F. William Parker Movies

This two-part pilot episode for Babylon 5 was originally telecast as a single two-hour TV movie on February 22, 1993 (the "official" release date of March 8 refers to the film's Chicago TV premiere). Like the subsequent series, "The Gathering" takes place in the 23rd century, and was set on Babylon 5, a space station hovering in neutral territory which is used as a center of trade and diplomacy for a wide variety of friendly and hostile planets. As the space station becomes fully operational, the crew must deal with the attempting poisoning of Vorlan ambassador Kosh Naranek, for which B5 commander Jeffrey Sinclair is being held responsible. Complicating matters is the refusal of the Vorlans to allow any medical treatment for their ambassador. Written by series producer-creator J. Michael Straczynski, "The Gathering" features several actors who were supposed to have played recurring characters, but for various reasons were written out of the weekly version: Tamlyn Tomita as Lt. Cmdr. Laurel Takamisha, Blaire Baron as Caroline Sykes, Johnny Sekka as Dr. Benjamin Kyle and Patricia Tallman as Lyta Alexander. The pilot won an Emmy Award for special effects, and a Hugo nomation for "Best Dramatic Presentation" -- this in spite of almost universal damnation from mainstream TV critics. On January 4, 1998, the TNT cable network offered a re-edited version of "The Gathering", with a new musical score by Christopher Frake (replacing the one composed by Stewart Copeland), a handful of new computer-generated special effects, a number of judicious cuts, and several previously excised sequences, including a lengthy hostage-crisis subplot. ~ Hal Erickson, All Movie Guide

Gleaming the Cube does for skateboarding what Over the Top did for arm wrestling -- i.e. not a hell of a lot. Christian Slater is the skateboarding star, playing Brian Kelly, a sneering and laconic teen outcast. He feels left out and envious of his adopted Vietnamese brother Vinh's (Art Chudabala) success as an honor roll student and as the center of attention in his family. When Vinh commits suicide, Brian is suspicious and rolls away on his skateboard to find out what really happened -- and ultimately to avenge his murder. Brian's investigation is aided and abetted by a sardonic detective named Al Lucero (Steven Bauer), a collection of skateboard aficionados, and an incredibly attractive Vietnamese girl, Tina (Min Luong). ~ Paul Brenner, All Movie Guide

In the conclusion of a two-part story, J.J. (Jimmie Walker) has gone to work as a numbers runner in order to financially bail out his family. Although J.J. doesn't know at first that the gamblers to whom he is indebted are also trafficking in drugs and prostitution, he considers it wise to lie to his family, claiming that he's landed a job as an ad man. But J.J.'s mom, Florida (Esther Rolle), is fully aware of what her son has gotten himself into -- and when he refuses to quit his unsavory activities, Florida kicks him out of the apartment. ~ Hal Erickson, All Movie Guide

Real-life sweethearts and film directors Ken Kwapis and Marisa Silver co-directed this throwback to the silver-screen romantic comedies of the 1940s, examining the different ways men and women view reality. Kwapis takes the male character's point of view, recalling a burgeoning relationship. Silver then takes a crack at the same story, recalling the same events from the woman character's point of view. Unfortunately, both perspectives are not that much different. Kevin Bacon and Elizabeth Perkins star as Dan Hanson and Lorie Bryer, two reporters from the Baltimore Sun who are assigned to share space on the editorial page debating opposing viewpoints. Dan is the conservative philanderer. Lorie is the sensitive liberal. The new column becomes a big hit -- a shop owner exclaims, "Hey, it's the people who argue!" Although originally antagonists, Dan and Lorie become lovers. As their relationship grows, so does their popularity, and they end up hosting a popular television program. But Lorie wants commitment, and Dan doesn't. Frustrated, Lorie shies a coffee cup off Dan's noggin live on the air. Their ratings soar. And then the whole routine is played out again. ~ Paul Brenner, All Movie Guide

In this low-budget horror outing, a psychopathic killer loses the last of his warm feelings for humanity after he is involved in a freak accident. ~ Sandra Brennan, All Movie Guide

The story of "red light bandit" Caryl Chessman, previously dramatized in the 1955 film Cell 2455, Death Row (based on Chessman's own book), was adapted for television as Kill Me If You Can. In a radical departure from his usual duties as MASH's Hawkeye Pierce, Alan Alda plays Chessman, who in 1948 was found guilty of robbery, kidnapping and sexual assault. Under the laws of the era, Chessman was sentenced to die in the gas chamber. But by studying the law and publishing four books on his plight, the brilliant (albeit still repugnant) Chessman managed to forestall his execution for 12 years. Though no effort is made in the film to make the sociopathic Chessman any better than he was, John Gay's script comes out squarely in opposition of capital punishment. Kill Me If You Can first aired on September 25, 1977. ~ Hal Erickson, All Movie Guide

A successful retired jock and his geeky younger brother play out their sibling rivalry by coaching rival little league football teams in this family comedy. Ed O'Neill plays the older brother, Kevin O'Shea, a former Heisman Trophy winner whose gridiron exploits have made him a local hero in his small Illinois hometown. Kevin is the almost unanimous choice to head up the town's Pop Warner football team, and he happily builds an imposing team from the best local players. One of the few objectors is Kevin's young brother Danny (Rick Moranis), an awkward, bespectacled gas station owner who empathizes with the kids rejected from the team, including his own athletic daughter Becky (Shawna Waldron). As revenge, Danny starts his own competing team of misfits, taking on the coaching duties himself. Naturally, despite the total ineptitude of Danny and his players, they eventually find themselves major underdogs in a climactic battle against Kevin's well-trained juggernaut. Director Duwayne Dunham and a team of four screenwriters hit all the expected sports film conventions, throwing in a few innocent romantic subplots and cameos by real football players for good measure. ~ Judd Blaise, All Movie Guide

Jack Lemmon stars in Mass Appeal as a popular Los Angeles parish priest, who has retained the good will of his parishioners by cracking jokes and never taking a stand on crucial matters. Enter young seminarian Zeljko Ivanek, whose rebellious reputation threatens to earn him an expulsion. Lemmon is expected to bring Ivanek around to the Church's "party line," but the younger man resists the older man's advice--quite loudly at times. The audience is fully aware that, by film's end, Ivanek will have converted Lemmon instead of the other way around, but the sheer joy of watching two superb actors at work transcends the story's predictability. Mass Appeal was based on a play by Bill C. Davis, and produced by none other than the widow of McDonalds mogul Ray Kroc. ~ Hal Erickson, All Movie Guide

This episode opens with the grave announcement that it has NOT been filmed in 3-D (the glasses didn't show up in the mail). Once this is established, we segue into the curious tale of the Great Kandinski, a famous escape artist who has recently died. Inasmuch as Kandinski had threatened to come back from the grave to get even with his philandering wife (K Callan), David (Bruce Willis) and Maddie (Cybill Shepherd) are engaged to do some "corpse sitting" at the local funeral parlor--but comes the dawn, and the body has disappeared...and even worse, it looks as if Kandinski has carried out his threat. ~ Hal Erickson, All Movie Guide

A barrel containing the dismembered body of a woman is found in a house formerly owned by mobster Pete Mangrini (Al Sapienza). In their efforts to prove that the body is that of Mangrini's long-missing wife, thereby pinning a murder rap on the mob boss, Medavoy (Gordon Clapp) and Jones (Henry Simmons) are aided and abetted by plucky reporter Nicole Graf (Elizabeth Berkley). Meanwhile, Sipowicz (Dennis Franz) and Sorenson (Rick Schroder), pursuing another lead in the Mangini case, come up with a satisfying example of the postman ringing twice. And off the job, Sipowicz tries to help police medical examiner Dr. Kroft (M. Emmet Walsh) cope with his wife's terminal cancer. ~ Hal Erickson, All Movie Guide

Adam Arkin plays a frustrated teacher who decides to hit the road. En route to nowhere in particular, he befriends drifter David Morse, a former convict. Arkin and Morse get along famously until the stunning Susan Wheeler Duff enters the scene. The performances in this deliberately "small" film are uniformly fine, with Ms. Duff close to perfection. Personal Foul falters a bit pace-wise, but it doesn't really hurt the picture. ~ Hal Erickson, All Movie Guide

Originally made for cable television, Roswell is an entertaining mix of purported actual events and science fiction. The narrative unfolds primarily in flashbacks as retired Army officer Jesse Marcel (Kyle MacLachlan) attends a reunion of the 509th Bomber Group and tries to come to closure on events that had taken place 30 years earlier. Back in 1947, Major Marcel had been part of a military team that investigated a crash site on a ranch near Roswell, New Mexico. The debris recovered from the site had exhibited some remarkable properties such as being able to repair itself instantly after being cut, suggesting that it might have been of extraterrestrial origin. The military brass had ordered Marcel to go along with their phony story that the material was ordinary metal foil from a weather balloon, and he had reluctantly complied. By the time of the 1977 reunion, Marcel is suffering from a terminal illness, and he feels compelled to try to find out what had really happened at Roswell all those years ago. MacLachlan gives an effective performance, particularly when he portrays Marcel as an older man trying to understand his past. Evocative location shooting in the American Southwest adds cinematic impact. ~ All Movie Guide