Franklin Pangborn Movies
American actor Franklin Pangborn spent most of his theatrical days playing straight dramatic roles, but Hollywood saw things differently. From his debut film Exit Smiling (1926) to his final appearance in The Story of Mankind (1957), Pangborn was relegated to almost nothing but comedy roles. With his prissy voice and floor-walker demeanor, Pangborn was the perfect desk clerk, hotel manager, dressmaker, society secretary, or all-around busybody in well over 100 films. Except for a few supporting appearances in features and a series of Mack Sennett short subjects in the early 1930s, most of Pangborn's pre-1936 appearances were in bits or minor roles, but a brief turn as a snotty society scavenger-hunt scorekeeper in My Man Godfrey (1936) cemented his reputation as a surefire laugh-getter. The actor was a particular favorite of W.C. Fields, who saw to it that Pangborn was prominently cast in Fields' The Bank Dick (1940) (as hapless bank examiner J. Pinkerton Snoopington) and Never Give a Sucker An Even Break (1941). Occasionally, Pangborn longed for more dramatic roles, so to satisfy himself artistically he'd play non-comic parts for Edward Everett Horton's Los Angeles-based Majestic Theatre; Pangborn's appearance in Preston Sturges' Hail the Conquering Hero (1942) likewise permitted him a few straight, serious moments. When jobs became scarce in films for highly specialized character actors in the 1950s, Pangborn thrived on television, guesting on a number of comedy shows, including an appearance as a giggling serial-killer in a "Red Skelton Show" comedy sketch. One year before his death, Pangborn eased quietly into TV-trivia books by appearing as guest star (and guest announcer) on Jack Paar's very first "Tonight Show." ~ Hal Erickson, All Movie Guide
Olsen and Johnson's second starring vehicle for Republic was better than their first (Country Gentlemen), but a Hellzapoppin' it wasn't. Ole and Chic play a couple of itinerant vaudevillians, teamed with Sally the Singing Seal ("the eighth wonder of the world"). Heroine Joan Eldredge (Mary Howard) is about to lose the theater left to her by her father, so O&J offer to stage a gala fund-raising show. Unfortunately, one of the potential backers (Eddie Kane) is murdered -- and for a while, it looks like the killer was Sally the Seal! Our heroes decide to capitalize on this setback by offering to reveal the real killer's identity during a nationwide radio hookup -- but first they need a sponsor, so the boys perform their old vaudeville musical act for "The Mackerel King" (played by perennial Laurel & Hardy stooge Jimmy Finlayson). Kidnapped just before the broadcast, Olsen and Johnson escape in time to finger the murderer, whereupon the culprit leads them on a zany chase throughout the darkened theater. All Over Town never really pulls together, but the irrepressible Olsen and Johnson deliver what may well be their funniest joint screen appearance. Incidentally, nominal leading man Harry Stockwell was the singing voice of the Prince in Disney's Snow White and the Seven Dwarfs--and the father of present-day actor Dean Stockwell. ~ Hal Erickson, All Movie Guide
- Starring:
- Ole Olsen, Chic Johnson, (more)
- 1937
Filmed on a budget of about 78 cents, High Hat was a foredoomed attempt to turn radio singer Frank Luther into a movie star. Luther struggles manfully in the role of Suwanee Collier, the boyfriend and mentor of aspiring vocalist Elanda Lee (Dorothy Dare). A classical singer, Elanda refuses to lower herself to perform "swing" music until Collier shows her the way. Such reliable character actors as Franklin Pangborn, Gavin Gordon, Robert Warwick, Esther Muir and Clarence Muse go a long way to relieve the overall tedium. High Hat was distributed on a states-rights basis by Imperial Films, a fly-by-night firm best known for the Bela Lugosi epic Murder by Television. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Luther, Dorothy Dare, (more)
- 1937
In this romance, a secretary is awarded a legacy. Later she meets a male secretary who begins protecting her from an avaricious baron endeavoring to steal her money. The two rivals engage in fisticuffs, and the secretary loses. Fortunately, he wins the love of the girl. He then reveals that his actually a millionaire himself. ~ Sandra Brennan, All Movie Guide
- Starring:
- Madeleine Carroll, Francis Lederer, (more)
- 1937
A remake of Rafter Romance (1933), which starred Ginger Rogers and Norman Foster, Living On Love treats the story of two unwilling apartment-mates a bit more briskly and broadly, to the point of being downright screwy at times. This time out, it's Solly Ward as landlord Eli White, who takes two tenants (James Dunn, Whitney Bourne) who can't afford the rent they're paying, and puts them together in the same basement apartment -- the idea is that neither one will ever see the other, as Dunn is a would-be artist who works nights at a trucking company garage, and Bourne is a saleswoman with daytime hours. Inevitably, they chafe at each other's presence as each intrudes on the other's space, and come to resent each other, a fact expressed in a series of increasingly ambitious practical jokes played on one another; similar action went on in the original film, but in Living On Love it gets carried over the top, into surreal and silly moments. But as always happens in stories like this -- and in the original film as well -- the two manage to meet away from the apartment and, not realizing who the other is, fall in love. Complications ensue involving her boss (prissy Franklin Pangborn, amazingly and effectively cast as a ladies' man) and his wealthy, dominating would-be fiancee (Joan Woodbury), but the two do finally get together on a round-the-clock, permanent basis. ~ Bruce Eder, All Movie Guide
- Starring:
- James Dunn, Whitney Bourne, (more)
Financier J.B. Ball (Edward Arnold) -- known in the press as "the Bull of Broad Street" -- may be one of the wealthiest investment bankers in the country, but he also knows the value of a dollar. And when his wife (Mary Nash) spends 50,000 of them on a sable coat, he is driven into such a fury in the ensuing argument on the roof of their Fifth Avenue townhouse, that he throws the coat into the street -- where it promptly lands on the head of Mary Smith (Jean Arthur), a clerk-typist on her way to work, riding on the upper deck of a double-decker bus, ruining her hat in the process. She jumps off the bus to try to return the coat, but Ball insists that she keep it. What she really needs, however, is not a 50,000-dollar sable coat so much as a ride to work -- as she doesn't even have a dime for bus fare -- and perhaps a new hat. Ball obliges, taking her to one of the top clothing stores in New York, buying her an expensive fur hat to go with the coat, and then dropping her at work in his limo. Her superiors, seeing her decked out in a sable coat and a new hat, and getting out of the chauffeured car, conclude that Mary is a kept woman, and, therefore, unfit to work for the boys magazine where she is employed, and they fire her. Now out of work and virtually broke, she seems to have become a victim of random fate, but suddenly the scales start to tip the other way from the very same misunderstanding that got her fired. Having been seen in the company of J.B. Ball -- whose name she didn't even get -- she is rumored to be his mistress; the prissy clothing store proprietor (Franklin Pangborn) spreads this story, and that turns Mary into the object of attention for Mr. Louis Louis (Luis Alberni), the owner of a failed luxury hotel on which Ball's bank holds the mortgage, and is about to foreclose. For reasons that she can't begin to understand, since there is nothing going on between her and J.B. Ball (whose name she doesn't even know), or between her and anyone, Louis moves her into the most luxurious suite in his hotel for a dollar a day, asking her only to inform "that certain someone" of how she loves living there. Mary has no idea of who "that certain someone" is, or what Louis is talking about, but she needs a place to live, and Louis is insistent. She still needs to eat, and, while trying to get a meal at the automat, she crosses paths with a handsome, well-meaning, but inept waiter (Ray Milland), who gets fired for helping her. She takes him into her suite so he has a place to stay, and the two fall in love in the course of finding out about each other. She knows that he is John Ball Jr., but doesn't realize that he is the son of J.B. Ball, trying to make it on his own, nor does she yet realize who J.B. Ball is, in terms of being the man who gave her the coat and the new hat, or one of the wealthiest men in the country. But after the elder Ball spends an innocent night at the Hotel Louis, a gossip columnist named "Wallace Whistling" (William Demarest) prints that he is keeping a woman at the hotel, and suddenly the Hotel Louis, perceived as a fashionable playground for the upper-crust, is filled with guests. This multiple case of mistaken identity plunges through two or three new layers, eventually bringing about an impending stock market crash to rival 1929, before Mary discovers who her would-be benefactor and her would-be fiancé are. She bails them out of the jam that they're in, also restoring the Ball's marriage, her own reputation, and her romance with Ball's son in the process. ~ Bruce Eder, All Movie Guide
- Starring:
- Jean Arthur, Edward Arnold, (more)
- 1937
The Dangerous Number of the title is madcap showgirl Elinor (Ann Sothern). Notorious throughout Manhattan for her zany antics, Elinor is also quite a handful for her conservative husband Hank (Robert Young). In addition, Hank must contend with the heroine's flamboyant ex-burlesque queen mother Gypsey (Cora Witherspoon). Not that Hank's family is anything to write home about; the most eccentric member of his clan is cousin William (Reginald Owen), who has lost one girlfriend after another because he refuses to shave off his beard. Trying very, very hard to qualify as a "screwball" comedy, Dangerous Number succeeds about three-fourths of the time. PS: This was Ann Sothern's first starring assignment at MGM. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Young, Ann Sothern, (more)
- 1937
By 1937, everyone was tired of films about silent stars who couldn't make the transition to talkies (and would be until Singin' in the Rain), but this Columbia comedy-drama still had its moments in spite of gross inaccuracies. Richard Dix is Western star Tim Bart, a screen hero who is adored by children everywhere. All that changes when sound comes in -- outdoor pictures are risky because of sound problems and Bart's screen test proves that he can't possibly play indoorsy society men. On the other hand, his co-star Gloria Gay (Fay Wray) is a natural for glamour. The studio offers to keep Bart on if he will play gangsters and bank robbers, but he refuses to let his young fans down by becoming a bad guy. (All this makes you want to ask, "What about 1930's Academy Award-winning Cimarron, in which Dix was the star?" The writers at Columbia must have had extremely short memories!) Bart's career dries up, while Gloria's flourishes -- at least for a while. With his ranch foreclosed and no work forthcoming, Bart decides to leave Hollywood. But then, Billy (Billy Burrud) shows up on his doorstep -- he's one of the kids Bart visited in a hospital. The boy has no family and begs to stay, so Bart relents. He even throws Billy a party which is attended by all the stars of the day (actually they're the stars' doubles, but Billy never guesses). Gloria also shows up and admits that her career is on the outs, too. The desperate Bart walks into a bank just as it's being robbed. He gets into a shoot-out with the crooks and becomes a real-life hero. With his name in all the papers -- and Westerns once again a popular commodity -- the studio signs him up to a new contact, along with Gloria. Franklin Pangborn does one of his amusing turns in a bit part as a dialog coach. ~ Janiss Garza, All Movie Guide
- Starring:
- Richard Dix, Victor Kilian, (more)
- 1937
In this drama, a girl from a small town in Pennsylvania dreams of being a star while she goes to school. The trouble is, no one notices her. Later a mentor turns her into a successful Broadway entertainer. She returns to her former college to get sweet revenge. Songs include: "When Love Is Young," "Did Anyone Ever Tell You" (Harold Adamson, Jimmy McHugh). ~ Sandra Brennan, All Movie Guide
- Starring:
- Virginia Bruce, Kent Taylor, (more)
- 1937
Opera diva Grace Moore plays (what a stretch!) an opera diva in I'll Take Romance. Moore reneges on an agreement to open the opera season in Buenos Aires, opting instead for a better-paying job in Paris. Melvyn Douglas, acting on behalf of the Buenos Aires company, pretends to fall in love with Moore in order to win her back--but soon discovers to his surprise that he's not pretending at all. Ms. Moore sings selections from Manon Lescaut, Madama Butterfly and La Traviata. and also warbles the title song, which became a hit and subsequently popped up as background music in many a future Columbia production. I'll Take Romance barely has a plot at all, though fans of Grace Moore weren't complaining. ~ Hal Erickson, All Movie Guide
- Starring:
- Grace Moore, Melvyn Douglas, (more)
- 1937
Department store owner Elliot Dinwiddy (Charlie Ruggles) never makes a decision without first consulting his astrologer Dr. Wakefield (Andrew Tombes). Problem is, Dinwiddy's dependence upon the stars to dictate his fate has a negative trickle-down effect on his impending marriage to his secretary Myrtle Tweep (Marjorie Gateson) -- and on the romance between store employees Terry Keith (Johnny Downs) and Caroline Wilson (Eleanor Whitley). Most of the plot is forgotten during the climactic floor-show celebrating the 25th anniversary of Dinwiddy's store, with specialties from pantomimist Ben Blue (cast as night watchman Luke) and Jack Benny Show regulars Kenny Baker and Phil Harris. The film's best moment finds store detective Dugan (Romo Vincent) cutting loose with a Charles Laughton impression. The film editor for Turn off the Moon was Edward Dmytryk, who later went on to a prestigious directorial career. ~ Hal Erickson, All Movie Guide
- Starring:
- Charlie Ruggles, Eleanore Whitney, (more)
Adapted from the Edna Ferber and George S. Kaufman play, Stage Door is a comedic portrait of the theatrical community in New York. Katharine Hepburn stars as Terry Randall a young woman who comes from a wealthy, socially connected family. Aspiring for a career on the stage, Terry opts to see if she can make it on her own gumption and moves into a boarding house with several other wannabe Broadway starlets attempting to make a mark for themselves in show business. Terry's sassy roommate Jean (Ginger Rogers) just might get the opportunity to do that when she meets a lecherous producer, but at what cost? Unamused by Terry's attempts to pull herself up by her bootstraps, her father offers her an opportunity for a starring role in a show that's sure to fail. Lucille Ball, Eve Arden, and Ann Miller are among the other residents of the boarding house. ~ Matthew Tobey, All Movie Guide
- Starring:
- Katharine Hepburn, Ginger Rogers, (more)
- 1937
Love on Toast was one of several mid-1930s Hollywood films helmed by E. A. DuPont, a once-celebrated German filmmaker then on the skids. The plot concerns a female press agent who must select a "Mr. Manhattan" and "Miss Brooklyn" for an ad campaign mounted by a soup company. The Mr. Manhattan chosen is a singing soda jerk, who doesn't want to play along until he is given the honor of choosing his own Miss Brooklyn. He picks a brash radio songstress, who ends up causing all sorts of trouble at a banquet thrown in her honor -- but who cares now that Mr. Manhattan has fallen in love with the pretty press agent. John Payne, who'd emerged as a singing star the year before, is the hero; radio soubrette "Sugar" Kane (that was her billing!) is the troublesome gal from Brooklyn; and the press agent who sets the plot in motion is a movie newcomer named Stella Ardler, who under her given name of Stella Adler later established herself as one of America's foremost acting coaches. ~ Hal Erickson, All Movie Guide
- Starring:
- John Payne
- 1937
In this musical comedy, an irresponsible young heir is betrothed to the singing daughter of a wealthy matron. Unfortunately, the willful young is not even slightly interested in her "fiance," preferring the attentions of another instead. Unfortunately, the other man has a big problem. Though he really loves the girl, he will lose his $3 million inheritance if he marries her before the age of 30. Complicating matters is the private detective assigned to keep him from getting to involved with women such as the heroine. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joe Penner, Gene Raymond, (more)
A Star is Born came into being when producer David O. Selznick decided to tell a "true behind-the-scenes" story of Hollywood. The truth, of course, was filtered a bit for box-office purposes, although Selznick and an army of screenwriters based much of their script on actual people and events. Janet Gaynor stars as Esther Blodgett, the small-town girl who dreams of Hollywood stardom, a role later played by both Judy Garland and Barbra Streisand in the 1954 and 1976 remakes. Jeered at by most of her family, Esther finds an ally in her crusty old grandma (May Robson), who admires the girl's "pioneer spirit" and bankrolls Esther's trip to Tinseltown. On arrival, Esther heads straight to Central Casting, where a world-weary receptionist (Peggy Wood), trying to let the girl down gently, tells her that her chances for stardom are about one in a thousand. "Maybe I'll be that one!" replies Esther defiantly. Months pass: through the intervention of her best friend, assistant director Danny McGuire (Andy Devine), Esther gets a waitressing job at an upscale Hollywood party. Her efforts to "audition" for the guests are met with quizzical stares, but she manages to impress Norman Maine (Fredric March), the alcoholic matinee idol later played by James Mason and Kris Kristofferson. Esther gets her first big break in Norman's next picture and a marriage proposal from the smitten Mr. Maine. It's a hit, but as Esther (now named Vicki)'s star ascends, Norman's popularity plummets due to a string of lousy pictures and an ongoing alcohol problem. The film won Academy Awards for director William Wellman and Robert Carson in the "original story" category and for W. Howard Greene's glistening Technicolor cinematography. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Gaynor, Fredric March, (more)
- 1937
Swing High Swing Low is a new coat of paint on the old stage play Burlesque, first filmed in 1929 as The Dance of Life. Ex-serviceman Skid Johnson (Fred MacMurray) rises to the uppermost rungs of show business as a bandleader. As his fame swells, so does his head, and he becomes impossibly arrogant, forgetting the friends who helped him get to the top -- not to mention his ever-faithful sweetheart, band vocalist Maggie King (Carole Lombard). Consuming great quantities of booze, Skid hits the skids, ending up a skid-row derelict (there seems to be a pattern here). The ultimate humiliation comes when he isn't even allowed to return to the Army because his insides are shot. In the film's calculatedly teary finale, Skid is rescued emotionally and professionally by Maggie, now a big star in her own right. As indicated by the synopsis, the film is banal and old-hat, but the stars are terrific, especially Carole Lombard, who sings in several scenes (and not all that badly!) Swing High, Swing Low was remade in 1948 as When My Baby Smiles at Me. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Fred MacMurray, (more)
- 1937
Tala Birell, one of the more talented of the Garbo wannabes of the 1930s, stars in the Universal quickie She's Dangerous. The star is cast as Stephanie, a glamorous private detective who's been hired to track down a gang of bond thieves. She charms her way into the confidence of gang leader Nick Shelton (Cesar Romero), knowing full well that the outwardly gracious Shelton won't hesitate to kill her if she's found out. Eventually, Stephanie proves too smart for her own good, and it's up to sidelines hero Dr. Logan (Walter Pidgeon) to bail her out. She's Dangerous bears a marked resemblance to 20th Century-Fox's 15 Maiden Lane, which also featured Cesar Romero as a charming-but-deadly crook. ~ Hal Erickson, All Movie Guide
- Starring:
- Tala Birell, Cesar Romero, (more)
- 1937
Step Lively, Jeeves was the second 20th Century-Fox programmer to star Arthur Treacher as P.G. Wodehouse's resourceful butler Jeeves. In the first film, Thank You, Jeeves (36), the faithful family retainer extricated his boss Bertie Wooster (David Niven) from a jam. In the second film, Jeeves is on his own as he heads to America to claim an inheritance. The legacy turns out to be a phony, engineered by a pair of con men who plan to use Jeeves as the fall guy for a gangster plot. But Jeeves foils the scheme using his inbred wit--and a little larceny of his own. ~ Hal Erickson, All Movie Guide
- Starring:
- Arthur Treacher, Patricia Ellis, (more)
- 1937
A naive gas station attendant's life takes a turn for the better when he is adopted by an eccentric, boozy travelling millionaire who crosses the country in his own train. Accompanied by his beloved pet bunny, the former gas station jockey boards the train. Soon afterward, he is kidnapped by greedy gangsters and that is when the fun begins. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jack Haley, Rochelle Hudson, (more)
- 1937
The first musical comedy from the Grand National assembly line, Hats Off stars John Payne and Mae Clarke as rival press agents Jimmy Maxwell and Jo Allen. Both have been assigned to stir up publicity for separate expositions at the 1936 Texas Centennial (newsreel footage of which predominates throughout the film's short running time). To throw Jimmy off the track, Jo pretends to be a schoolteacher, but by the time the ruse has been revealed, the two leading characters have fallen in love. Payne and Clarke perform a duet of the film's best song, "Twinkle Twinkle Little Song," while comic soubrette Helen Lynd socks across two novelty numbers, "Little Odd Rhythm" and "Let's Have Another." Hats Off represented John Payne's first leading role, launching a career that would last well into the early 1960s; it was also the first screenwriting credit for future cult-favorite director Samuel Fuller. ~ Hal Erickson, All Movie Guide
- Starring:
- Mae Clarke, John Payne, (more)
- 1937
"Camp Romance," a place for the romantically challenged, provides the setting of this musical. The story centers on a frumpy secretary's crush on her handsome boss, the camp manager. The manager has been working on a musical. Just as he is about to finish it, the secretary gives herself a makeover, turns into a drop- dead knockout, and romantic bliss ensues. Songs include: "Keeno, Screeno and You," "I'll Follow My Baby," "Thrill of a Lifetime," "Paris in Swing," "Sweetheart Time," "It's Been a Whole Year," "If We Could Run the Country for a Day." ~ Sandra Brennan, All Movie Guide
- Starring:
- Yacht Club Boys, Judy Canova, (more)
There was some novelty value in the fact that an actor whose initials were E.Q. was cast as intellectual sleuth Ellery Queen in Republic's The Mandarin Mystery. That actor was Eddie Quillan, who though a talented and appealing performer was woefully miscast as Queen. The story, based on the Ellery Queen novel The Chinese Orange Mystery, is set in motion by a crook who steals a $50,000 stamp, which results in two murders -- both committed in impenetrably locked rooms. The primary suspect is Jo Temple (Charlotte Henry), the original possessor of the stamp. Falling in love with Jo, Ellery sets about to retrieve the stolen goods and solve the murders. Perhaps realizing that Eddie Quillan could never be taken seriously in the leading role, Republic opted to play The Mandarin Mystery for laughs -- another big mistake. Originally released at 63 minutes, the film is currently available only in its 54-minute TV-reissue form. ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Quillan, Charlotte Henry, (more)
- 1937
An airy screwball comedy, Danger--Love at Work explores the lives of a wealthy but wacky family. Ann Sothern plays the daughter, the only remotely "normal" member of the clan. Poor Jack Haley enters the scene as a feckless attorney who tries to get the family to finalize an important land deal. Sothern falls for Haley, and through the machinations of her looney parents the timorous lawyer winds up the object of a "shotgun wedding." The amusing but inconsequential Danger--Love at Work was the second American film of director Otto Preminger. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sothern, Jack Haley, (more)
- 1936
In this comedy, an sheltered heiress bets her father that she can make it in New York city on only $150 per week. She does this to prove to her father that she will be able to live a scaled down existence with her fiancé, who is not wealthy. Her father agrees to the bet, and she goes to the Big Apple where she does very well indeed. Unfortunately, trouble ensues when she meets another impoverished fellow, another resident in the boarding house she is in, and falls in love. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jane Wyatt, Louis Hayward, (more)
- 1936
In this melodrama a chorine endeavors to become a star, but it isn't easy. Her wealthy boyfriend wants to marry her until his snooty family rejects her. At her job, her boss is cruel to her. Still the woman persists and even gets jobs waiting tables and modeling. Luckily for her, a good friend stands behind her regardless of her luck and by the story's end, she comes to appreciate this and romance ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Marian Nixon, Chick Chandler, (more)
