Macdonald Parke Movies

Set in Canada, this nasty little fable is about a respectable village elder (Patrick Allen) who is also a sexual deviate. Using candy as bait, he persuades two little girls to dance naked for him. When the girls complain to their parents, the old man is taken to court, but his prestige in town assures an acquittal. Inevitably, the man's perversities lead to the death of a child. The British title for this repellant film was Never Take Sweets From a Stranger; it was based on John Hunter's play The Pony Cart. ~ Hal Erickson, All Movie Guide

Robert Stack stars in this sea-faring historical epic as John Paul Jones, the first great hero of the American Navy. While originally a loyal soldier of the King's army, Jones in time becomes a fervent supporter of the American Revolutionaries, and he volunteers to lead the colonists' ragtag fleet to impressive victories against the British Navy; during a battle against the British ship Serapis, Jones utters the deathless words "I have not yet begun to fight." While his brave and intelligent leadership helps win America its freedom, his appeals to Benjamin Franklin (Charles Coburn) and the other leaders of Congress to strengthen the United States Navy fall on deaf ears; Jones is eventually branded a troublemaker, and in time, he is ordered to Russia, where he is to help guide the fleet of Catherine The Great (Bette Davis). Jones leads the Russian Navy to stunning victories in the Black Sea, reestablishing his reputation as one of the great military minds of his day. John Paul Jones also features a rousing score by the great film composer Max Steiner. ~ Mark Deming, All Movie Guide

If official documentation didn't exist, we'd never believe a fantastic yarn like I Was Monty's Double. Actor M.E. Clifton James plays himself, a British stock-company actor who becomes an unsung hero during World War II. It seems that James, serving his country as a junior officer, is the exact double of General Montgomery. Major John Mills trains James to impersonate Montgomery to the last detail, then sends the actor on a tour of North Africa, the better to divert the German's attentions away from the real "Monty." Based on James' own written reminiscences, I Was Monty's Double was released in the U.S. under the baffling title Hell, Heaven or Hoboken! ~ Hal Erickson, All Movie Guide

Hot on the heels of Safari came another Columbia-released, African-filmed adventure, Beyond Mombassa. Matt Campbell (Cornel Wilde) arrives in Kenya on a double quest. He hopes to locate a valuable uranium mine, and also to learn the "whos, whats and whys" of his brother's murder. Joing Campbell's safari are missionary Ralph Hoyt (Leo Genn) and Hoyt's niece Ann Wilson (Donna Reed). After several attempts are made on Campbell's life, he comes to the conclusion that one of his travelling companions was responsible for his brother's death. Sure enough, the villain has not only dispatched Campbell's brother, but has also arranged the evidence so as to place the blame on a legendary tribe of "leopard men". As for why he does it, it is best to see Beyond Mombassa for further details. ~ Hal Erickson, All Movie Guide

Katharine Hepburn stars as Jane Hudson, an Ohio secretary on the verge of spinsterhood. Carefully saving her money, Jane takes an extended trip to Venice, half hoping to find the romance that has always eluded her. Luck of luck, she meets handsome Renato Di Rossi (Rossano Brazzi), who sweeps her off her feet. Jane's flight on Cloud Nine comes to a flaming crash when she learns that Renato is married and the father of a large family. Picking herself up and dusting herself off, Jane is determined to keep her romance alive, and hang the consequences. She ultimately does what's best for everyone, and heads back to Ohio, wistfully clutching to the memory of the happiest summer of life. Gorgeously color-photographed on location by Jack Hildyard, Summertime was an adaptation of (and vast improvement upon) Arthur Laurents' play The Time of the Cuckoo. ~ Hal Erickson, All Movie Guide

This drama is comprised of two short films originally made to be shown on British television. The first short is the story of a scientist who invents a miraculous new drug that no one pays attention to. Distraught, the scientist is just about to end his life when his drug saves a child's life. In the second drama, the patriarch of an Irish family falls for the mechanisms of a con artist and threatens to squander the family savings on the foolish scheme. ~ Sandra Brennan, All Movie Guide

A Georges Simenon novel was the source for the Anglo-American The Man Who Watched Trains Go By. Claude Rains stars as Kees Popinga, chief clerk for a Dutch trading company. Scrupulously honest, Popinga goes off the deep end when he discovers that his employer has been cooking the books to support a mistress. Upon learning that his boss intends to abscond from Brussels to Paris with company funds, Popinga prevents this from happening by stealing the money himself. Through a series of wild coincidences, he winds up entangled with the very woman (Marta Toren) who'd caused his boss' downfall. The Man Who Watched Trains Go By was released in the U.S. as Paris Express. ~ Hal Erickson, All Movie Guide

Though she was pushing 50 at the time, Paulette Goddard still looked quite fetching in harem duds in the independently produced comedy Babes in Bagdad. On the other hand, Goddard's leading man, 57-year-old John Boles, not only looked his age but acted it. Even the youngest of the three leads, Gypsy Rose Lee, was far too mature for the childish proceedings at hand. The plot finds Arabian Nights princess Kyra (Goddard) demanding equal rights for women, much to the dismay of caliph Hassan (Boles). She is supported in her views by the caliph's godson, Ezar (Richard Ney), who nonetheless exhibits a chauvinistic streak by kidnapping Kyra at mid-film and spiriting her away to his tent. Meanwhile, the caliph sees the error of his polygamous ways and settles down with his favorite wife, Zohara (Gypsy Rose Lee). Even the staunchest auteurist defenders of director Edgar G. Ulmer are hard-pressed to justify his participation in this relentlessly silly effort. ~ Hal Erickson, All Movie Guide

Former Hollywood musical director (and erstwhile government spy) Boris Morros was one of the producers of the British Tale of Five Cities. Bonar Colleano stars as British soldier Bob Mitchell, who has picked up American habits and speech patterns while employed in the U.S. Suffering from amnesia, Mitchell is led to believe that he is an American GI, though of course no records exist to verify this. Mitchell's confusion prompts a Manhattan-based magazine to launch a search for Bob's true identity, a search leading inexorably to the girls he left behind during WW II. The "five cities" visited during this exploratory journey are Rome, Berlin, Vienna, Paris, and London; Mitchell's Roman sweetheart is played by Gina Lollobridgida, while his Viennese amour is Eva Bartok. ~ Hal Erickson, All Movie Guide

James Hadley Chase's 1939 bestseller reached the screen for the first time -- which a lot of critics of the book would have said was one time too many -- in 1948, in somewhat bowdlerized form, under the aegis of Renown Pictures and screenwriter St. John Legh Clowes, making his sole bow as director. Filmed in England but set in New York, No Orchids For Miss Blandish tells of a sheltered heiress (Linden Travers) who is abducted on her wedding night by a trio of cheap hoods, in what starts out as a jewel robbery and turns into a kidnapping/murder when one of them (Richard Nielson) kills the bridegroom. More mayhem ensues as the three kidnappers soon end up dead, and Miss Blandish falls into the hands of the Grisson mob, led by Slim Grisson (Jack LaRue), who are pros at what they do, throwing their weight around the underworld at will and not too afraid of the police, either. Slim Grisson isn't really better than any of those around him, but he's smart enough to restrain his worst impulses, which makes him start to look very good to Miss Blandish, who finds herself strangely attracted to him, as the first real man she's ever seen, and also a way out of the sheltered existence she's known all of her life. He's as amazed as anyone around him -- including his own mother (Lili Molnar), who runs the gang in tandem with him -- that he doesn't want to ransom Miss Blandish, or plan on killing her because she knows too much; or that she'll testify on his behalf, if necessary, that the one killing she did see by him was, in fact, a matter of self-defense. They plan to run off together, but neither Grisson's mother nor the rest of the gang can see parting with a potential million dollar ransom, or leaving a witness alive -- even if it means killing Slim Grisson to get to her. And when a nosy reporter named Fenner (Hugh McDermott) starts putting the police on the trail of the gang, Slim himself isn't above committing a few more murders to bury any witnesses. The movie was so violent and amoral, that it appalled critics and social observers on both sides of the Atlantic, whose agonizing over its content actually helped turn the picture into a bigger hit than it might otherwise have been. This was especially true in America, where the movie enjoyed a five week run in one of New York's bigger movie palaces to sell-out business, though it was edited considerably and re-cut twice for US release (the second time, a couple of years later, as Black Dice). Robert Aldrich filmed the same story as The Grissom Gang (1971), with Kim Darby, Scott Wilson, and Irene Dailey. ~ Bruce Eder, All Movie Guide

The Yellow Canary was one of several wartime collaborations between British producer-director Herbert Wilcox and Hollywood's RKO Radio Pictures. The film stars Wilcox's wife Anna Neagle as pretty aristocrat Sally Maitland. Having alienated many of her friends with her prewar Nazi sympathies, Sally continues hobnobbing with the Third Reich once war has been declared. Actually, her pro-German activities are a sham; she's actually working hand and glove with the British government to smash an Axis spy ring in Canada. Along for the ride is British intelligence officer Jim Garrick (Richard Greene), who ultimately falls in love with Sally. There's a "mystery" angle to the plotline of The Yellow Canary, but it is largely ignored when the story takes a melodramatic turn in the last few reels. ~ Hal Erickson, All Movie Guide

Wings and the Woman was a reverent (read: dull) British biopic about pioneer aviatrix Amy Johnson. Anna Neagle portrays Amy, whose fame in the 1930s is such that songs are written about her and a worldwide fan club is organized. See RKO Book. Ms. Johnson's fame exacts a toll on her marriage to pilot Jim Mollison (Robert Newton), a daredevil in his own right who chafes at being overshadowed by his wife (the film is careful not cast Mollison in an envious light). The film ends with Amy's death while transporting a fighter plane from a defense factory to an RAF field, a tragedy which gives producer/director Herbert Wilcox ample opportunities to wave the Union Jack. Released in Great Britain as They Flew Alone, Wings and the Women was heavily edited by its American distributor RKO, with some dialogue sequences ending in mid-sentence! ~ Hal Erickson, All Movie Guide