Gabriella Pallotta Movies

Playwright Christopher Isherwood and co-writer/director Tony Richardson adapted the novel by Marguerite Duras into this romantic drama. Jeanne Moreau plays Anna, a Frenchwoman of means who experienced fleeting true love with a sailor many years before. In the interim, her husband killed himself and left Anna his vast fortune, and now she is sailing from port to seedy port, searching the world over in vain for her long-lost sailor. In the meantime, Alan (Ian Bannen), a young Englishman, argues with his girlfriend Sheila (Vanessa Redgrave), and leaves her. Alan encounters Anna and, intrigued, joins her on her heartbreaking quest, which takes them aboard Anna's sailboat to Africa and Greece. As Alan begins to realize that he's falling in love with his traveling companion, they meet Louis de Mozambique (Orson Welles), who joins them on their mission but suggests that Anna's elusive sailor may never have existed anywhere other than in her mind. Nevertheless, Anna and a smitten Alan continue their pursuit. Richardson and Isherwood had collaborated previously on the more successful, darkly satirical The Loved One (1965), adapted from the novel by Evelyn Waugh and considered a cult classic. ~ Karl Williams, All Movie Guide

Hero of Rome is not to be confused with Heroes of Rome, so don't. Ex-Tarzan Gordon Scott plays the title character Leading lady Gabriella Pallotta is nearly as musclebound as Scott-and cuter, besides. The plot is inconsequential: the usual tyrants, deadly tasks, fetching damsels and flashing pecs. Scott is always worth watching, seldom more so than here. Hero of Rome was another entry in TV's Sons of Hercules package, though Herc is nowhere to be found. ~ Hal Erickson, All Movie Guide

A little bird tells on the U.S. Army during WWII in this farcical comedy. In 1944, during the last stages of the war in Europe, American officers Capt. Paul MacDougall (Charlton Heston) and Sgt. Joseph Contini (Harry Guardino) are sent to Italy to act as spies for the Allies, even though they have no experience in espionage. Working with Partisan resistance solider Ciccio Massimo (Salvatore Baccaloni), MacDougall and Contini send regular reports to their superiors by carrier pigeon. Contini also finds himself falling in love with Massimo's pregnant daughter Rosalba (Gabriella Pallotta), while her sister Antonella (Elsa Martinelli) has her eye on MacDougall. Contini proposes to Rosalba, and Ciccio prepares a feast to celebrate his daughter's upcoming wedding. However, Ciccio prepares squab for the occasion, killing all but one of the carrier pigeons. Ciccio scrambles to replace them, but the new pigeons he finds are German, and they deliver MacDougall and Contini's messages directly into enemy hands. The Pigeon That Took Rome's art direction earned the film an Academy Award nomination. ~ Mark Deming, All Movie Guide

The original Italian is La Viaccia (the name of the family farm which motivates the plot). The death of a wealthy patriarch in 1885 sets off an interfamily power struggle. Son Ferdinando buys out his other relatives in order to gain full control over the dead man's property. But Ferdinando's country-bumpkin nephew Amerigo holds out. Amerigo's stance is weakened when he heads for the city and meets prostitute Bianca. To support her in the manner in which she is accustomed, Amerigo steals from his uncle. Disgraced in the eyes of his family, Amerigo decides to stay near his beloved Bianca by becoming a bouncer in her brothel. ~ Hal Erickson, All Movie Guide

Anna may be from Brooklyn, but this medium-budget domestic drama was filmed and financed in Italy. The title character, played by Gina Lollobrigida, returns from Flatbush to her small village in Italy in search of a husband. Among her suitors are Dale Robertson and Vittorio DeSica, indicating that the producers were hoping to "click" in box-offices on both sides of the Atlantic. Anna finally chooses the Right Man, with plenty of time for "sampling" along the way. The English-language scenes in Anna of Brooklyn were directed by Reginald Denham, while the Italian sequences were helmed by Carlo Lasticati. The film was distributed in the US by Columbia (who bought the picture from RKO) under the title Fast and Sexy. ~ Hal Erickson, All Movie Guide

The grim, drab life of a man who labors in a Po Valley sugar refinery in northern Italy provides the center of this black-and-white drama from Michelangelo Antonioni. The worker lives with a married woman and their young daughter. One day, the woman learns that her legal spouse died. The refinery worker immediately proposes, but she spurns him in favor of another. Deeply depressed, the laborer begins to drift aimlessly across the northern wasteland with his daughter in tow. Along the way, he meets many people, including a woman from his past. Despite his many low-key adventures, he is unable to forget his daughter's mother and so returns to find that she lives in a new home with a new child. The story comes to its climax during a demonstration protesting the building of a U.S. airfield where the refinery stands. ~ Sandra Brennan, All Movie Guide