Judy Parfitt Movies

Directed by David Mackenzie, Asylum follows a 1950s family living in a home on the grounds of an asylum after Max (Hugh Bonneville), the patriarch, is assigned to serve as deputy director of a remote psychiatric hospital. Neither his wife, Stella (Natasha Richardson), nor his young son, Charlie (Augustus Jeremiah Lewis), are particularly happy about the arrangements, though Stella finds herself slowly becoming attracted to Edgar Stark (Marton Csokas), a charismatic inmate. Despite the obvious repercussions of an extramarital affair and the sage advice of Dr. Cleave (Ian McKellen), a colleague of her husband, Stella's slow-burning attraction becomes an all out obsession; before long, Stella is barely aware that she is risking her family, her sanity, and even her very life for Edgar. Asylum is based on a novel by Patrick McGrath. ~ Tracie Cooper, All Movie Guide

Several notorious criminals have disappeared without a trace. Assigned to get to the bottom of this mystery, Steed and Emma discover that the miscreants have escaped capture with the aid of a time machine. This is the episode in which Emma, dressed in the "latest" 17th century garb, finds herself imprisoned in the stocks. Written by Philip Levene, "Escape in Time" was first seen in England on January 28, 1967, and in America on February 10 of that same year. ~ Hal Erickson, All Movie Guide

This exotically titled Avengers episode is a working of the 1962 "Cathy Gale" installment "The Big Thinker." The title character is a highly advanced computer that is "murdered" by a shotgun blast. The perpetrator of this outrage would seem to be the creator of the computer, but Steed thinks otherwise; as a result, Tara poses as the creator's American niece, in hopes of rooting out the actual culprit. Written by Tony Williamson, "Whoever Shot Poor George Oblique Stroke XR40?" made its TV debut in America on October 30, 1968, followed by its British TV bow on December 9 of that same year. ~ Hal Erickson, All Movie Guide

Dark Obsession is a slow, English-made, psychological thriller dealing with erotic obsession, guilt and betrayal. Sir Hugo Buckton (Gabriel Byrne), an aristocrat strapped for money, is married to beautiful, sensual and successful Virginia (Amanda Donohoe). His alcoholism and his envy of her lead to his obsessive jealousy and belief in her lack of fidelity. During one drunken evening while out driving with friends, Hugo hits and kills a pedestrian who resembles Virginia. When Hugo begins to receive vague blackmail letters, he suspects one of his friends, and the group begins to plot a murder. Dark Obsession has all the ingredients of a first-rate thriller but fails despite its excellent cast to generate any excitement. The pace of the film is languid, the motivations of the characters are unclear, and after the accidental death, nothing much really happens. Dark Obsession, originally released as Diamond Skulls, despite the best efforts of its cast, is a thriller that fails to thrill. ~ Linda Rasmussen, All Movie Guide

A daughter who has come to imagine the worst about her mother learns the facts are quite different -- and more shocking than she ever imagined -- in this adaptation of Stephen King's best-selling novel. Dolores Claiborne (Kathy Bates) has spent nearly a quarter of a century looking after a mean-spirited woman named Vera Donovan (Judy Parfitt) on a small island off the coast of Maine; when Vera is found dead after falling down a flight of stairs, Dolores is considered a prime suspect in her murder. Word of the affair reaches New York-based journalist Selena St. George (Jennifer Jason Leigh), Dolores's estranged daughter. Though she's about to leave on an important assignment, Selena instead flies to Maine to find out what's happened with her mother. Selena's father, Joe St. George (David Strathairn), died under mysterious circumstances 15 years before; more than a few people believe Dolores killed Joe, and many feel she did the same with Vera. Though the strong and tough-talking Dolores stands her ground, police detective John Mackey (Christopher Plummer) is convinced that there's more to her story than she's letting on, and in time Selena learns the ugly truth about her mother's connection to both deaths. This was Kathy Bates's second starring role in a film based on Stephen King's work; she earned an Academy Award for her breakthrough role in the movie version of King's Misery. ~ Mark Deming, All Movie Guide

The wedding of Mark Greene (Anthony Edwards) and Elizabeth Corday (Alex Kingston) may never come off, thanks to a combination of terrible weather, squabbling in-laws, a misplaced wallet, and a clueless limo service. Back at the ER, with most of the nurses invited to the wedding, Abby (Maura Tierney) must hold down the fort while suffering from a bad cold; and Kovac (Goran Visnjic) and Carter (Noah Wyle) argue over the treatment of the victims of a prison-van accident. And while embarking on a vacation to get over her relationship with Legaspi, Weaver (Laura Innes) makes a new "friend" (Casey Biggs). ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Valentine's Day has a strange effect on Greene's (Anthony Edwards) cantankerous dad (John Cullum) and Corday's (Alex Kingston) judgmental mom (Judy Parfitt), who find themselves attracted to one another. Back at the ER, a private quarrel between Chen (Ming-Na) and Malucci (Erik Palladino) may have adverse consequences on a patient (Lenny Wolpe). A grim Kovac (Goran Visnjic) must tell two youngsters that both of their parents have been killed. Abby (Maura Tierney) treats one of Carter's patients. And Carter (Noah Wyle) brusquely brushes off Lucy (Kellie Martin) when she asks his help in dealing with a patient named Sobricki (David Krumholtz), whose "headache" may be linked to a more serious mental illness. The episode ends on a sudden and shocking note of tragedy. ~ Hal Erickson, All Movie Guide

Distracted by his father's refusal to face his lung cancer, Greene (Anthony Edwards) must nevertheless hold down the fort at the ER. Not quite recovered from the vicious attack in which he was injured and Lucy Knight was killed, Carter (Noah Wyle) returns to work. Corday (Alex Kingston) encounters difficulty in her efforts to harvest the organs of a brain-dead patient. Abby (Maura Tierney) makes a fatal error. And Malucci (Erik Palladino) sits down to a most unusual breakfast. ~ Hal Erickson, All Movie Guide

Filmed in England, Galileo is based on Charles Laughton's 1947 adaptation of the play by Bertolt Brecht, which, like this 1975 film, was directed by Joseph Losey. Israeli film-star Topol plays the 17th century Italian astronomer, whose theories run contrary to the edicts of the Catholic Church. Forced to renounce his ideas about planetary movement, Galileo nonetheless holds fast to those beliefs to the end of his days, certain that time will vindicate him. Brecht's trademarked "alienation" technique, wherein the audience is constantly reminded that it is watching a play, is muted by Losey's cerebral direction. Galileo was one of producer Ely Landau's American Film Theatre presentations. ~ Hal Erickson, All Movie Guide

The subject of one of Johannes Vermeer's most enduring portraits becomes the focus of this biographical period piece from director Peter Webber. Girl With a Pearl Earring is told from the point of view of Griet (Scarlett Johansson), a teenaged girl who leaves her family's care in the country to become a servant for the Vermeer household in the comparatively bustling, canal-laden burgh of Delft. When she arrives, she finds herself at the low end of the servant totem pole, until she's allowed to clean "the master's" painting quarters. There, she catches the eye of the taciturn, reclusive Vermeer (Colin Firth), and over a period of time, he begins to craft her portrait. Of course, this does little to further his relationship with his jealous, pregnant wife, Catharina (Essie Davis), or with his most vocal benefactor, van Ruijven (Tom Wilkinson), who often dictates what portraits Vermeer should paint. Meanwhile, Griet navigates a sweet, tentative relationship with a peasant boy her age (Cillian Murphy). Girl With a Pearl Earring had its North American premiere at the 2003 Toronto Film Festival. ~ Michael Hastings, All Movie Guide

Perhaps the reason there are so many filmed versions of Hamlet is that in each decade every great Shakespeareian actor, and almost any movie actor with a yen to prove his versatility wants to tilt at this particular thespian windmill. Aside from the much more difficult King Lear, it is also one of the few plays by the master that can serve as a star vehicle. This 1969 version of the Bard's great play features the ardent mumblings of the actor Nicol Williamson, who brought his non-Standard British to the role. Williamson's esoteric enunciations were all the rage at the time of this film's revision of Shakespearian tradition, and his vocal mannerisms were arguably more authentic than usual. Scholars tell us that the English of Londoners in Shakespeare's time sounded very much like that spoken by Highland Scots today. Despite his stage success in the role, the vastly capable actor's magnetism was insufficient to make a popular success of this particular version. All the same, it is worth viewing on its own merits, and for supporting performances by future stars Anthony Hopkins and Anjelica Huston. ~ Clarke Fountain, All Movie Guide

Sometimes a family title, among the nobility of England, goes to the "collateral" heirs -- people not in the direct line of decent, like cousins, great-nephews and the like. On rare occasions, these people are not even aware that they are about to be elevated to the House of Lords, and they have been living more-or-less ordinary lives. In this comedy, the family which lacks direct heirs is the Royal Family of England -- as all of the likely heirs have died one after the other in swift succession. In this comedy, the "collateral heir" is an exuberant, fence-busting All-American slob (and pretty good rock n' roll musician) by the name of Ralph (John Goodman). Unknown to him, his grandmother had an affair with a royal prince. Ralph's a good guy, and eager to please. He recognizes the importance of the royal hoopla to England and works very hard to fit in as its new designated king. He is assisted by the ever-unctuous, very serious family factotum Willingham (Peter O'Toole). The trouble is, he doesn't have instincts for politics English-style, and he is constantly "putting a foot wrong," as they might say. The most difficult situation for him is when he develops a new love interest, and she's not "acceptable" to the upper crust. In addition to being hounded by the tabloids, he finds that "the good of the state" requires that he drop his new girlfriend. Things really come to a head just before Ralph's coronation as king. Reviewers generally loathed this feel-good comedy, but audiences seem to have enjoyed it tremendously, and it has done well in video and TV airings. ~ Clarke Fountain, All Movie Guide