Gloria Pall Movies

Richard Matheson was first represented on the Twilight Zone with the December 11, 1959 episode "And When the Sky Was Opened," adapted by Rod Serling from Matheson's short story "Disappearing Act." After an experimental space flight crash-lands, the three crew members -- who have miraculously survived -- begin experiencing strange sensations. As the episode develops, it becomes obvious that no one but the crewmen have any memory of the crash. . .and before long, no one has any memory whatsoever of the crew itself! This tricky, complex set-up was brilliantly handled by director Douglas Heyes (making his own Twilight Zone debut) and by a topnotch cast, including Rod Taylor, Jim Hutton, and Charles Aidman as the benighted astronauts (also, keep an eye out for Sue Randall, aka "Miss Landers" on Leave It to Beaver. ~ Hal Erickson, All Movie Guide

Sam Peckinpah, future auteur of such classic cinematic shoot-em-ups as Major Dundee and The Wild Bunch, was coscripter of this wickedly ironic episode. Paladin (Richard Boone) is hired by Rod Blakely (Richard Long), an idealistic young man who was recently jilted by his fiancee, professional singer Faye Hollister (Joan Weldon). Insisting that Faye has been forced to marry ruthless rancher Peter Hollister (Denver Pyle) against her will, Blakely wants Paladin to fend off Hollister's hired guns so that he can have a brief heart-to-heart talk with Faye. As it turns out, however, Blakely and Hollister have fallen for a woman who is unworthy of both of them! ~ Hal Erickson, All Movie Guide

Vincent Sherman replaced an uncredited Robert Aldrich as director of this noirish and atypically pro-union film from the 1950's. Tulio Renata (Robert Loggia), an organizer for the International Ladies Garment Workers Union, campaigns to unionize the employees of dress factory owner Walter Mitchell (Lee J. Cobb). Viscerally opposed to the union, Mitchell has hired Artie Ravidge (Richard Boone) to thwart Renata's efforts. In a complex oedipal sub-plot, Walter's son Alan (Kerwin Matthews) returns home and joins the firm following the suspicious death of his father's partner. Alan is more sympathetic to the union and attempts to persuade his father to sign a contract. Only after Ravidge kills Renata, and the elder Mitchell finally admits to himself that Ravidge is a thug who also killed his partner, does he agree to negotiate with the union. Before he can do so, however, he, too, is murdered by Ravidge's goons. It is then left to Alan, increasingly involved with Renata's widow Theresa (Gia Scala), to run the business, bring Ravidge to justice, and settle with the union. Similar to Herbert Biberman's Salt of the Earth (1954) in its overt support of the labor movement, The Garment Jungle is clearly a liberal, not a radical, film. Rather than advocate class warfare, it asserts that honest unions and decent capitalists can work together honorably. The film's real fire is found in the personal conflicts between Tulio and Theresa and Walter and Alan. Cobb, Loggia, and Scala perform with intense and multi-dimensional passion. Particularly noteworthy is Theresa's fury at her husband for taking excessive, and ultimately fatal, risks. ~ Steve Press, All Movie Guide

Dale Robertson stars as the Son of Sinbad in this tongue-in-cheek Arabian Nights romp. Hoping to rescue Bagdad from the forces of the dreaded Tamerlaine, Sinbad Jr. enlists the aid of the Khalif (Leon Askin) by promising to deliver the secret of "Greek Fire". To expedite this, he enlists the aid of the lovely Kristina (Mari Blanchard), who has memorized said secret. When the bad guys threaten the safety of hero and heroine, slave girl Ameer (Sally Forrest), who heads the all-female descendants of the original Forty Thieves, come galloping to the rescue. Personally produced by Howard Hughes, Son of Sinbad seems to be a clearing house for all of Hughes' voyeuristic fetishes; at one point, stripteaser Lili St. Cyr performs an exotic (and erotic) dance wearing the equivalent of a postage stamp, earning a Condemned rating from the Catholic Legion of Decency. The overabundance of feminie pulchritude gets a little wearing after a while, and it is up to Vincent Price to steal the show as Omar the Tentmaker, improvising passages of his unpublished "Rubiyat" (with a few anachronistic Shakespearean quotes thrown in) as he tries to keep apace with the hero. Also on hand is an uncredited (and fully clothed) Kim Novak as a handmaiden. More silly than sexy when seen today, Son of Sinbad is acceptable nonthink entertainment. ~ Hal Erickson, All Movie Guide

Co-written by director Richard Quine and Blake Edwards, All Ashore has so many excellent individual components that one wishes the sum total was better than it is. Mickey Rooney, Dick Haymes and Ray McDonald play a trio of eternally broke sailors, on shore leave at Catalina Island. Because of his propensity for getting into trouble, Rooney is the drudge of the group. Even so, it is Rooney who stands the best chance of succeeding when all three gobs set their sights on lovely millionaire's daughter Barbara Bates. McDonald's perennial dancing partner Peggy Ryan is on hand for a few musical numbers, while Haymes gets to display his rich singing voice as he woos Jody Lawrance. Highlights include an elaborate "opera bouffe" dream sequence and a running gag involving a pianist with twelve fingers. ~ Hal Erickson, All Movie Guide