F. William Parker Movies

Jack Lemmon stars in Mass Appeal as a popular Los Angeles parish priest, who has retained the good will of his parishioners by cracking jokes and never taking a stand on crucial matters. Enter young seminarian Zeljko Ivanek, whose rebellious reputation threatens to earn him an expulsion. Lemmon is expected to bring Ivanek around to the Church's "party line," but the younger man resists the older man's advice--quite loudly at times. The audience is fully aware that, by film's end, Ivanek will have converted Lemmon instead of the other way around, but the sheer joy of watching two superb actors at work transcends the story's predictability. Mass Appeal was based on a play by Bill C. Davis, and produced by none other than the widow of McDonalds mogul Ray Kroc. ~ Hal Erickson, All Movie Guide

Terms of Endearment covers three decades in the lives of widow Aurora Greenway (Shirley MacLaine) and her daughter Emma (Debra Winger). Fiercely protected by Aurora throughout childhood, Emma runs into resistance from her mother when she marries wishy-washy college teacher Flap (Jeff Daniels). Aurora is even more put out at the prospect of being a grandmother, though she grows a lot fonder of her three grandkids than she does of her son-in-law. Flap proves that Aurora's instincts were on target when he enters into an affair with a student (Kate Charleson). Meanwhile, Emma finds romantic consolation with an unhappily married banker (played by John Lithgow, who registers well in a rare "nice guy" performance). As for Aurora, she is ardently pursued by her next-door neighbor, boisterous astronaut Garrett Breedlove (Jack Nicholson). After 75 minutes or so of pursuing an episodic, semi-comic plotline, the film abruptly shifts moods when Emma discovers that she has terminal cancer. Terms of Endearment won Academy Awards for Best Picture, Best Director and Best Screenplay for TV veteran James L. Brooks making his first feature film, Best Actress for MacLaine, and Best Supporting Actor for Nicholson. It was followed by a sequel, The Evening Star (1996), which again featured MacLaine as Aurora. ~ Hal Erickson, All Movie Guide

On the advice of self-proclaimed legal expert Earl Hicks (Dave Madden), Mel ups the security at the diner by having his waitresses bonded. This throws Vera into a panic; it seems that she has (or thinks she has) a "criminal past." Before the situation is resolved, Vera has gone on the lam and is hanging out with a group of colorful (and aromatic) street people. In the original TV Guide listings, future Night Court regular Selma Diamond is credited as the "bag lady", but the episode itself credits comedienne Carol Arthur, the wife of Dom DeLuise. ~ Hal Erickson, All Movie Guide

The chances of burned-out cabbie Reverend Jim (Christopher Lloyd) passing any sort of competency test is roughly equivalent to a snowball's chance of surviving in hell, but that's just what he must do in this episode. Upon learning that his late father has left him three-and-a-half million dollars in his will -- but with certain very rigid conditions: Jim must prove he is of sound mind, and fast! He must also dress and act like something resembling a normal human being, and for help in this matter he turns to the most "normal" people he knows: Alex (Judd Hirsch)...and Louie (Danny DeVito)? ~ All Movie Guide

Steve McQueen's last film concerns a modern day bounty hunter who searches for bail jumpers. Based on real life bounty hunter Ralph "Papa" Thorson, the film details his exciting life, traveling from one city to another, trying to track down fugitives and continually risking his life in the process. Buzz Kulik directed the confusing mish-mash that, nevertheless, features stunt work that anticipates the Lethal Weapon series. ~ Paul Brenner, All Movie Guide

Moving from its traditional Tuesday-night slot to a Thursday evening berth, Laverne & Shirley kicked off its fifth season with the conclusion of a two-part story which debuted September 11, 1979 on its "sister" series Happy Days. That show's leading characters Richie (Ron Howard) and Fonzie (Henry Winkler) have gotten themselves into deep do-do by flirting with Helga (Vicki Frederick) and Inga (April Clough) pair of curvaceous. Now the boys are faced with the prospect of a shotgun wedding, thanks to the girls' rifle-toting pappy Vernon (F. William Parker). It is up to Laverne (Penny Marshall) and Shirley (Cindy Williams) to rescue our heroes by posing as Richie and Fonzie's fiancees! ~ Hal Erickson, All Movie Guide

The story of "red light bandit" Caryl Chessman, previously dramatized in the 1955 film Cell 2455, Death Row (based on Chessman's own book), was adapted for television as Kill Me If You Can. In a radical departure from his usual duties as MASH's Hawkeye Pierce, Alan Alda plays Chessman, who in 1948 was found guilty of robbery, kidnapping and sexual assault. Under the laws of the era, Chessman was sentenced to die in the gas chamber. But by studying the law and publishing four books on his plight, the brilliant (albeit still repugnant) Chessman managed to forestall his execution for 12 years. Though no effort is made in the film to make the sociopathic Chessman any better than he was, John Gay's script comes out squarely in opposition of capital punishment. Kill Me If You Can first aired on September 25, 1977. ~ Hal Erickson, All Movie Guide

It seemed like only yesterday that Bob and Emily celebrated their seventh wedding anniversary (actually, it was in an episode which aired approximately ten months earlier, in February of 1977). And now here they are, blowing out the candles on their tenth anniversary cake. On this momentous occasion, both Bob and Emily wonder what life would have been like had they married other people -- and a brace of fantasy sequences shows them what life would have been like. The supporting cast features Morgan Fairchild as Linda Bianca and E. William Parker as Marcus. Written by Lloyd Garver, "Grand Delusion" first aired on December 17, 1977. ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story, J.J. (Jimmie Walker) has gone to work as a numbers runner in order to financially bail out his family. Although J.J. doesn't know at first that the gamblers to whom he is indebted are also trafficking in drugs and prostitution, he considers it wise to lie to his family, claiming that he's landed a job as an ad man. But J.J.'s mom, Florida (Esther Rolle), is fully aware of what her son has gotten himself into -- and when he refuses to quit his unsavory activities, Florida kicks him out of the apartment. ~ Hal Erickson, All Movie Guide