Julie Paris Movies

This teen comedy from Disney is based on a popular novel by Meg Cabot and directed by Garry Marshall. Mia Thermopolis (Anne Hathaway) is a teenage klutz who's openly mocked by the popular Lana Thomas (pop singer Mandy Moore). In fact, Mia's only friend at her exclusive prep school is the socially outcast Lilly (Heather Matarazzo). Mia's life takes a dramatic turn, however, when her mom announces that her late biological father was in actuality the crown prince of a small European nation, Genovia. Now Mia is the sole heir to the throne, and her grandmother, Queen Clarisse Renaldi (Julie Andrews) wants to tutor the awkward teen in royal behavior. It's a daunting task given Mia's lax table manners, poise, and hair care, but the girl perseveres with some makeover help from her grandmother's security chief Hector Elizondo) and a style expert (Larry Miller). In the meantime, Mia's romantic affections are torn between the handsome, popular Josh (Erik Von Detten) and the more appropriate Michael (Robert Schwartzman), who also happens to be Lilly's brother. The Princess Diaries is the second film from Whitney Houston's production shingle after the television version of Rodgers and Hammerstein's Cinderella (1997). ~ Karl Williams, All Movie Guide

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

Based on a novel by Iris Rainer Dart, Beaches traces the 30-year oil-and-water friendship between free-spirited Bronx Jew CC Bloom (Bette Midler) and uptight San Francisco WASP Hillary Essex (Barbara Hershey). The two meet as children in Atlantic City (played by Mayim Bialik and Marcie Leeds) and are reunited in the 1960s, when CC is a struggling singer and Hillary is trying to break free from her staid upbringing by becoming an activist. The two ladies room together, then fall out when both are attracted to off-Broadway producer John Pierce (John Heard). CC wins John, but she quickly outgrows him as she matriculates into a bawdy performer. The recently patched-up friendship between CC and Hillary is torn asunder again when Hillary and her new husband express distaste for CC's performing style. Comes the 1970s, and CC and Hillary are reunited after shedding their respective spouses. Broke again, they once more become Manhattan roommates. Their bond strengthens, but there is tragedy in store for the duo. ~ Hal Erickson, All Movie Guide

Garry Marshall directed this film which starts as a light comedy but moves into heavy-duty drama later on. David Basner (Tom Hanks in a good performance) works in an ad agency, where he enjoys bantering with his co-workers and meets a lot of women. He hasn't been especially close to his father (Jackie Gleason) and never thought about him much until his Dad is left devastated when his wife of 36 years walks out on him. He is soon faced with serious health problems as well. This propels the elder Basner on a downward slide that affects David and their relationship. ~ Eleanor Mannikka, All Movie Guide

In this weak, undistinguished sequel to the successful Police Academy, Mahoney and his cohorts have now graduated from their police training and are ready to tackle real criminals. The first assignment for the enthusiastic former cadets is to halt the graffiti-scribbling antics of a local gang of marauding toughs. The new lieutenant at the station (Art Metrano) is not anxious to see them succeed -- and begins to roadblock their efforts against the graffiti artists. Not to be easily outmaneuvered, Mahoney and friends plot an appropriate revenge. ~ Eleanor Mannikka, All Movie Guide