Eleanor Parker Movies

Although the main character, Tony Manetta (Frank Sinatra), in this light comedy tends to tip the scales towards being unbelievably unrealistic, the story is pulled off because everyone else is convincing. Tony is a widower in need of a financial bailout for himself and his son, so he asks for help from his brother Mario (Edward G. Robinson), a wealthy New Yorker. Tony owns a small hotel in Miami Beach but his impractical ways have made it a losing proposition. After Mario and his wife (Thelma Ritter) arrive in Miami, thinking of taking custody of Tony's son, they suddenly decide to try to match Tony up with the widowed Mrs. Rogers -- maybe that will teach him some responsibility. This was one of the last movies directed by Frank Capra. ~ Eleanor Mannikka, All Movie Guide

Though his staunchest supporters may disagree, Lizzie is arguably director Hugo Haas' best film. Adapted from Shirley Jackson's The Bird's Nest, the film is a tour de force for Eleanor Parker, who plays the schizophrenic title character. Depending on the circumstances, Lizzie adopts one of three distinct personalities--one is good, one is bad and the third is hopelessly neurotic. Psychiatrist Neal Wright (Richard Boone) tries his best to help Lizzie, but he is undercut by the abusive behavior of the girl's drunken floozy of an aunt (Joan Blondell). Financed by Kirk Douglas' Bryna Productions, Lizzie was overshadowed by the box-office success of the similarly-themed Three Faces of Eve, which was released shortly afterward. Pop crooner Johnny Mathis made his debut as a lounge singer in this film, performing "It's Not for Me To Say." ~ Hal Erickson, All Movie Guide

When Otto Preminger was willing to release his drug-addiction drama Man With the Golden Arm without the sanction of a Production Code seal, it proved to be yet another nail in the coffin of that censorial dinosaur. Based on the novel by Nelson Algren, the film stars Frank Sinatra as Frankie Machine, expert card dealer (hence the title). Recently released from prison, Frankie is determined to set his life in order -- and that means divesting himself of his drug habit. He dreams of becoming a jazz drummer, but his greedy wife Eleanor Parker wants him to continue his lucrative gambling activities. Since Parker is confined to a wheelchair as a result of a car accident caused by Frankie, he's in no position to refuse. Only the audience knows that Parker is not crippled, but is faking her invalid status to keep Frankie under her thumb. Gambling boss Robert Strauss wants Frankie to deal at a high-stakes poker game; terrified that he's lost his touch, Frankie asks dope pusher Darren McGavin to supply him with narcotics. When McGavin discovers that Parker is not an invalid, she kills him, and Frankie (who is elsewhere at the time) is accused of the murder. He is willing to go to the cops, but he doesn't want to show up with drugs in his system. So with the help of sympathetic B-girl Kim Novak, Sinatra locks himself up and goes "cold turkey"-a still-harrowing sequence, despite the glut of "doper" films that followed in the wake of this picture. After Parker herself is killed in a suicidal fall, the path is cleared for Frankie to pursue a clean new life with Novak. ~ Hal Erickson, All Movie Guide

Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. Eleanor Parker plays Ms. Farrell, while her vocal renditions, ranging from selections from Madame Butterfly to MGM's own Over the Rainbow, were dubbed by Eileen Farrell, who would be with the Met from 1960-1966. The story traces Marjorie's long, hard road to the top, her success on two continents, and her turbulent marriage to American doctor Thomas King. While touring South America, Lawrence is stricken with polio, which not only abruptly ends her career but briefly robs her of the will to live. The rest of the film is devoted to Ms. Lawrence's emergence from depression and her triumphant comeback. William Ludwig and Sonya Levien shared an Academy Award for their cinemadaptation of Marjorie Lawrence's autobiography. ~ Hal Erickson, All Movie Guide

It doesn't take long for old-time-radio fans to figure out that The Naked Jungle is a film version of the classic Carl Stephenson nailbiter Leiningen Versus the Ants. Charlton Heston plays South American plantation owner Christopher Leiningen, who spends most of the film preparing for the hellish onslaught of deadly soldier ants. The original story concentrated solely on Leiningen; the film version hokes things up a bit by bestowing upon the hero a gorgeous mail-order bride, played by Eleanor Parker. No matter: the climactic insect invasion is well worth the wait, utilizing the Paramount Pictures optical-effects department to the nth degree. The Naked Jungle also offers excellent supporting work from Abraham Sofaer, Douglas Fowley, and William Conrad, who also acted in several of the radio adaptations of the Carl Stephenson yarn. ~ Hal Erickson, All Movie Guide

Above and Beyond is the story of the atomic bombing of Hiroshima, as told from the perspective of the man who flew the mission. Robert Taylor stars as Col. Paul Tibbetts, commander of the Enola Gay. Once selected for this extremely dangerous mission, Tibbetts must hand-pick a crew worthy of the task. He is also forced to keep his mission a closely guarded secret, even unto withholding all information from his loving and patient wife Lucey (Eleanor Parker). The film concentrates on the strain placed upon Tibbetts, his crew and their families in the crucial days before the "big drop". The bombing itself is handled with taste and decorum, though the horror and mixed emotions of the moment are brilliantly conveyed on the faces of Tibbetts and his men. Above and Beyond represents a rare noncomedy endeavor from the writer-director team of Melvin Frank and Norman Panama. ~ Hal Erickson, All Movie Guide

In this old-fashioned screwball comedy, Christy Sloane (Eleanor Parker) is a secretary with a large legal firm who is sent to California to inform Peter Lockwood (Fred MacMurray), an overly sentimental radio host, that he's just inherited $2 million. Christy is looking to raise her standard of living, and she gets an idea -- what if she woos Peter and gets him to marry her before telling him that he's a millionaire? Christy decides that it's worth a try, even though she soon learns that Peter is due to marry his fiancée June Chandler (Kay Buckley) in a matter of days. However, the wedding goes haywire when Dr. Roland Cook (Richard Carlson), Peter's best man, takes a flyer shortly before the ceremony. It seems that he's secretly in love with June, and he can't bear to see her marry anyone else, even his best friend. Peter takes off to find Roland, with Christy eagerly tagging along, but after the two are soaked by massive waves while driving along the coastline, they wind up at a wild party thrown by a large, overly-cheerful Mexican gentleman (Chris-Pin Martin) who has somehow decided that they're honeymooners and begins plying them with large amounts of tequila. After a few drinks, Christy begins to realize that she actually likes Peter for himself, not just his money, but where does this leave his almost-wedding to June? A Millionaire for Christy was directed by George Marshall, who would go on to helm a number of Jerry Lewis vehicles (including several with his sometimes-partner Dean Martin). ~ Mark Deming, All Movie Guide

One of the most notorious flops in the history of Columbia Pictures, Valentino is actually fairly entertaining -- but only when regarded as a work of fiction. In dramatizing the life of silent-screen Latin lover Rudolph Valentino, screenwriter George Bruce ignored virtually all of the facts, even those in the public domain; in addition, with the exception of Valentino, all the real-life characters' names have been changed to avoid lawsuits. What's left is an amusing fairy tale about a young Neapolitan dancer named Rudolph Valentino (Anthony Dexter), who joins a U.S.-bound dance troupe headed by his lover Marie Torres (Dona Drake). Onboard ship, Valentino makes the acquaintance of famous movie star Joan Carlisle (Eleanor Parker), sparking a brief transatlantic romance. Once in America, Valentino supports himself as a dishwasher and gigolo before Carlisle introduces him to big-time director William King (Richard Carlson), who arranges for the young immigrant to attain a few extra roles in Hollywood. Valentino becomes an overnight star after being selected to play the lead in The Four Horsemen of the Apocalypse. As his fame rises, Valentino reignites his affair with Carlisle, but will not commit himself to marriage. She marries King on the rebound, but the romance starts all over again when Valentino and Carlisle are cast together in The Sheik. At the height of his stardom, Valentino dies of peritonitis. The film ends with the mysterious "Lady in Black" making her annual pilgrimage to Valentino's tomb. It serves no purpose to list the film's many inaccuracies and anachronisms, though it's worth mentioning that his last film was not The Sheik but Son of the Sheik. As a filmed biography, Valentino is worthless. As a movie pure and simple, it's not all that bad. Even the much-maligned Anthony Dexter, an unknown who was cast purely on the basis of physical resemblance, is passable in the title role, though he comes nowhere near the original Valentino's magnetism and charisma. ~ Hal Erickson, All Movie Guide

Caged, considered the best woman's prison film ever made, represents a union between realistic socially conscious drama and the more stylized world of film noir. Marie, (Eleanor Parker), is sentenced to prison for helping her husband in a small robbery. The prison is run by the sadistic matron Evelyn (Hope Emerson) who is secure in her position due to corrupt political influence. The film shows Marie's slow disillusionment with society and her eventual decision to become a prostitute in order to gain parole after observing her friend and fellow inmate Kitty (Betty Garde) lose her sanity and murder their oppressor Evelyn. With this uncompromisingly pessimistic statement on human nature, John Cromwell reaches his peak as a director. Under his expert direction, Eleanor Parker gives the best performance of her career and creates a convincing metamorphosis from a innocent young girl to a hardened criminal. Her performance is nuanced, low-keyed and emotionally charged. Equally impressive is Cromwell's visual realization of the claustrophobia of prison life, aided by the high-contrast photography of Carl Guthrie. This excellent, grim drama is uncompromising in its refusal to sentimentalize the plight of Marie as a victim or to absolve her of her role in her fate, nor does it absolve society as it shows the results of desperation and brutalization on human dignity. ~ Linda Rasmussen, All Movie Guide

Billy Wilder's future partner I.A.L. Diamond concocted the storyline for this Dennis Morgan/Jack Carson/Doris Day tunefest. Morgan and Carson, Warner Bros.' answer to Bing Crosby and Bob Hope, appear as themselves. Attempting to line up a director for their next picture, the boys find themselves unable to do so due to Carson's gigantic ego. Carson decides to direct their next vehicle himself; the next problem is locating a leading lady who'll be willing to put up with Carson. The boys discover Doris Day, a waitress in the Warner Bros. commissary. Carson and Morgan spend their entire shooting schedule vying over Day's affections; she gets fed up with this, and heads back to her home town in Wisconsin, there to marry her childhood sweetheart Jeffrey Bushdinkel--who is revealed in the final shot to be none other than Errol Flynn! Other guest stars popping in and out of It's a Great Feeling include Gary Cooper, Joan Crawford, Sidney Greenstreet, Danny Kaye, Patricia Neal, Eleanor Parker, Ronald Reagan, Edward G. Robinson and Jane Wyman. Also appearing as themselves are such Warner Bros. directors as David Butler (the real director of It's a Great Feeling), Michael Curtiz, King Vidor and Raoul Walsh. ~ Hal Erickson, All Movie Guide

John Van Druten's Broadway hit The Voice of the Turtle was purchased by Warner Bros. as a vehicle for...well, in all likelihood, stars Eleanor Parker and Ronald Reagan were both second choices. Reagan is a returning GI who falls in love with Parker, an ingenuous young actress. Circumstances require the hero and heroine to share the same apartment, though the implications don't get much farther than the knowing wisecracks of supporting player Eve Arden. The original play's stars were Elliott Nugent and the matchless Margaret Sullavan, and both Reagan and Parker seem overwhelmed by the responsibility of filling those shoes. Nothing in The Voice of the Turtle (reissue title: One for the Book) is quite as funny as the film's outtakes, which were widely distributed during the Reagan presidency on the basis of a scene in which an increasingly testy Reagan is unable to zip up his trousers. ~ Hal Erickson, All Movie Guide

In this frothy, star-studded Warner Brothers outing, tightwad tycoon Jonathan Turner, believing himself at death's door, gives star-struck movie buff Jane Barker a million bucks. Problems begin when Jane's hubby, an aspiring writer, finds out about her new fortune. Marital turmoil ensues causing Jane to launch divorce proceedings. He in turn begins demanding alimony. The situation seems at a permanent impasse until the Turner miraculously recovers and decides he wants the money back. ~ All Movie Guide

Romantic comedy was never Errol Flynn's forte, but he occasionally gave it the old college try in such films as Never Say Goodbye. Flynn plays Phil Gayley, a Petty-like magazine illustrator, whose close proximity with gorgeous female models ruins his marriage to the lovely Ellen (Eleanor Parker). When the Gayleys divorce, their precocious 7-year-old daughter Flip (Patti Brady) contrives to bring them back together. She does, of course, but not before several by-the-number comic complications, not least of which finds Phil and his romantic rival Rex DeVallon (Donald Woods) dressed in lookalike Santa Claus suits. The film's biggest laughs are garnered whenever Errol Flynn lampoons his established "swashbuckler" image, which he does with apparent relish. At one point, Flynn even imitates Humphrey Bogart-an effect accomplished by dubbing in the voice of the real Bogart! ~ Hal Erickson, All Movie Guide