Eleanor Parker Movies

A Broadway-bound stage comedy is supposed to reunited the formerly married acting team of Maggie Tarrow (Eleanor Parker) and Julian Lord (Edward Mulhare). But when Maggie's young understudy is killed just before the first performance, it looks as though someone doesn't want the play to open. Jessica Fletcher (Angela Lansbury) ventures backstage to find out the truth behind the girl's death, and to sort out the motives that will lead her to the murderer. ~ Hal Erickson, Rovi

A spy convinces a computer genius to work for him, placing the genius in position to confront the most dangerous criminal in the world. (AKA Once Upon A Spy) ~ Rovi

Jake (Charles Grodin), an insurance investigator, is assigned to probe the killing of a wealthy businessman in Acapulco. To help him, he hires a beautiful New York model, Ellie (Farah Fawcett), to act as his wife, and they pretend to be tourists on vacation. Art Carney plays Marcus, a local detective who befriends Jake but gets him into various scrapes. Joan Collins also appears as the suspicious Nera. Sunburn was a made-for-TV movie which featured a pop-song soundtrack blaring from characters' tape recorders that included tunes by Herbie Hancock. The movie was based on the novel The Bind by Stanley Ellin. ~ Michael Betzold, Rovi

Produced for the syndicated "Operation Prime Time" series, The Bastard is the first of John Jakes' "Kent Family Chronicles" (followed by The Rebels and The Seekers). Presented in two parts, the story begins in 1771, with 17-year-old French commoner Philippe Charboneau (Andrew Stevens) discovering that he is the illegitimate son of a British Duke. He goes on a long journey, girdling several countries, to claim his birthright, with his mother (Patricia Neal) along for the ride. Settling in America in 1772, our hero--now known as Phillip Kent--becomes involved with the American Revolution. The all-star cast includes Buddy Ebsen, Barry Sullivan, Harry Morgan, Lorne Greene, Donald Pleasence, Tom Bosley (as Ben Franklin), William Shatner (as Paul Revere) and William Daniels (as Samuel Adams). Distributed nationally beginning May 22, 1978, The Bastard was re-titled Kent Family Chronicles in the more conservative TV markets. ~ Hal Erickson, Rovi

An unsubtle but effective TV-movie satire of the "Miss America" syndrome, Great American Beauty Contest stars Joanna Cameron as a fire-breathing feminist who enters the contest of the title. She plans to win the crown, then utterly destroy the contest by delivering a scathing attack on exploitation and sexism instead of an acceptance speech. A subplot concerns contest judge Louis Jourdan, who uses his position to extract sexual favors from the more desperate contestants. Eleanor Parker, the girls' chaperone, gives Jourdan his comeuppance in the film's most satisfying sequence. We won't spoil the twist ending, but we will note that one of the contestants is played by Farrah Fawcett, whose specialty is an endearingly ridiculous belly dance. ~ Hal Erickson, Rovi

Vanished earned a niche in video history as the first two-part TV movie. Based on Fletcher Knebel's novel, the story concerns the sudden disappearance of a top Presidential adviser. Grilled by the media, the President's press secretary (James Farentino) reveals very little, simply because he knows very little. But the chief executive himself (Richard Widmark) has more information than he's willing to make public; the FBI has proof that the vanished adviser was homosexual, and subject to blackmail. Based in part on the Lyndon Johnson/Walter Jenkins imbroglio of 1964, Vanished is given an aura of credibility via cameo appearances by Washington newscaster/journalists Chet Huntley, Herbert Kaplow and Martin Agronsky. The film was first telecast on two consecutive evenings: March 8 and 9 of 1971. ~ Hal Erickson, Rovi

This offbeat potboiler from Psycho scripter Joseph Stefano involves a plot hatched by mod couple Wylie (Michael Sarrazin) and Kassia (Gayle Hunnicutt) to murder Wylie's wealthy, cat-loving aunt Danny (Eleanor Parker). There's only one hitch in their scheme, but it's a doozy: Wylie suffers from a severe case of ailurophobia -- an irrational fear of all cats. In order for their plot to succeed, the pair must first eliminate Aunt Danny's legions of feline companions...which turns out to be much more difficult than expected, thanks to a sly, deadly counter-plot. Despite some bizarre cues hinting at some sort of evil intelligence on the part of the cats, the suggested horror elements are downplayed in favor of a substandard psycho-thriller. Sadly, Stefano's script is the film's greatest failure, littered with silly dialogue and plot holes a mile wide. ~ Cavett Binion, Rovi

Released theatrically overseas, How to Steal the World was comprised of two episodes from the American TV series Man from U.N.C.L.E. U.N.C.L.E. agents Napoleon Solo (Robert Vaughn) and Ilya Kuriakin (David McCallum) investigate when fellow agent Barry Sullivan and European general Leslie Nielsen disappear. Shortly afterward, five of the world's top scientists are mysteriously abducted. The trail leads to the Himalayas, where Sullivan has set himself up as potential world dictator, hoping to use the combined talents of the scientists to build a device that will spread mind-controlling gas throughout the planet. How to Steal the World was originally telecast in two weekly installments as the "The Seven Wonders of the World Affair"--the final two episodes of Man From U.N.C.L.E., which had been cancelled by NBC to make way for Rowan and Martin's Laugh-In. ~ Hal Erickson, Rovi

LAPD detective Sgt. Tom Valens (David Janssen) is a ten-year veteran of the force who has had more than his share of hard luck lately -- his marriage is a wreck, and he hasn't fully recovered from a serious wound suffered in the line of duty a year ago. He and his partner, Sgt. Ed Musso (Keenan Wynn), are working a stakeout one night at the Seascape Apartments, in hope of catching a killer who has already claimed three victims in that part of the city, when he confronts a man seemingly trying to sneak off the premises. The man tries to run, stops when ordered but starts to pull a gun, and Valens shoots him dead. The deceased turns out to be Dr. James B. Ruston, a well-known humanitarian and pillar of the community -- worse yet, the police can't find any trace of the gun Valens says he saw Ruston pull. Valens' nightmare builds gradually, as he's first assigned to a desk, then hung out to dry by an indifferent coroner (Carroll O'Connor) at an inquest, suspended from the force, and then indicted for manslaughter by a crusading prosecutor (Sam Wanamaker) with a personal ax to grind. Villified in the press and by protesters in the street, Valens has few even slightly sympathetic ears around him -- his partner, his captain (Ed Begley Sr.), and his soon-to-be-ex-wife (Joan Collins) -- and even fewer allies. The one attorney (Walter Pidgeon) with enough juice to fight the case on an even footing with the DA says he would only plead him guilty and try for a deal, based on his understanding of the law and of juries; and the one public pundit (Steve Allen) who takes his part is doing so for the most cynical of reasons. Valens realizes that the only way to save himself is to first prove that the so-called victim wasn't quite the candidate for sainthood that he seemed -- why did he run? -- and to find the missing gun. To do all of that, he's got to confront the victim's aggrieved patients (Lillian Gish), his alcoholic widow (Eleanor Parker), and his employees (Stefanie Powers), all of whom have every reason to hate Valens. He starts to dig into the doctor's finances and finds some anomalies that no one can explain (or wants to look at -- they'd rather hang Valens), and as he puts together the pieces of the puzzle, helped by a sympathetic tenant at Seascape (George Grizzard), Valens finds himself pursued by the doctor's thug of son and his friends with mayhem on their minds -- and someone else with a deadlier agenda. ~ Bruce Eder, Rovi

An American Dream is adapted from the Norman Mailer novel of the same name. Stuart Whitman plays an acerbic TV talk show host who kills his wife Eleanor Parker during an argument. Whitman exerts his influence to cover up his crime, and the official verdict is suicide. But Whitman has not reckoned with the "Hell hath no fury" intensity of his cast-aside mistress Janet Leigh. When An American Dream bombed at the box office, the desperate distributors re-titled the film See You in Hell, Darling. ~ Hal Erickson, Rovi

Frank Pagano, mobster and head of Pagano Enterprises, needs to lose $500,000 within thirty days to avoid paying a large sum in income taxes. Deciding on an ingenious plot to produce a flop television pilot, he hires Philipe Fontaine (Maurice Chevalier), a fizzled star who can no longer find work. Philipe's screen-girl is to be played by Angela (Jayne Mansfield), a prostitute aspiring to be an actress--who also happens to be quite close to Frank. Though Philipe tries his best to make what he can of the role, the project seems doomed under the direction of inept Pandowski (Akim Tamiroff). When Philipe finds out what is really going on, he sneaks a copy of the project to the Venice Film Festival as a comedy feature--slightly setting Frank's plan askew. Shot in Rome and Venice, this comedy based on a story by independent producer Ron Gorton took three years to finish. ~ Kristie Hassen, Rovi

If anything, this star-studded sequel is even sillier than the original, adding to its problems by completely recasting all the roles, combining several of them into existing characters. Carol Lynley is the heroine this time, and she leaves Peyton Place for New York to write a book about the hypocrisy of her hometown. The book causes lots of trouble back home, getting Mike (Robert Sterling) fired as principal, angering Lynley's mother (Eleanor Parker), and stirring such horrible memories in Selena (Tuesday Weld) that she brains her new boyfriend with a fireplace poker, thinking he is her dead rapist stepfather. The film really belongs to Mary Astor, in a hilarious turn as a smotheringly possessive mother. She tries to come between her son and his new bride (Luciana Paluzzi) in some unintentionally hilarious scenes, causing Paluzzi to fling herself down a ski slope in an attempt at a self-induced miscarriage. Overwrought and overblown, the film is still a treat for fans of campy "suburban sin" melodramas. Look for Bob Crane as an unctuous talk show sidekick. ~ Robert Firsching, Rovi