Betsy Palmer Movies

A doctor learns there's more to his profession than making money in this comedy-drama. Charlie Keegan (Robert Capelli Jr.) is a physician who has built up a lucrative practice by caring more about profits and working the loopholes of medical insurance claims than looking after the needs of his patients. While Keegan's scams allow him to live high for a while, eventually his misdeeds catch up with him, and when he's found guilty of insurance fraud, as part of his sentence he's ordered to spend six months doing volunteer work at Shady Pines, an nursing home for the elderly that has seen better days. With the help of Jill (Emmanuelle Chriqui), a pretty and compassionate nurse who works at the home, Keegan makes friends with his often eccentric patients and learns to deal with the other members of the staff and their many problems. In time, Keegan finds himself looking at the Shady Pines residents as people rather than clients, and gains a new perspective on himself and his career; he also finds himself falling in love with the idealistic Jill. Also starring Pat Hingle, Betsy Palmer, Paige Turco, and Artie Lange, Waltzing Anna was the first directorial effort from the team of Doug Bollinger and Bx Giongrete. ~ Mark Deming, Rovi

In this sequel to the 1994 horror cult item, nearly 20 years after his father, a mass murderer named Morty, committed suicide in front of his mother and himself, Mike Hawthorne (Gordon Currie) invites several of his friends to his family's old cabin in the woods for a Halloween party. While playing a game in which guests are supposed to confess and confront their worst fears, Mike attempts to conjure up the spirit of his late father. Mike is more successful than he imagined when he discovers that Morty's malevolent soul inhabits a wooden Indian in the cabin. The statue comes to life, and Morty's bloodthirsty habits begin anew. The Fear: Resurrection was also released on video under the title The Fear: Halloween Night. ~ Mark Deming, Rovi

In this murder mystery, the rumpled detective battles wits with an unscrupulous jeweler over a dead nephew and a winning lotto ticket. ~ Sandra Brennan, Rovi

Windmills of the Gods was adapted for television by John Gay from a best-selling novel by Sidney Sheldon. Jaclyn Smith plays an American college professor, appointed US ambassador to Romania. While attending a peace conference, Jaclyn's life is placed in jeopardy by an all-powerful secret organization. Whom can she trust: American president Michael Moriarty, Rumanian top dog Franco Nero, fellow scholar David Ackroyd, or confrence chairman Ian McKellan? Or none of the above? This wide-ranging romantic adventure was lensed in several exotic locales, from Bucharest to Chile. Originally presented in two parts, Windmills of the Gods debuted February 7, 1988, directly opposite the ratings-busting TV-movie Elvis and Me. ~ Hal Erickson, Rovi

When Cabot Cove resident Beverly Garrett is electrocuted in her own bathtub in a locked bathroom, Sheriff Amos Tupper (Tom Bosley) is willing to write the tragedy off as an accident; Tupper, you see, is thinking about retirement, and has already hand-picked his successor. But Jessica (Angela Lansbury) can't shake the belief that Beverly was murdered, prompting the long-suffering Tupper to dare Jessica to prove it! Adding to the intrigue is a controversial land sale, a vicious poison-pen campaign that has spread throughout town, and Jessica's mounting frustration over playing hostess to a visiting travel writer. ~ Hal Erickson, Rovi

Season Two of Falcon Crest ended as Julia Cumson (Abby Dalton), the demented sister of ruthless Tuscany Valley winery owner Angela Channing (Jane Wyman) and the mother of Angela's playboy grandson Lance (Lorenzo Lamas), revealed herself to be the murderer of Lance's father-in-law Carlo Agretti--and in the process, gunned down Angela's nephew and chief nemesis Chase Gioberti (Robert Foxworth), as well as Chase's mother Jacqueline. Though Chase recovers from his wounds, Jacqueline dies and Julia is carted off first to prison and then a mental insistution--but not before Carlo's daughter Melissa (Ana Alicia) and Chase's half-brother Richard (David Selby) try to manipulate poor Julia into destroying Angela's reputation in the courtroom. As Chase is nursed back to health by Jacqueline's nephew Dr. Michael Ransom (Cliff Robertson), Angela tries to take advantage of the situation by having Chase declared mentally incompetent so she can gain full control of the Falcon Crest winery. To this end, she enlist the aid of an unscrupulous physician named Dr. Lantry (Ron Rifkin)--who, own his own, schemes to kill Chase so that he can blackmail Angela. Once Lantry commits suicide, Angela is off the hook, while Dr. Ransom, exercising his power as executor of Jacqueline's will, keeps the ruthless Richard in line by stipulating that Chase will give Richard half of Jacqueline's fortune only if Chase regards his half-brother as being totally trustworthy! Elsewhere, Lance tries to return to his wife Melissa, who refuses to have anything to do with him, holding him responsible for her father's death and their son Joseph's fragile medical condition. Actually, Joseph is not Lance's son, but instead the offspring of Chase Roberti's son Cole (William R. Moses), who after his affair with Melissa entered into marriage with Linda Caproni (Mary Kate McGheehan), the daughter of an immigrant's-rights activist who has long despised Angela and her family. Meanwhile, Chase's wife Maggie (Susan Sullivan) has an awkward reunion with her sister Terry Hartford (Laura Johnson), an unregenerate prostitute who hopes to claim her share of Maggie's newfound wealth; before long, Terry has not only wormed her way into the Gioberti household, but she is also making the moves on the virtuous Dr. Ransom. Angela decides to use Terry's sordid history as leverage against Cole when the latter tries to gain custody of baby Joseph. As it turns out, Melissa is more than willing to relinquish Joseph to Angela's custody in exchange for a piece of Falcon Crest--a bit of chicanery that drives Lance to near-madness! Near the end of the season, the "Cartel" story arc that will dominate Season Four is introduced, as Richard enters into an extremely shady series of business transactions in order to build a racetrack on Angela's land. Also, Chase enters into a battle with Richard to save the local wineries; articles published in Richard's newspaper expose the connection between the dreaded Cartel and the late Jacqueline; Maggie develops a brain tumor; and a scheme is hatched to assassinate Richard at the opening of his racetrack. In the cliffhanger finale, Julia escapes from the institution, taking baby Joseph hostage; Angela is poised to enter into a marriage of convenience with her unscrupulous lawyer Phillip Erikson (Mel Ferrer); and several of the principal characters face extermination in an "accidental" plane crash. ~ Hal Erickson, Rovi

Isabel (Jean Stapleton), a widowed executive secretary, is forced into early retirement by executive Lymon Jones (Richard Kiley), whom she herself trained. Actually, Jones has an ulterior motive; he's fallen in love with Isabel, and wants to marry her. Now Isabel must choose between Jones or keeping her job in order to train Jones's successor Peter Coyote. For her work in Isabel's Choice (working title: A Life of Her Own), Jean Stapleton won an award from the National Commission for Working Women. The made-for-TV film was first telecast December 16, 1981. ~ Hal Erickson, Rovi

One of the longest-running horror film series began with this gory shocker from director Sean S. Cunningham, who had previously produced Wes Craven's classic Last House on the Left. Entrepreneur Steve Christie (Peter Brouwer) re-opens Camp Crystal Lake after many years during which it has been cursed by murders and bad luck. The young and nubile counselors all begin to die extremely bloody deaths at the hands of an unseen killer during a rainstorm which isolates the camp. A woman is chopped in the face with an axe, another has her throat sliced in amazingly gruesome fashion, a male counselor (Harry Crosby) is pinned to a door with arrows, and a young Kevin Bacon has an arrow shoved through his throat from below a bed. Victor Miller's script is not particularly impressive, but Cunningham's tense direction, and some remarkable special-effects by acclaimed makeup artist Tom Savini are enough to make it worthwhile. 1950s quiz show regular Betsy Palmer appears as the cook whose son, Jason (Ari Lehman), drowned 25 years earlier while neglected by romancing counselors. Palmer was reportedly cast because she was willing to drive her own car to and from the set. Trivia buffs should note the decapitation scene near the end, in which the female killer exhibits rather hirsute hands clutching at the air. The hands belong to Savini's assistant, Taso N. Stavrakis. Friday the 13th made nearly 40 million dollars at the box office and spawned numerous sequels. ~ Robert Firsching, Rovi

In danger of losing his job, TV-producer David Wayne hopes to cook up a real ratings winner by building a network special around the life and work of elderly doctor Paul Muni. For the past 45 years, the iconoclastic Muni has run a free clinic in the slums of Brooklyn. Muni has no time for television, however, so Wayne tries to get Muni's lifelong friend Luther Adler to talk the doctor into appearing before the cameras. Adler agrees, on the proviso that Wayne's network promises to build a nice home in the suburbs for the physician and his wife (Nancy R. Pollock). Going to work on Muni, Adler convinces the old man that a coast-to-coast special will permit him to vent his spleen on the subject of the mercenary medical profession. On the night of the broadcast, Muni discovers that one of his slum patients, Billy Dee Williams, has been arrested for car theft. Leaving Wayne high and dry, Muni rushes down to the police station, where he is pressed into service to save a life. While doing so, he suffers a fatal heart attack, with the weeping Adler at his side. Wayne finally realizes that Muni's selfless idealism was of greater value than any commercially-motivated television program, and says as much when he hands in his resignation. The Last Angry Man turned out to be the cinematic swan song for veteran-actor Paul Muni; he died eight years later. Based on a novel by Gerald Green, The Last Angry Man would be remade for television with Pat Hingle in the Muni role. ~ Hal Erickson, Rovi

In this realistic crime drama, a Santa Ana housewife, anxious to somehow avenge the drug-related death of her nephew, offers to help the Orange County cops break up a big drug ring. The woman then goes undercover and becomes the girl friend of the ring leader. She accompanies him to Tijuana and they both end up arrested. The drug ring is then destroyed. Rather than reveal her true identity, the woman opts to remain in jail. If the gangsters knew the truth, they would surely kill her. Much of the tale is taken from a true incident. ~ Sandra Brennan, Rovi

The life story of West Point athletic director Marty Maher was the inspiration for John Ford's The Long Gray Line. Told in flashback, the film recalls the first days at the Point for Irish immigrant Maher (Tyrone Power), a pugnacious boy who can't seem to fit in with the institution's regimen of unquestioning discipline. Athletic director Ward Bond takes a liking to Maher and arranges for the young man to become his assistant; Bond also plays Cupid between Maher and Irish maidservant Mary O'Donnell (Maureen O'Hara). When Mary's baby is stillborn, the Mahers begin to regard the West Point cadets as their surrogate children: this eventually leads to the film's most touching scene, in which Mary bids farewell to her son-substitute as he marches off to World War II. Following Mary's death, Marty stays on at the Point, until the place seems somehow incomplete without his presence. On the occasion of his forced retirement, Maher gently pleads with one of his former students--President Dwight D. Eisenhower--to permit him to remain at his post (Ike is played by Harry Carey Jr. in his early scenes, and by the voice of Paul Frees in the wraparound White House scenes). Based on Marty Maher's autobiography, The Long Gray Line seems at first glance too leisurely for its own good, but this appealing film gradually grows on its audience--just like Marty Maher himself. ~ Hal Erickson, Rovi

Henry Fonda returned to films after an eight-year absence in this masterful adaptation of the actor's Broadway hit Mister Roberts. Written and partially directed by Joshua Logan, the film stars Fonda as Lt. Doug Roberts, chief cargo officer of the supply ship "Reluctant." WW2 is in its last few months, and Roberts is itching for combat duty. But the Reluctant's surly, despotic captain (James Cagney), anxious to use Roberts to expedite his own promotion, refuses to sign any of Roberts' transfer requests. Helping to brighten Mister Roberts' humdrum existence are his best friends, Ensign Frank Pulver (Jack Lemmon, in an Oscar-winning performance) and the ship's philosophical doctor (William Powell, in his final film appearance). Most of the laughs are provided by Pulver, officer "in charge of laundry and morale." When he isn't wheeling and dealing to bring a bevy of beautiful nurses on board the Reluctant, Pulver is concocting elaborate schemes to avenge himself against the Captain -- even though he's spent 14 months on the Reluctant without ever meeting his nemesis. The film's highlights include the efforts by Roberts, Pulver, and Doc to mix a bottle of Scotch from Coca-Cola, Iodine, and other vital ingredients; and Mister Roberts' (and later Ensign Pulver's) assertion of manhood by tossing the Captain's precious palm tree overboard. Halfway through shooting, legendary director John Ford was replaced, ostensibly because of illness, by Mervyn LeRoy. One of the finest service comedies ever made, Mister Roberts spawned a less amusing sequel, Ensign Pulver (1964), as well as a 1965 TV sitcom. ~ Hal Erickson, Rovi