Lionel Pape Movies

The very picture of an English gentleman officer, monocle and all, Lionel Pape came to Hollywood in 1935 after a distinguished career on stage and screen in his home country. Usually seen as a member of the horsy set, Pape played Major Allardyce in Shirley Temple's Wee Willie Winkie (1937), Lord Harry Droopy in The Big Broadcast of 1938, Lord Melrose in Raffles (1940), and Babberly in Charlie's Aunt (1941). Pape died at the then newly founded Motion Picture Country House and Hospital. ~ Hans J. Wollstein, All Movie Guide
1942  
 
Strange but true: Norma Shearer turned down the title role in Mrs. Miniver to star instead in the insignificant trifle We Were Dancing. Loosely based on two Noel Coward playlets originally presented as part of the omnibus production Tonight at 8:30, the story concerns the romance between socialite Vicki Wilomirsky (Norma Shearer) and Nicki Prax (Melvyn Douglas), an impoverished baron who supports himself as a "professional guest." Nicki steals Vicki away from her stuffy attorney fiance Hubert Tyler (Lee Bowman), but their subsequent marriage comes to an end when Vicki spots Nicki in the arms of his ex-lover Linda Wayne (Gail Patrick). Returning to Tyler, Vicki is on the verge of a second marriage, when Nicki once again waltzes into her life?.and on and on it goes, where it will stop, nobody knows. ~ Hal Erickson, All Movie Guide

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Starring:
Norma ShearerMelvyn Douglas, (more)
1942  
 
Robert Paige pursues the hand of a singer Jane Frazee when he wants to get out of a dreaded engagement. She agrees to the marriage-of-convenience, and they find that after the ceremony they actually are starting to like each other. ~ All Movie Guide

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1941  
 
Add How Green Was My Valley to QueueAdd How Green Was My Valley to top of Queue
Spanning 50 years, director John Ford's How Green Was My Valley revolves around the life of the Morgans, a Welsh mining family, as told through the eyes of its youngest child Huw (Roddy McDowall). Over the years, the family struggles to survive through unionization, strikes, and child abuse. As they do so, their hometown and its culture begins to slowly decline. Donald Crisp portrays Gwilym, the patriarch of the Morgan household, who dreams of a better life for young Huw. Based on the novel of the same name by Richard Llewellyn, How Green Was My Valley won five Academy Awards in 1941, including Best Director, Best Supporting Actor (Crisp), Best Art Director, Best Cinematography, and Best Picture (beating Citizen Kane). The book was later adapted into a 1975 BBC miniseries. ~ Matthew Tobey, All Movie Guide

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Starring:
Walter PidgeonMaureen O'Hara, (more)
1941  
 
In this remake of the 1930 film of the same name, a bank robber suffers a war wound and undergoes plastic surgery. Upon his recovery, he discovers that he is the exact double of a banker (who is trapped in a German POW camp). Being an opportunist, the fellow then assumes the banker's identity and his wife while he plans another caper. Fortunately, an observant Yard inspector sees through the robber's masquerade. Later the robber goes straight after revealing the plans of a German spy ring to steal every penny from the bank. ~ Sandra Brennan, All Movie Guide

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Starring:
Nancy KellyEdmund Gwenn, (more)
1941  
 
Add A Woman's Face to QueueAdd A Woman's Face to top of Queue
A remake of the Swedish film of the same name (see entry 55092), MGM's A Woman's Face was reshaped into one of Joan Crawford's best vehicles. Told in flashback from the vantage point of a murder trial, the story concerns a female criminal whose face is disfigured by a hideous scar. The plastic-surgery removal of this disfigurement has profound repercussions, both positive and tragically negative. The film's multitude of subplots converge when Conrad Veidt, Joan's lover and onetime partner in crime, is murdered. Melvyn Douglas costars as the beneficent cosmetic surgeon who becomes Joan's lover, while Osa Massen appears as Douglas' vituperative wife. Making his American screen debut in the role of Veidt's father is Albert Basserman, who spoke no English and had to learn his lines phonetically. Both A Woman's Face and its Swedish predecessor were based on Il Etait Une Fois, a play by Francis de Croiset. ~ Hal Erickson, All Movie Guide

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Starring:
Joan CrawfordMelvyn Douglas, (more)
1941  
 
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Jack Benny brings his own distinctive touch to Brandon Thomas' venerable (and oft-filmed) stage farce Charley's Aunt. Utilizing a gloriously unconvincing broad-A English accent, Benny is cast as Lord Fancourt Babberly, a somewhat overaged undergraduate at Oxford University. Babbs' roommates Jack Chesney (James Ellison) and Charley Wyckeham (Richard Haydn, in his film debut) are desirous of inviting their lady friends Kitty Verdun (Arleen Whelan) and Amy Spettigue (Anne Baxter) to their quarters, but first they must secure the services of a proper escort. When Charley's aunt Donna Lucia D'Alvadorez (Kay Francis) is detained, Jack and Charley coerce Babbs, who has dressed up as an old lady for a school play, to pose as the absent Donna Lucia. The fun really begins when, for reasons far too complicated to detail here, both Jack's father Sir Francis Chesney (Laird Cregar) and Amy's uncle Stephen Spettigue (Edmund Gwenn) romantically pursue the bogus aunt. The third-act arrival of the real Donna Lucia only adds to the comic confusion-but at least poor Babbs has finally found a lady friend closer to his own age. The female-impersonation angle in Charley's Aunt has been known to descend into vulgarity, but Jack Benny remains both hilarious and tasteful throughout. Understandably, the film was one of Benny's favorites. ~ Hal Erickson, All Movie Guide

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Starring:
Jack BennyKay Francis, (more)
1940  
 
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John Ford welded four of Eugene O'Neill's one-act plays about the sea, Bound East for Cardiff, The Long Voyage Home, The Zone, and Moon of the Caribees, into this melancholy film about wayfaring seamen, changing the setting from the turn of the century to WWII. This was O'Neill's favorite of the films based on his work, and he watched it often enough to eventually wear out his print. After a night of revelry in the West Indies, the crew of the SS Glencairn return to the tramp steamer and set sail for Baltimore. They're a varied lot, from middle-aged Irishman Driscoll (Thomas Mitchell), to the young Swedish ex-farmer Ole Olsen (John Wayne), to the brooding Lord Jim-like Englishman Smitty (Ian Hunter). After the ship picks up a load of dynamite in Baltimore, the rough seas they encounter become especially nerve-racking to the crew, who are also concerned that Smitty might be a German spy. ~ Michael Costello, All Movie Guide

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Starring:
John WayneThomas Mitchell, (more)
1940  
 
This sweeping drama chronicles the foundation a Canadian institution: the Hudson's Bay Trading Company. Set in the 17th century when the fur trade was at its peak the story centers on Radisson, a far-sighted entrepreneurial fur trapper, and his sidekick who dream of establishing a major trading post on the title bay. Opportunity arises when they encounter an exiled British aristocrat and begin teaching him frontier ways. He in turn has them travel to England with him. There the determined Radisson, must first convince King Charles that the proposed post would be a lucrative venture. The king eventually agrees to fund the first post and Radisson, his partner and the aristocrat return to the Canadian frontier. The company gets off to a good start until the aristocrat's brother-in-law gets drunk and kills a native thereby nearly starting a war that Radisson averts by having the drunken killer killed. The nobleman is outraged and as soon as the three return to England to give a report to the King, he has the two trappers placed in prison. Fortunately, Radisson is able to appeal to the King's greed by telling him that the heretofore successful trading post will collapse without the two of them and they return to Canada to found a business empire that is still going strong today. ~ Sandra Brennan, All Movie Guide

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Starring:
Paul MuniGene Tierney, (more)
1940  
 
A serious journalist is sent to France and forced to write fashion fluff pieces. Tiring of this, she decides to sneak off to find an elusive notorious rebel and write a hard-new first-hand-account of the Spanish Civil War. This lively romantic comedy chronicles her adventures after she finds him and saves him from prison by pretending he is her husband. After the break-out, they fly to France in a stolen plane. At first she only cares about her story and resists the advances of the amorous renegade. As soon as her tale hits the front page, she accepts an assignment in Berlin. She boards a train and takes off. She meets her "hubby" once again when the train accidentally runs into his car. At this point she realizes that she loves him. The two decide to hole up for a few days in a nearby French inn. While they tryst, WW II begins and she misses the scoop. That's okay, because all she and he care about now is each other. Their attitudes change dramatically when their New York-bound ship is torpedoed. ~ Sandra Brennan, All Movie Guide

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Starring:
Claudette ColbertRay Milland, (more)
1940  
NR  
Add The Philadelphia Story to QueueAdd The Philadelphia Story to top of Queue
We open on Philadelphia socialite C.K. Dexter Haven (Cary Grant) as he's being tossed out of his palatial home by his wife, Tracy Lord (Katharine Hepburn). Adding insult to injury, Tracy breaks one of C.K.'s precious golf clubs. He gallantly responds by knocking her down on her million-dollar keester. A couple of years after the breakup, Tracy is about to marry George Kittridge (John Howard), a wealthy stuffed shirt whose principal recommendation is that he's not a Philadelphia "mainliner," as C.K. was. Still holding a torch for Tracy, C.K. is galvanized into action when he learns that Sidney Kidd (Henry Daniell), the publisher of Spy Magazine, plans to publish an exposé concerning Tracy's philandering father (John Halliday). To keep Kidd from spilling the beans, C.K. agrees to smuggle Spy reporter Macauley Connor (James Stewart) and photographer Elizabeth Imbrie (Ruth Hussey) into the exclusive Lord-Kittridge wedding ceremony. How could C.K. have foreseen that Connor would fall in love with Tracy, thereby nearly lousing up the nuptials? As it turns out, of course, it is C.K. himself who pulls the "louse-up," reclaiming Tracy as his bride. A consistently bright, bubbly, witty delight, The Philadelphia Story could just as well have been titled "The Revenge of Katharine Hepburn." Having been written off as "box-office poison" in 1938, Hepburn returned to Broadway in a vehicle tailor-made for her talents by playwright Philip Barry. That property, of course, was The Philadelphia Story; and when MGM bought the rights to this sure-fire box-office success, it had to take Hepburn along with the package -- and also her veto as to who her producer, director, and co-stars would be. Her strategy paid off: after the film's release, Hepburn was back on top of the Hollywood heap. While she didn't win the Oscar that many thought she richly deserved, the little gold statuette was bestowed upon her co-star Stewart, perhaps as compensation for his non-win for 1939's Mr. Smith Goes to Washington. Donald Ogden Stewart (no relation to Jimmy) also copped an Oscar for Best Adapted Screenplay. The Philadelphia Story was remade in 1956 with a Cole Porter musical score as High Society. ~ Hal Erickson, All Movie Guide

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Starring:
Cary GrantKatharine Hepburn, (more)
1940  
 
To quell the rumors that musical stars Alice Faye and Betty Grable detested each other (actually they were fast friends, if not close buddies), 20th Century-Fox cast both ladies in their 1940 "inventory" musical Tin Pan Alley. Set in the years just prior to and during WW1, the film casts Faye and Grable as Katie and Lily Blaine, a singing-sister act playing the vaudeville circuits of the land. Ambitious songwriter Skeets Harrigan (John Payne) senses star potential in Katie Blaine, and his efforts to promote her-and his tunes-at all costs result in a great deal of ill-will before the inevitable happy ending. Counterpointing the likeably ruthless Skeets is his ebullient partner Harry Calhoun (Jack Oakie), who spends most of the picture trying to find suitable lyrics for a novelty ditty he's written, a quest that proves unsuccessful until a stuttering soldier inspires him to write "K-K-Katie". With the exception of the Mack Gordon-Harry Warren song "You Say the Sweetest Things Baby", all the tunes heard in Tin Pan Alley were popular during the period depicted in the film, including "Moonlight Bay", "Honeysuckle Rose", and "Goodbye Broadway, Hello France". The film's best ensemble piece is "The Shiek of Araby", with corpulent "potentate" Billy Gilbert matching the lissome Alice Faye and Betty Grable step for step. Incidentally, this number was one of several to be severely trimmed before final release: removed entirely was a delightful sequence involving the Tin Lizzie-inspired song "Get Out and Get Under", though this scene later appeared on a cable-TV compendium of excised 20th Century-Fox musical highlights. The winner of a 1940 Oscar for Alfred Newman's score, Tin Pan Alley was remade in 1950 as I'll Get By. ~ Hal Erickson, All Movie Guide

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Starring:
Alice FayeBetty Grable, (more)
1940  
 
Lola Lane and James Craig play explorers working on behalf of the British government. Lane and Craig have been assigned to venture deep into the wilds of Africa to retrieve the sacred skull of a long-deceased Sultan. Whoever possesses the skull will have total control over the native population--which is why several sinister gentlemen with Teutonic accents (America wasn't in the war yet, so no nationalities, please) also covet the skull. A reactivated volcano provides a rip-roaring climax for this Universal second feature. Zanzibar was based on a pair of short stories written by Maurice Tombragel and Maurice Wright, who collaborated on the screenplay. ~ Hal Erickson, All Movie Guide

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Starring:
Lola LaneJames Craig, (more)
1940  
 
This is the second episode in the Maisie series, which focused upon the exploits of a feisty, clever, smooth-talking showgirl. The story begins when Maisie has hidden herself aboard a West African steamer after she discovers that she cannot pay her hotel tab. She winds up in a hospital upon a rubber plantation. There she keeps a predatory female away from a married doctor and saves the plantation from a native attack. ~ Sandra Brennan, All Movie Guide

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Starring:
Ann SothernJohn Carroll, (more)
1939  
 
Add Midnight to QueueAdd Midnight to top of Queue
Paramount's screwball comedy Midnight is the first collaboration between director Mitchell Leisen and screenwriting duo Charles Brackett and Billy Wilder. The film merges Brackett and Wilder's early emphasis on repartee and masquerade with ex-costume designer Leisen's flair for high style and sophistication. American Eve Peabody (Claudette Colbert), a wily ex-showgirl, must impersonate Hungarian royalty in order to infiltrate the Parisian jet set. Midnight begins during a midnight rainstorm as Eve arrives penniless at Paris' Gare de L'Est, owning only the gold lamé gown on her back. She attracts the attention of Hungarian cab driver, Tibor Czerny (Don Ameche), but walks out on their budding romance; Eve will no longer make the mistake of dating for love rather than money. Instead, she finds shelter from the downpour by crashing a socialite's late-night soirée using a pawnticket and a pseudonym, the Baroness Czerny (the cab driver's surname). There, Eve meets aristocrat Georges Flammarion (John Barrymore), who entices her with a place in society if she agrees to remain disguised as the Baroness and seduce his wife's playboy lover. Meanwhile, Tibor Czerny has not given up his search for Eve. When he locates her whereabouts and discovers the fact that she is using his name, Tibor also travels to the Flammarion estate -- to win back Eve, and to pose as her husband, the Baron. What ensues is quintessential screwball comedy, full of deception, love, quadruple entendre, and outright farce. Midnight remains Leisen's most heralded directorial effort, as well as one of Brackett and Wilder's earliest successes. ~ Aubry Anne D'Arminio, All Movie Guide

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Starring:
Claudette ColbertDon Ameche, (more)
1939  
 
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Though it takes a few liberties with the Arthur Conan Doyle original -- not the least of which is turning Sherlock Holmes into the second lead -- The Hound of the Baskervilles ranks as one of the best screen versions of this oft-told tale. After learning the history of the Baskerville curse from the hirsute Dr. Mortimer (Lionel Atwill), Sherlock Holmes (Basil Rathbone) takes upon himself the responsibility of protecting sole heir Henry Baskerville (top-billed Richard Greene) from suffering the same fate as his ancestors: a horrible death at the fangs of the huge hound of Grimpen Moor. Unable to head to Baskerville mansion immediately, Holmes sends his colleague Dr. Watson (Nigel Bruce) to act as his surrogate. What Watson doesn't know is that Holmes, donning several clever disguises, is closely monitoring the activities of everyone in and around the estate. Meanwhile, young Henry falls in love with Beryl Stapleton (Wendy Barrie), sister of the effusively friendly John Stapleton (Morton Lowry). Holmes and Watson compare notes, a red herring character (John Carradine) is eliminated, Henry Baskerville is nearly torn to shreds by a huge hound, and the man behind the plot to kill Henry and claim the Baskerville riches for himself is revealed at the very last moment. The Hound of the Baskervilles "improves" upon the original with such embellishments as turning the villain's wife into his sister, and by interpolating a spooky séance sequence involving mystic Beryl Mercer. In other respects, it is doggedly (sorry!) faithful to Doyle, even allowing Holmes to bait the censor by asking Dr. Watson for "the needle" at fadeout time. A big hit in a year of big hits, The Hound of the Baskervilles firmly established Basil Rathbone and Nigel Bruce as moviedom's definitive Sherlock Holmes and Dr. Watson. ~ Hal Erickson, All Movie Guide

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Starring:
Richard GreeneBasil Rathbone, (more)
1939  
 
In the 1830s, despite the development of the steamboat at the outset of the 19th century, all trans-Atlantic travel was still done by sailing ships. David Gillespie (Douglas Fairbanks Jr.) is first mate on one of the fastest of such ships, commanded by Captain Oliver (George Bancroft), but he is sickened and wary of the loss of life of sailing men caused by the limitations of sail. He meets John Shaw (Will Fyffe), a Liverpool-based machinist who insists that he has a design for an engine and a ship that will allow safe trans-Atlantic travel by steam power, and the two go into partnership -- but Gillespie must contend with the resistance of Shaw's headstrong and skeptical daughter, Mary (Margaret Lockwood), as well as the resistance of bankers and other shipbuilders to the new ideas he represents. All of this pleases Mary, who, despite her love of her father and attraction to Gillespie, regards herself as practical-minded and wants her father safely back working for his old employer on a steady salary, instead of pursuing what she regards as impossible goals. Gillespie gets the backing and Shaw builds his engine, but his ship is burned in an accidental fire, and all looks lost until a sympathetic backer proposes fitting the engine to an existing vessel, and suddenly Shaw is a real threat to the shipping establishment. They try to stop him in the courts, and when that fails, the race is on from Liverpool to New York, between Shaw's steam-powered ship and Gillespie's sail-driven former ship, with Mary aboard to look out for her father and Gillespie, and the future of ocean travel in the balance. ~ Bruce Eder, All Movie Guide

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Starring:
Margaret LockwoodDouglas Fairbanks, Jr., (more)
1939  
 
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John Ford directed this outdoor adventure set in the American Colonial period. Gilbert and Lana Martin (Henry Fonda and Claudette Colbert) are a young couple trying to make a home in New York State's Mohawk Valley, but repeated attacks by Indians drive them, along with other settlers in the valley, into a nearby fort, where they watch helplessly as the natives lay waste to their farms and cabins. A spinster with a large farm, Sarah McKlennar (Edna May Oliver), comes to their rescue when she hires Gilbert to work as a field hand and gives the Martins a place to stay. The rugged life of the farm and frontier doesn't always sit well with Lana, who was raised in wealthy and comfortable circumstances; in time she develops a thicker skin and learns to love their new life in the Mohawk Valley, especially after giving birth to their first son. Gilbert joins the militia, who must do battle both with the local Indian tribes and the British soldiers who are provoking them to battle. Gilbert returns wounded, and as he recuperates, a healthy crop rises in the fields, but their satisfaction is short lived when the Indians once again hit the warpath. 1939 was a stellar year for John Ford; along with this highly successful adventure tale, which was nominated for three Academy Awards, Ford also released the ground-breaking western Stagecoach. ~ Mark Deming, All Movie Guide

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Starring:
Claudette ColbertHenry Fonda, (more)
1939  
NR  
Add Eternally Yours to QueueAdd Eternally Yours to top of Queue
Anita's (Loretta Young) life seems to be progressing nicely. She's engaged to Don Barnes (Broderick Crawford), a wealthy man that will give her all the stability and comfort a woman could desire. But then she meets a magician with the unlikely name of The Great Arturo (David Niven), who performs a singular feat of magic -- he sweeps her off her feet. Promptly dropping Barnes, she weds Arturo and travels the globe as his assistant. After some time, however, the magic begins to wear off and Anita longs for a simpler life, perhaps on a quite farmhouse in the country. She's also a bit put out by Arturo's flirting with other women, but what really worries her are the dangerous stunts he has added to his repertoire. Realizing it is time for her to do something, she pulls a little magic of her own and disappear, forcing Artuto to set off on a lively chase to find her. ~ Craig Butler, All Movie Guide

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Starring:
Loretta YoungDavid Niven, (more)
1939  
 
The fourth cinematic version of the novel Raffles, the Amateur Cracksman by E.W. Hornung, this romantic caper is a virtual remake of the 1930 version. David Niven stars as A.J. Raffles, a famed cricket player of English society's upper crust. Secretly, however, Raffles is a skilled cat burglar known as "The Amateur Cracksman" to Scotland Yard, which has been unable to catch him. Known for returning the items he's filched, Raffles is about to give up a life of crime because he's fallen for Gwen (Olivia de Havilland), a rich society girl. But first Gwen's brother, Bunny (Douglas Walton), needs help to extricate himself from a gambling debt that will be satisfied nicely by the valuable necklace owned by royal Lady Melrose (May Whitty). At a party thrown by Melrose, a rival thief and a detective (Dudley Digges) stand in Raffles' way, although the nimble and perturbed master criminal has a master plan that will result in the least possible harm coming to all involved. ~ Karl Williams, All Movie Guide

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Starring:
David NivenOlivia de Havilland, (more)
1939  
 
A wealthy older man and a poor young woman each get a chance to see how the other half lives in this comedy. Alfred Borden (Walter Connolly) is a millionaire who feels neglected by his family. His wife Martha (Verree Teasdale), daughter Katherine (Kathryn Adams), and son Tim (Tim Holt) usually ignore him, and all three manage to forget his birthday completely. Depressed and alone, Alfred bumps into Mary Grey (Ginger Rogers), a young woman who is out of work but is still happy with her lot in life. Alfred invites her to go to a night spot with him, and he soon hatches a scheme by which Mary will move into the guest room of the Borden Mansion and pose as a gold digger who is toying with Alfred's affections to get at his money. Mary's presence has a sudden impact on the family; Martha realizes that she needs to pay more attention to her husband, Katherine falls in love with the family's leftist chauffeur (James Ellison), and Tim starts taking an interest in the family business, and in Mary. ~ Mark Deming, All Movie Guide

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Starring:
Ginger RogersWalter Connolly, (more)
1938  
 
In her only Warner Bros. starring film, Carole Lombard plays a Hollywood movie actress who makes the park-bench acquaintance of an impoverished French marquis (Fernand Gravet). Hoping to coerce Carole into marriage, the nobleman poses as a butler and enters her household. His plan is to compromise Lombard and force her to make him an "honest man"--with the attendant cash settlement. Ralph Bellamy, as ever, is the poor clod who really loves Lombard but who loses her in the end to the chastened Gravet. Rodgers and Hart were commissioned to write several songs for this film, but found most of their efforts consigned to the cutting room floor. Fools for Scandal was based on Nancy Hamilton's stage play Return Engagement. ~ Hal Erickson, All Movie Guide

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Starring:
Carole LombardFernand Gravey, (more)
1938  
 
The great Ernst Lubitsch directed this farce (written by Charles M. Brackett and Billy Wilder) about a free-wheeling millionaire, Michael Brandon (Gary Cooper), who enjoys getting married but has a hard time staying married: he's had seven wives and is looking for number eight. He thinks he may have found her in the person of Nicole de Loiselle (Claudette Colbert), whom he meets in a shop on the French Riviera. Unfortunately for Michael, Nicole doesn't like him very much and keeps rebuffing his advances, even though most women would be only too happy to marry him for his money. For just that reason, Nicole's father (Edward Everett Horton), a financially embarrassed French nobleman, strongly suggests that matrimony with Michael would be a good idea, especially since Michael doesn't want to take no for an answer. Nicole eventually relents and weds Michael, but when she tries to get him to change a few of his habits during the honeymoon, he makes plans to divorce her. But Nicole has finally decided that she loves Michael after all, and, as he tries to flee from her, she gives chase, determined to win his heart once and for all. The same story was previously filmed as a silent picture in 1923. ~ Mark Deming, All Movie Guide

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Starring:
Claudette ColbertGary Cooper, (more)
1938  
NR  
Add The Young in Heart to QueueAdd The Young in Heart to top of Queue
A comparatively little-known entry in the "screwball comedy" genre, David O. Selznick's The Young in Heart goes for quiet chuckles rather than bellylaughs. Adapted by Paul Osborn and Charles Bennett from a short story by I. R. Wylie, the film concentrates on a family of confidence tricksters. Paterfamilias Roland Young poses as a veteran of the Bengal Lancers in order to insinuate himself into high society; his birdbrained wife Billie Burke willingly goes along with any scheme her husband cooks up; and their work-resistant offspring Douglas Fairbanks Jr. and Janet Gaynor scheme to marry into weatlth. Right now, Janet's target is Scottish millionaire Richard Carlson (making his screen debut) to fill the family's coffers. The whole family teams up to fleece a wealthy old lady called Miss Fortune,played with showstopping relish by Broadway veteran Minnie Dupree. Through Miss Fortune's sweet, unassuming example, everyone in the family begins to reform. Douglas Fairbanks Jr. makes the supreme sacrifice of taking a job-which has the salutary effect of winning him the affections of poor-but-honest Paulette Goddard. Young in Heart originally ended with Miss Fortune passing away while surrounded by the repentant family; preview audiences hated this denouement, obliging Selznick to film a new ending, with Minnie Dupree joyously tooling about on a motorcyle! Our favorite scene: Roland Young and Douglas Fairbanks Jr. at a construction site, comparing the workers to insects. ~ Hal Erickson, All Movie Guide

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Starring:
Janet GaynorDouglas Fairbanks, Jr., (more)
1938  
 
Musical comedy star Phil Regan headlines this modest Republic tunefest. He plays an American bandleader who inherits an Irish castle. With his band members and his singer (Penny Singleton) in tow, Regan takes charge of the castle, hoping turn it into a nightclub. Naturally, these plans arouses the ire of the local landed gentry, but pretty soon they're keeping in step with Regan's entourage. Like many Republic films of the 1930s, Outside of Paradise is generally available only in the 54-minute version prepared for television. ~ Hal Erickson, All Movie Guide

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Starring:
Phil ReganPenny Singleton, (more)
1938  
 
A young big game hunter is determined to bag the rare Malayan white tiger his late father wanted in this adventure. At first the locals help him hunt many other animals, but when they learn he really wants the tiger they consider sacred, they decide to bag him instead. Now the hunter finds himself the hunted and must stay alive until hope arrives. ~ Sandra Brennan, All Movie Guide

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Starring:
Colin TapleyJayne Regan, (more)

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