Woodrow Parfrey Movies

Quincy (Jack Klugman) recognizes elderly murder victim Violet Winston (Louise Fitch) as a onetime vaudeville headliner, and the partner of long-retired comedian Morris Perlmutter (Keenan Wynn). The only witness to the killing is Violet's sister Eugenia (Rosemary DeCamp), who is handicapped by a variety of debilitating infirmaries. Elsewhere, the aforementioned Perlmutter prepares to make a comeback on live TV, only to begin suffering the early stages of senility. ~ Hal Erickson, Rovi

As played by Jessica Lange, Frances Farmer is a rebel from the word go, winning a high school essay award by writing a piece in defense of Communism. Determining to become an actress, Frances is equally determined not to play the Hollywood game: she refuses to acquiesce to idiotic publicity stunts, and insists upon appearing on screen sans makeup. Her defiance attracts the attention of Broadway playwright Clifford Odets, who convinces Frances that her future rests with the Group Theatre. But once she leaves Hollywood for New York, Frances learns to her chagrin that the Group intends to exploit her movie fame in order to draw in customers. Her desperate attempts to restart her movie career, combined with her increasing dependence on alcohol and the pressures brought to bear by her monster mother (Kim Stanley), result in a complete mental breakdown. Even while institutionalized, Frances is abused by the powers-that-be; she is forced to undergo an injurious brain operation, is treated like a mad animal, and periodically raped by the inmates. Frances is released in the custody of her mother, who persists in browbeating her tortured daughter until Frances discovers the legal means to break away. The real-life Frances spent her last years as host of a local Indianapolis TV program, dying in 1970 at age 57; the film comes to a climax when Frances is feted on the smarmy network program This is Your Life. Other actual personages depicted herein include Clifford Odets (played by Jeffrey DeMunn), Harold Clurman (Jordan Charney) and Ralph Edwards (Donald Craig). Frances' first husband Leif Erickson is fictionalized as "Jeffrey York", and played by Lange's real-life inamorata Sam Shepard. And if you listen closely, you'll hear the voice of Kevin Costner, whose minor role was whittled down to one line when he, like Frances Farmer, had the temerity to argue with the director. The unhappy life of actress Frances Farmer was also covered in Farmer's autobiography, Will There Ever Be a Morning? While the film rights for that book were sold to a TV-movie concern, the producers of the theatrical feature Frances were able to ship their production out to the public first. ~ Hal Erickson, Rovi

In Robert Kaylor's Carny, the world of the carnival is an illusion manipulated by the carnies to fleece the suckers. The marks generally deserve what they get, because of their greed, corruption, or just plain stupidity. It's share and share alike for Frankie (Gary Busey) and Patch (Robbie Robertson), partners in a dunk-the-bozo act in a carnival travelling through the American South. At one of the small-town stops, Donna (Jodie Foster), an alienated teenager, dumps her obnoxious boyfriend and, with Frankie's encouragement, joins up and moves into their trailer (and Frankie's bed). Feeling displaced, Patch schemes to get Donna out of the carnival. However, the carnival's owner needs Donna to foil a loathsome pair of local officials who demand payoffs. She plays her part perfectly and is accepted by all, although she moves into another trailer. ~ Steve Press, Rovi

Bronco Billy stars Clint Eastwood (who also directed) as the impresario of a seedy wild west show. Going along for the ride is spoiled socialite Sondra Locke, who is "initiated" by being pressed into service as the wrong end of a knife-throwing act. The rest of the troupe, like Eastwood himself, are losers in life who yearn for the freedom and opportunity of the long-gone Old West. Despite its raucous ad campaign, Bronco Billy is at base a wistful character study, avoiding the usual trappings of car chases and redneck villains and offering quiet chuckles instead of belly laughs. Unfortunately it failed to click with the public, compelling Eastwood to temporarily return to his old crash-bang-pow formula in his next few films. ~ Hal Erickson, Rovi

The TV adventure series B. J. and the Bear premiered as a midseason replacement on February 10, 1979. Greg Evigan starred as B.J. McCay, a wildcat trucker who'd do anything for a price, as long as it was honest. He travelled the length and breadth of the country in the company of his pet chimp "Bear." In the 90-minute pilot episode, B.J. is framed for a crime he didn't commit by his perennial enemy, corrupt Southern sheriff Elroy P. Lobo (Claude Akins). He is busted out of jail by toothsome female inmates JoAnn Harris and Randi Oakes. The B.J. and the Bear series proper ran until 1981, by which time Sheriff Lobo had turned honest, thus smoothing the road for the spin-off series Lobo. ~ Hal Erickson, Rovi

When faced with graduation, four seniors plot to prolong their college experience for fear of steady employment, but they're also loathe to leave behind their accommodating housemate Sylvia (played with mute, topless allure by a pre-Three's Company Priscilla Barnes), who functions as a live-in maid and concubine ("Where else are we going to find a nympho who loves to cook and clean house?"). In between sumptuous meals and bouts in the sack, the boys pester their parents to pay for post-graduate studies, without success. Luckily, a Poindexter science major named Arnold is desperate to lose his virginity to Sylvia, so the guys trade her sexual favors for his complicity in an elaborate scam. He's the only trusted assistant of reclusive genius Professor Heigner (Alan Reed, the voice of Fred Flintstone), a three-time Nobel Prize winner studying the mating habits of mosquitoes. Foundations are eager to fund the professor's work with generous grants, and since Heigner signs anything Arnold hands him without question, the seniors draft their own letter of request for cash and claim to be studying the sexual habits of college-age girls. It works, and with a 50,000-dollar-grant they offer coeds a 20-dollar honorarium to participate in the study by engaging in any kind of sex they like with our four heroes as the only male volunteers. Eventually, exhaustion and avarice lead them to expand the study and allow local businessmen to take part for a 50-dollar fee, which leads to huge profits. Only the intervention of "the establishment" will show the seniors the folly of their ways, when they enter into partnership with a feminine hygiene corporation and find themselves targeted for murder. The female head of the foundation that funds the seniors' project mistakenly believes that Professor Heigner is some sort of sexual dynamo and pursues him endlessly, leading the misanthropic scientist to chase her away by firing a rifle at her, spraying her with sticky white fire extinguisher foam, and setting a blaze beneath her while she frantically climbs up a chimney. Endless lines of co-eds wait breathlessly for the chance to copulate with strangers for a double sawbuck (it's all in the name of science, after all, and why not earn money for something they'd be "giving away" otherwise?). ~ Fred Beldin, Rovi

In search of the person who stuffed a note reading "Be My Friend" in a bottle, Charles (Michael Landon) and Laura (Melissa Gilbert) come upon an abandoned baby. It soon develops that the child's unwed, teenaged parents were forced to part by the girl's resentful father. While Charles tries to patch things up with the couple's families, Laura grows increasingly attached to the baby. ~ Hal Erickson, Rovi

Kojak moved from its traditonal Sunday-night timeslot to a new Saturday evening berth for this concluding episode of a two-part story. Though suspended from the force, Kojak is determined to track down a serial murderer known as The Clothesline Killer. It's a personal crusade for the troubled detective: Back in 1969, he allegedly shot the Clothesline Killer to death--and now there is every possibility that he gunned down the wrong man. Diane Baker appears in flashback as the detective's former love Irene. ~ Hal Erickson, Rovi

In this offbeat comedy, Jeff Bridges plays Craig Blake, a rich kid who works with a group of hard-living Southern real-estate men led by Jabo (Joe Spinell), who are buying up a business district in Birmingham, Alabama in order to clear the space and put in a new project. Craig is supposed to work out a deal to buy the Olympic Spa, a gym popular with local weight-lifters, but after spending some time at the club, Craig finds himself fascinated with the people there, especially Joe Santo (Arnold Schwarzenegger), a world-class body builder from Austria who sometimes works out in a superhero costume and likes to play bluegrass fiddle to relax. Craig also makes the acquaintance of Mary Tate Farnsworth (Sally Field), a feisty gal who hangs out with Joe. Mary Tate finds Craig attractive, but she isn't sure he's being all that sincere, and she wonders why a wealthy real estate man is hanging out with a bunch of low-rent gym rats. Stay Hungry was a critical comeback for director Bob Rafelson and kick-started the careers of both Sally Field and Arnold Schwarzenegger in their first major film roles (unless you count Arnold's misbegotten appearance as "Arnold Strong" in Hercules In New York). ~ Mark Deming, Rovi

Originally telecast as a component of The NBC Sunday Mystery Movie, the feature-length opening episode of Quincy, M.E. quickly establishes the prickly personality and crusading nature of LA County Coroner's Office medical examiner Quincy (Jack Klugman). We're also introduced to several others series regulars, including Quincy's current girlfriend Lee (Lynette Mettey), his talented young assistant Sam (Robert Ito), his overcautious supervisor Dr. Robert Astin (John S. Ragin) and his police contact Lt. Frank Monahan (Garry Walberg). In the opener, Quincy investigates the possible links between a the rape and murder of the mayor's secretary, and the mysterious death of a city controller--and in the process, unearths a wide-ranging conspiracy. ~ Hal Erickson, Rovi

The drab and lonely life of Martha Howard (Joanne Linville) suddenly becomes quite eventful--and dangerous. Martha has entered into an affair with Brian Downing (Edward Mulhare), a prominent, and married, British cabinet minister. At the same time, Downing's embittered wife (Pippa Scott) hires a hotheaded young man named Bobby Nelson (Steve Keats)--for the purpose of getting close to Martha, then murdering her. ~ Hal Erickson, Rovi

A robbery committed by three men goes horribly awry: one thief is killed, the second escapes, and the third, a lifelong loser named Hardway (Paul Burke), is arrested. While languishing behind bars, Hardway learns that his daughter has been kidnapped--and that the only way he can ransom her is to reveal the whereabouts of the stolen money. Ironside (Raymond Burr) enters the scene in hopes of saving the girl, retrieving the money, capturing the villain--and, just possibly, redeeming the hapless Hardway. ~ Hal Erickson, Rovi