Eleanor Parker Movies

Long before Keanu Reeves and Sandra Bullock joined forces in Speed (1994), there was the strikingly similar Warner Bros. B-picture Busses Roar. A gang of Axis spies decide to use a California passenger bus to secretly transport a demolition bomb to a coastal oil field. The bomb is set to go off upon arrival, wiping out the passengers along with the oil deposits. Among those passengers is Army sergeant Ryan, who senses that something's amiss and then races against time to save himself and the others from being blown to smithereens. Another of the hapless commuters is played by Eleanor Parker, making an excellent impression in her first feature film appearance. ~ Hal Erickson, All Movie Guide

More so than most wartime films, Mission to Moscow must be viewed within the context of its times. Requested by President Roosevelt to make a film supportive of America's Russian allies, Warner Bros. turned to the memoirs of Ambassador Joseph H. Davies, who spent several years prior to WWII in the Soviet Union. As played by Walter Huston, Davies is a pillar of incorruptable integrity, reporting the facts "as I saw them" (only in later years was Davies revealed to be something less than a paragon of virtue who was willing to alter opinions for political, personal and financial expedience). Sent to Moscow by FDR as a means of finding out if Russia is a potentially trustworthy ally in case of war, Davies and his family are given the royal treatment by the Commissars, who display the social, technological, agricultural and artistic advances made under the Stalin regime. Invariably, the Russian citizens are shown to be singing, smiling, freedom-loving rugged individuals-in contrast to the Nazis, who are depicted as humorless automatons. In its efforts to present the USSR in the best possible light, the film glosses over the notorious Purge Trials of 1937, presenting the trials as scrupulously fair and the defendants as unabashed traitors to the Soviet cause. At one point, Russia's annexation of Finland in 1939 is "justified" by Davies' explanation that the Soviets merely wanted to protect their tiny neighbor from Nazi domination! It is unfair to label Mission to Moscow as Communistic or even left-wing, since it was merely parroting the official party line vis-a-vis US/Soviet relations in 1943. Even so, screenwriter Howard Koch found it very difficult to get film work after the war because of his contributions to this "Pinko" project (conversely, Jack Warner pulled a Pontius Pilate, washing his hands of the matter by insisting that he was strongarmed into making the film). Seen objectively, Mission to Moscow is top-rank entertainment, superbly and excitingly assembled in the manner typical of Warners and director Michael Curtiz. The huge cast includes Gene Lockhart as Molotov, attorney Dudley Field Malone as Winston Churchill, Maynart Kippen as a benign, pipe-smoking Stalin, Charles Trowbridge as Secretary Cordell Hull, Leigh Whipper as Hailie Selassie, Georges Renavent as Anthony Eden and Alex Chirva as Pierre Laval, along with the more familiar faces of Ann Harding (as Mrs. Davies), George Tobias, Eleanor Parker, Moroni Olsen, Minor Watson, Jerome Cowan, Duncan Renaldo, Mike Mazurki, Frank Faylen, Edward van Sloan, Louis-Jean Heydt, Monte Blue, Robert Shayne and even Sid (sic) Charisse. Original prints of Mission to Moscow include a 6-minute prologue delivered by the real Joseph Davies. ~ Hal Erickson, All Movie Guide

The West Coast's answer to Broadway's Stage Door Canteen, the Hollywood Canteen was created as a GI morale-booster by film stars Bette Davis and John Garfield. The Canteen was established so that Our Boys on leave in Tinseltown could have a good time with good food and good dancing -- and, as a bonus, rub shoulders with their favorite movie personalities, who functioned as waiters, chefs, busboys and dancing partners. Since the 1944 all-star flick Hollywood Canteen was produced by Warner Bros., it was only to be expected that the celebrities seen herein would consist mostly of Warner Bros. contract players. The frail plot concerns a soldier on medical leave (played by Robert Hutton) who falls in love with lovely leading lady Joan Leslie (played by Joan Leslie) while visiting the Canteen. Bette Davis and John Garfield are on hand to emcee the Canteen's variety acts, and to act as cupids for the Hutton/Leslie romance. The "supporting cast" includes the likes of The Andrews Sisters, Jack Benny, Joe E. Brown, Eddie Cantor, Sidney Greenstreet, Paul Henreid, Peter Lorre, Ida Lupino, Dennis Morgan, Roy Rogers, S.Z. Sakall, Barbara Stanwyck, and the Jimmy Dorsey and Carmen Cavallaro musical aggregations. Virtually everyone involved donated their salaries to the Canteen fund--even Jack Benny. As with most of these patriotic wartime star rallies, the results are a mixed bag: the best sequences include Benny's violin "duel" with Joseph Szigeti and Roy Rogers and the Sons of the Pioneers introducing Cole Porter's Don't Fence Me In. Hollywood Canteen won three Oscar nominations, more for its good intentions than its inherent excellence. Still, don't pass up the opportunity when this "movie star salad" shows up on cable TV. ~ Hal Erickson, All Movie Guide

In this mystery, a detective and his secretary go on vacation and end up solving a murder. ~ Sandra Brennan, All Movie Guide

John Garfield stars as Al Schmid, a true-life marine who served in World War II. Schmid becomes a hero at Guadalcanal, defending a machine gun post and killing 200 Japanese before he is permanently blinded by a grenade. Despite being awarded the Navy Cross, Schmid returns home embittered by his disability. After a long and grueling convalescence, he is shaken back to life by his girl friend Ruth (Eleanor Parker) and his best pal (Dane Clark), neither of whom allow Al to wallow in self-pity. The pride in Pride of the Marines comes from Al Schmid's ultimate realization that his sacrifice was worthwhile, and that his sightlessness need not prevent him from leading a full and rewarding life. ~ Hal Erickson, All Movie Guide

Romantic comedy was never Errol Flynn's forte, but he occasionally gave it the old college try in such films as Never Say Goodbye. Flynn plays Phil Gayley, a Petty-like magazine illustrator, whose close proximity with gorgeous female models ruins his marriage to the lovely Ellen (Eleanor Parker). When the Gayleys divorce, their precocious 7-year-old daughter Flip (Patti Brady) contrives to bring them back together. She does, of course, but not before several by-the-number comic complications, not least of which finds Phil and his romantic rival Rex DeVallon (Donald Woods) dressed in lookalike Santa Claus suits. The film's biggest laughs are garnered whenever Errol Flynn lampoons his established "swashbuckler" image, which he does with apparent relish. At one point, Flynn even imitates Humphrey Bogart-an effect accomplished by dubbing in the voice of the real Bogart! ~ Hal Erickson, All Movie Guide

Based on a play and novel by Margaret Kennedy, Escape Me Never is a remake of the same-named 1935 British film. Largely set in Italy, the story concerns the relationship between poverty-stricken musician Sebastian Dunbrok (Errol Flynn) and unwed mother Gemma Smith (Ida Lupino). Suspecting that her fiancé, Caryl (Gig Young), Sebastian's brother, is the father of Gemma's child, young heiress Fennella McLean (Eleanor Parker) retreats to the Italian Alps. Attempting to straighten out the situation, Sebastian finds himself falling in love with Fennella. For his brother's sake, Sebastian breaks off the relationship and marries Gemma, but while awaiting the birth of her child, he writes a heartfelt ballet score dedicated to Fennella. However, when Gemma's baby dies, the conscience-stricken Sebastian changes the dedication to his wife, whom he has learned to genuinely love. The main redeeming feature of this treacly soap opera is the stirring musical score by Erich Wolfgang Korngold. ~ Hal Erickson, All Movie Guide

The Woman in White attempts to translate the archaic prose of 19th century gothic-mystery writer Wilkie Collins to the medium of film. Gig Young plays a 19th century painter who, while en route to a country estate, encounters a strange, ethereal young lady (Eleanor Parker) who both begs his help and insists that he keep their meeting a secret. He will meet the girl again at several crucial junctures -- though she will fail to recognize him. The painter has unknowingly stumbled upon a scheme by the diabolical Count Fosco (Sydney Greenstreet) to claim an inheritance on behalf of a dissipated nobleman (John Emery); the plan involves a marriage of convenience to the hapless lady of the house (Alexis Smith), blackmail, hidden siblings, and the suppression of a dark family secret involving Fosco's neurotic wife (Agnes Moorehead). The full plotline is far too labyrinthine to go into detail here -- in fact, it can barely be followed in the film itself. While The Woman in White suffers from excess verbiage, the film is at its best in its shadowy, nocturnal "conspiracy" set pieces and in the scenes with timorous aristocrat John Abbott, to whom every raised voice is a threat to his fragile health. And keep an eye on Sidney Greenstreet's pet monkey, Iago, easily the most well-adjusted character in the film. ~ Hal Erickson, All Movie Guide

This second-echelon Humphrey Bogart vehicle casts Bogie as a bomber pilot who becomes a free-lance flyboy after the war. Eleanor Parker, Bogart's wartime love, is now the secretary of aircraft manufacturer Raymond Massey. Partly out of an effort to link up with Parker again, Bogart signs on as a test pilot for Massey's firm. Richard Whorf, Massey's safety supervisor, dislikes Bogart's grandstanding. When Whorf is killed, Bogart feels responsible. He volunteers to test Whorf's experimental escape device by flying at high-speed. The test is a success (though it's nip and tuck for a while), and Bogart survives for a final clinch with Parker. Completed in early 1949, Chain Lightning was held back from release until 1950; it was Humphrey Bogart's final Warner Bros. film. ~ Hal Erickson, All Movie Guide

Three Secrets is a darker variation on a theme first explored in A Letter to Three Wives (1949). There's only one survivor when a private plane crashes in the mountains of California. That survivor is a five-year-old boy, who hovers between life and death. As efforts continue to save the boy, three women -- Susan Chase (Eleanor Parker), Phyllis Horn (Patricia Neal) and Ann Lawrence (Ruth Roman) -- wait in agony. Years earlier, each of the three women had given up a baby son for adoption. Could it be that the little boy on the mountain top is actually the son of one of the three women? And if so, how many painful secrets will be revealed in the next few hours? ~ Hal Erickson, All Movie Guide

Sidney Kingsley's Broadway play Detective Story was praised for its realistic view of an event-filled day in a single police precinct station. The film, directed by meticulous taskmaster William Wyler, manages to retain this realism, even allowing for the star-turn performance of Kirk Douglas. A stickler for the letter of the law, Detective James McLeod (Douglas) is not averse to using strong-arm methods on criminals and witnesses alike in bringing lawbreakers to justice. He is particularly rough on a first-time offender (Craig Hill), on whom the rest of the force is willing to go easy because of the anguish of his girlfriend (Cathy O'Donnell). But McLeod's strongest invective is reserved for shady abortion doctor Karl Schneider (George MacReady); McLeod all but ruins the case against Schneider by beating him up in the patrol wagon. When McLeod discovers that his own wife (Eleanor Parker) had many years earlier lost a baby in one of Schneider's operations, and that the baby's father was gangster Tami Giacoppetti (Gerald Mohr), it is too much for the detective to bear. Punctuating the grim proceedings with brief moments of humor is future Oscar winner Lee Grant, reprising her stage role as a timorous shoplifter; it would be her last Hollywood assignment until the early 1960s, thanks to the iniquities of the blacklist. Despite small concessions to Hollywood censorship, Detective Story largely upheld the power of its theatrical original, and it forms a clear precursor to such latter-day urban police dramas as NYPD Blue. ~ Hal Erickson, All Movie Guide

Above and Beyond is the story of the atomic bombing of Hiroshima, as told from the perspective of the man who flew the mission. Robert Taylor stars as Col. Paul Tibbetts, commander of the Enola Gay. Once selected for this extremely dangerous mission, Tibbetts must hand-pick a crew worthy of the task. He is also forced to keep his mission a closely guarded secret, even unto withholding all information from his loving and patient wife Lucey (Eleanor Parker). The film concentrates on the strain placed upon Tibbetts, his crew and their families in the crucial days before the "big drop". The bombing itself is handled with taste and decorum, though the horror and mixed emotions of the moment are brilliantly conveyed on the faces of Tibbetts and his men. Above and Beyond represents a rare noncomedy endeavor from the writer-director team of Melvin Frank and Norman Panama. ~ Hal Erickson, All Movie Guide