Franklin Pangborn Movies
American actor Franklin Pangborn spent most of his theatrical days playing straight dramatic roles, but Hollywood saw things differently. From his debut film Exit Smiling (1926) to his final appearance in The Story of Mankind (1957), Pangborn was relegated to almost nothing but comedy roles. With his prissy voice and floor-walker demeanor, Pangborn was the perfect desk clerk, hotel manager, dressmaker, society secretary, or all-around busybody in well over 100 films. Except for a few supporting appearances in features and a series of Mack Sennett short subjects in the early 1930s, most of Pangborn's pre-1936 appearances were in bits or minor roles, but a brief turn as a snotty society scavenger-hunt scorekeeper in My Man Godfrey (1936) cemented his reputation as a surefire laugh-getter. The actor was a particular favorite of W.C. Fields, who saw to it that Pangborn was prominently cast in Fields' The Bank Dick (1940) (as hapless bank examiner J. Pinkerton Snoopington) and Never Give a Sucker An Even Break (1941). Occasionally, Pangborn longed for more dramatic roles, so to satisfy himself artistically he'd play non-comic parts for Edward Everett Horton's Los Angeles-based Majestic Theatre; Pangborn's appearance in Preston Sturges' Hail the Conquering Hero (1942) likewise permitted him a few straight, serious moments. When jobs became scarce in films for highly specialized character actors in the 1950s, Pangborn thrived on television, guesting on a number of comedy shows, including an appearance as a giggling serial-killer in a "Red Skelton Show" comedy sketch. One year before his death, Pangborn eased quietly into TV-trivia books by appearing as guest star (and guest announcer) on Jack Paar's very first "Tonight Show." ~ Hal Erickson, All Movie Guide- 1927
Girl in the Pullman is a standard door-slamming farce in the fine tradition of Up in Mabel's Room and Getting Gertie's Garter. While on his honeymoon with his new bride, Harrison Ford (not the same!) discovers that his ex-wife is occupying the adjacent pullman sleeper in the company of her new mate. The inevitable mix-ups ensue, with everyone suspecting the worst and no one willing to listen to explanations. Franklin Pangborn, a semi-regular in silent films of this nature, scores the biggest laughs as the outraged "other man." Reviewers in 1927 suggested that Girl in the Pullman was more suited to Mack Sennett than to its actual producer, Cecil B. DeMille. ~ Hal Erickson, All Movie Guide
- Starring:
- Marie Prevost, Harrison Ford, (more)
- 1926
Exit Smiling is perhaps the only film that ever fully utilized the comic genius of the incomparable Beatrice Lillie. The star is cast as the wardrobe lady of a touring theatrical company. She is introduced to the audience via subtitle as "Violet, the drudge of the troupe...Who also plays parts like 'Nothing' in Much Ado About Nothing." Though bogged down in a treacly plot concerning fugitive-from-justice Jimmy Marsh (Jack Pickford), Lillie manages to rise above the material with her first-rate clowning. Her particular highlight is an extended routine involving a string of pearls (a Lillie "standard" that she'd use time and again on stage). Alas, after the box-office failure of Exit Smiling, Bea Lillie would be confined to secondary film roles, often as not far beneath her talents. ~ Hal Erickson, All Movie Guide
- Starring:
- Beatrice Lillie, Jack Pickford, (more)
