Inez Palange Movies

In this drama, a milque-toast socialite is drowning in San Francisco Bay. Fortunately, he is saved by a kindly Italian fisherman who takes him in and teaches him how to be manly. During his slow recovery, the wimpy fellow is cared for by the fisherman's lovely daughter who is studying to become an opera singer. Trouble ensues when they all find themselves entangled with mobsters. Suddenly the boy becomes a real man and saves them. While San Francisco burns to the ground, he and the daughter finally acknowledge their love. ~ Sandra Brennan, All Movie Guide

In this adaptation of the operetta by Rudolf Friml, secret agent Nina Maria Azara (Jeannette MacDonald) is working undercover for the King of Spain as a singer known as the "Mosca del Fuego" or "Firefly." Her mission is to uncover Napoleon's plot to invade Spain before it is too late. This film features a variety of songs including "Donkey Serenade," "Love Is Like a Firefly," " and "When a Maid Comes Knocking At Your Heart." ~ Iotis Erlewine, All Movie Guide

Alice Faye stars as aspiring playwright Judith Poe Wells. She falls in love with producer George Macrae (Don Ameche), which makes George's girlfriend Louise Hovick (Gypsy Rose Lee) see red. Judith drops from view while George loses his troublesome girlfriend and prepares to put together a Broadway musical. He chooses Judith's play for his next production, which of course reunites the pair at fadeout time. And how do The Ritz Brothers fit into You Can't Have Everything? Not very well, but the Ritzes do have one funny elongated number set in a Greenwich Village nightclub (where the extras are obviously breaking up at the boys' adlibs). ~ Hal Erickson, All Movie Guide

Based on a novel by Netta Syrett, A Woman Rebels is the story of Pamela Thistlewaite (Katharine Hepburn), whose mission in life is to defy the restrictive and often hypocritical conventions of Victorian England. Refusing to conform to the status quo, Pamela lives alone, reads, and says whatever she wishes, and even -- horrors! -- takes a job. Her romantic dalliance with young Gerald (Van Heflin, in his film debut) results in an illegitimate daughter (Doris Dudley), whom Pamela raises as her niece until she decides it's high time to tell the truth in all matters. Faithful suitor Thomas Lane (Herbert Marshall) offers to make an "honest woman" of her, but Pamela refuses until she can stand on her own two feet financially. Fiercely independent to the last, she becomes the crusading editor of a pioneering pro-feminist magazine and an early champion of Women's Suffrage. It was hoped by RKO Radio that The Woman Rebels would restore the popularity of Katharine Hepburn, which thanks to a series of expensive failures had been flagging for the past two years. Though the film turned out to be a box-office loser (it posted a $220,000 deficit), in retrospect it can be regarded as an artistic triumph -- and a remarkably timely one at that. ~ Hal Erickson, All Movie Guide

Italian immigrant George Raft uses his wits and his fists to rise to prominence in a local political machine. He falls in love with Rosalind Russell, the wife of a prominent banker, but discreetly hides his feelings even as he and Russell are thrust together by social circumstances. The banker turns out to be an embezzler, but Raft comes to the rescue by replacing the stolen funds. Accused of conspiring with the banker because he'd failed to make the original embezzlement public, Raft is grilled by a grand jury. Once cleared, Raft is finally able to wed the divorced banker's wife, who it turns out had always had a crush on him. It Had to Happen is most entertaining in its early scenes wherein we see George Raft strongarming his way to success. ~ Hal Erickson, All Movie Guide

Although some purists hold out for Duck Soup (1933), many Marx Brothers fans consider A Night at the Opera the team's best film. Immediately after the credits roll, we are introduced to Groucho Marx as penny-ante promoter Otis B. Driftwood. After a sumptuous dinner with a beautiful blonde at a fancy Milan restaurant, Driftwood tries to cadge another free meal from his wealthy patroness, Mrs. Claypool (Margaret Dumont). The dignified dowager complains that Driftwood had promised to get her into high society, but has done nothing so far. Otis B. counters by introducing Mrs. C to pompous opera entrepreneur Gottleib (Sig Rumann); all Mrs. Claypool has to do is invest several hundred thousand dollars in Gottleib's opera company, and her entree into society is in the bag. Contingent upon this plan is Driftwood's signing of Rodolfo Lassparri (Walter Woolf King), a self-important tenor. Backstage at the opera, Driftwood meets Fiorello (Chico Marx), who poses as a manager and offers to sell Driftwood the "world's greatest tenor"-not Lassparri, as Driftwood assumes, but Fiorello's pal Ricardo Baroni (Allan Jones). Instantly the two sharpsters try to draw up a contract ("The party of the first part shall hereafter be known as the party of the first part..."), which they proceed to tear up piece by piece whenever coming across a clause that displeases them (Driftwood: "That's a sanity clause"; Fiorello: "You no foola me. There ain't no Sanity Claus"). Having lost Lassparri to Gottleib, Driftwood sails back to America with Mrs. Claypool and the opera company. Gottleib arranges for Driftwood to get the tiniest, least accessible stateroom on the ship. Unpacking his trunk, Driftwood discovers that he's got to share his postage-stamp quarters with Ricardo Baroni, who has stowed away because he's in love with the opera troupe's leading lady Rosa (Kitty Carlisle). Also hiding out in Driftwood's trunk is Fiorello, who's come along because he's still Ricardo's manager, and the wacky Tomasso (Harpo Marx), Lassparri's former dresser, who has come along for the hell of it. Anxious to arrange a tete-a-tete with Mrs. Claypool in his stateroom, Otis finds out that his unwelcome guests won't leave until they're fed ("Do you have any stewed prunes? Well, give them some black coffee, that'll sober 'em up"). After ordering a huge dinner, Otis and his new friends are crowded even farther by a steady stream of intruders, including an engineer and his assistant, a cleaning lady, a manicurist, a girl looking for her Aunt Minnie, and a dozen waiters. The celebrated "stateroom scene" comes to a rollicking conclusion when Mrs. Claypool has the misfortune of opening the door. On the last night of the voyage, Fiorello, Tomasso and Ricardo sneak out of their stateroom to enjoy an impromptu ethnic festival in steerage. Ricardo sings, Fiorello "shoots the keys" on the piano, and Tomasso plays the film's theme song Alone on the harp. The stowaways are caught and thrown in the brig, but with Driftwood's help they escape. To avoid recapture, the stowaways don heavy beards and pose as three famed Russian aviators. After making a shambles of a public reception, the three reprobates hide out in Driftwood's New York apartment, where everyone conspires to drive an investigating detective (Robert Emmet O'Connor) crazy. Driftwood is fired from the opera company for associating with the stowaways, while Rosa is dismissed for refusing Lassparri's affections. In order to restore Rosa's job and put the deserving Ricardo in Lassparri's place during the opening performance of La Traviata, Driftwood, Fiorello and Tomasso concoct a scheme that will reduce the opera to comic chaos. The actual night at the opera in A Night at the Opera must be seen to be believed, but the spirit of the scene can be summed up by Gottleib's anguished cry "A battleship in Il Trovatore!" Opera was the Marx Brothers' first film for MGM, and they dearly coveted a hit after the disappointing box-office showing of their final Paramount films. With the blessing of MGM production chief Irving Thalberg, the Marxes went on the road with their brilliant writing staff (including George S. Kaufman, Morrie Ryskind and Al Boasberg) to test their comedy material before live audiences. As a result of this careful preplanning, Night at the Opera was a smash-hit gigglefest, grossing over $3 million and putting the Marxes back on top in the hearts and minds of filmgoers everywhere. ~ Hal Erickson, All Movie Guide

In this western, a newcomer to a Western community is suspected of precipitating a crime wave. To prove his innocence and catch the real perpetrator's. the new rancher teams up the general store owner. They succeed. ~ Sandra Brennan, All Movie Guide

The Italian operetta Sei Tu L'Amore (Is It Love?) was lensed in Hollywood with an all-Italian cast. Enrico Armetta (later billed as Henry Armetta), Mario De Domincille and Augusto Galli are cast as three intellectuals, billed only as The Explorer, The Philosopher and The Engineer. After saving the woebegone heroine Giorgina (Luisa Castellotti) from committing suicide, the three eggheads help her to get back on her financial feet. The philanthropic trio eventually falls in love with the girl, but all three graciously step aside when she evinces a preference for handsome young Mario (Alberto Rabagliati). The title song is heard incessantly throughout the film, to the point that many viewers grew heartily sick of it. ~ Hal Erickson, All Movie Guide