic young doctor who feels unsuited to the hustle and bustle of a big-city hospital. Nerac believes that he can serve mankind better by taking a less-lucrative practice in a rural community. Ultimately, he finds his true calling in life, but not before a great many personal crises. Second-billed Jeanne Moreau is given practically nothing to do, and accordingly was ignored by contemporary reviewers. Les Hommes et Blanc was based on the best-selling novel by Andre Soubrion. ~ Hal Erickson, All Movie Guide

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Starring:
Jeanne MoreauJean Chevrier, (more)
1954  
 
Rene Clement's Monsieur Ripois was released in English-speaking countries as The Knave of Hearts and Lovers, Happy Lovers. Relying heavily on voiceover narration and subjective camerawork, the film has Gerard Phillipe in the title role. Believing himself to be love with his wife's best friend (Natasha Parry), Ripois pours out his heart to her by recounting his past amours. Though he has known many women, he has never truly loved any of them. This has proved more troublesome for Ripois than for the ladies in his life, but somehow he never learns his lesson--not even during the film's final scene. British actresses Valerie Hobson and Joan Greenwood are well cast as Ripois' wife and former girlfriend, respectively, while Germaine Montero has an effective cameo as a warm-hearted prostitute. ~ Hal Erickson, All Movie Guide

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Starring:
Gérard PhilipeGermaine Montero, (more)
1947  
 
Released in France as Le Diable au Corps, The Devil in the Flesh stars Micheline Presle as a nurse at a French military hospital during World War I. Gerard Philipe costars as a high school student who carries a torch for the older Presle. Under pressure from her parents to marry, Presle begins an affair with the boy, but gives up on him when he proves to be far too immature and jealous for her tastes. After a deliberately inconsiderate act on Philipe's part, Presle opts for a loveless marriage with a soldier who is about to head for the front. When Philipe selfishly reenters her life, she resumes the affair, becoming pregnant by the boy. The end result of Philipe's callous behavior is tragedy for all concerned. The Devil in the Flesh is based on a semi-autobiographical novel by Raymond Radiguet, who died of typhoid fever at the age of 20. ~ Hal Erickson, All Movie Guide

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Starring:
Micheline PresleGérard Philipe, (more)
1943  
 
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Heart of a Nation was filmed in 1940, just after the Nazi occupation of Paris. The film traces the fortunes of the Froment family of Montmartre, from the Franco-Prussian war of 1871 to World War II. Comedy and tragedy are deftly blended throughout; Raimu's visit to the Moulin Rouge is as hilarious as Michele Morgan's loss of an arm during World War I is heartbreaking. When the Nazis became privy to the existence of Heart of a Nation, they ordered its director (Julien Duvivier) arrested and the negative destroyed. Both director and negative managed to escape to the U.S., where a dubbed version of Heart of a Nation was finally made available in 1943. Intriguingly enough, the man responsible for the salvation of the film was a German officer who happened to be a fan of Duvivier's work. ~ Hal Erickson, All Movie Guide

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Starring:
Michèle MorganSuzy Prim, (more)
1938  
 
Altitude 3200 refers to the above-sea-level elevation of the French mountain retreat where most of this film takes place. Jean-Louis Barrault plays an idealistic sandwich-board man who joins his equally high-minded friends on a weekend excursion. Their hopes for rest and relaxation are dashed when a group of young girls take refuge in their lodgings during a storm. Devoted to the concept of a perfect, utopian society, in which men and woman are equals, the girls talk the boys into forming such a society-at least for the duration of the weekend. But by the time Monday rolls around, everyone has come to the conclusion that they'll be better off returning to the "imperfect" real world. ~ Hal Erickson, All Movie Guide

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Starring:
Odette JoyeuxDolly Mollinger, (more)

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