Ken Page Movies

The Cleaners, whose job it is to erase all evidence of mortal contact with witches, try to cover up videotaped proof of Phoebe's (Alyssa Milano) and Paige's (Rose McGowan) witchcraft by framing Inspector Daryl Morris (Dorian Gregory) for murder. When the Charmed Ones try to help Daryl, they end up on trial for their lives themselves. Despite the friction between them, Leo (Brian Krause) and Chris (Drew Fuller) join forces to save Daryl and the girls. But there's a fly in the ointment -- namely, the Charmed Ones' perennial nemesis Barbas the Fear Demon (Billy Drago). ~ Hal Erickson, Rovi

Openly contemptuous of homeless people, Monica (Roma Downey) is taken down a peg or two when she is forced to pose as a street person--and is stripped of her angelic powers. "The only way to share his pain is to share his pain!" admonishes Tess (Della Reese) as the humbled Monica struggles to provide aid and comfort to a stubborn old derelict named Pete Taylor (Gregory Harrison), as well as two other social outcasts, Sophie (Marion Ross) and Zack (Malcolm-Jamal Warner). Inevitably, the three mortals' lives are changed for the better, but not after a great deal of painful soul-searching for all concerned...especially Monica. ~ Hal Erickson, Rovi

This stop-motion animated fable was a big hit when it was released -- not only at the box office, but critically. It was praised for its stunning originality and for the excellence of its execution. In addition, it was praised for being a completely absorbing fable that both grownups and children can enjoy, so long as the children are able to its handle scary bits (beginning perhaps at age seven or eight). In the story, Jack Skellington (voice of Chris Sarandon) is the Pumpkin King of Halloweentown, a realm of reality where the inhabitants make it their life's work to scare humans on Halloween. He's good at his work, and is very popular around town, but it all bores him. In a funk one day, he wanders into a wood where every tree is the doorway to realms serving one or another human holiday, and falls through the doorway into Christmas. There, he sees scenes of such glee and good will that he is overwhelmed. He returns to Halloweentown with the inspiration to persuade his fellow citizens to kidnap Santa and do Christmas in their own Halloweentown way -- complete with snakes and shrunken heads. Despite strong arguments against this project by Jack's otherwise loyal girlfriend, Sally (voice of Catherine O'Hara), Santa (voice of Edward Ivory) is duly captured, and the townspeople prepare a very special Christmas for everyone. Jack is excited about the new plan, and at first doesn't notice that Sally isn't around much anymore. Meanwhile, Oogie Boogie (voice of Ken Page), a sinister opponent of Jack's, has re-kidnapped Santa and has captured Sally as well. Since Sally is the true love of Jack's life and (he eventually realizes) the only one who can be relied upon to tell him the truth in every circumstance, a confrontation with Oogie Boogie becomes inevitable. In addition to being a monumental work of animation (it took over 120 animators and many more technicians more than two years to film it), this show features ten very appropriate musical numbers by composer Danny Elfman, who also supplies Jack's singing voice. In October 2006, fans of the innovative animated classic got to experience The Nightmare Before Christmas in a whole new dimension when the film was re-released into theaters in Disney Digital 3-D -- a process developed to add remarkable new depth to films that were originally released in standard 2-D. ~ Clarke Fountain, Rovi

There were those in 1989 who bellyached that Disney Television's Polly was a far from faithful adaptation of Eleanor Porter's classic novel Pollyanna. What they meant was that Polly did not resemble the 1960 Hayley Mills movie version of Pollyanna, which itself played fast and loose with the source material. In Polly, The Cosby Show's Keshia Knight Pulliam portrays the "Glad Girl" who brings along a satchelful of happiness and optimism when she visits her wealthy aunt one summer. Tranposing Porter's all-white story to a middle-class black community in the Alabama of the 1950s (Celeste Holm is the only white costar) isn't nearly as self-conscious or gimmicky as it seems on paper. Nor is any damage done to the original by adding musical numbers, especially when taking into consideration that the film was directed by renowned choreographer Debbie Allen (the sister of Phylicia Rashad, who plays Polly's aunt--and who in 1989 was costarring with Keshia Knight Pulliam on a weekly basis on The Cosby Show). Polly scored a boffo ratings hit, prompting Disney TV to assemble a 1990 sequel, Polly: Comin' Home! ~ Hal Erickson, Rovi

Harvey Fierstein's Pulitzer Prize-winning Broadway hit was adapted for the screen by Fierstein himself. The playwright also repeats his stage role of female impersonator Arnold Beckoff, aka nightclub entertainer "Virginia Hamm." The three-part plotline, whittled down to accommodate the film's 117-minute running time, concerns Arnold's seriocomic efforts to find a lasting relationship. We first meet Arnold in 1971, when his heart is broken by his bisexual lover, Ed (Brian Kerwin). Next we find Arnold in 1973, enjoying short-lived happiness with his true love, Alan (Matthew Broderick). The final act takes place in 1980: Arnold, still grieving over Alan's sudden death and struggling to raise the young boy that the couple had adopted, has a long-anticipated showdown with his uncompromising mother, superbly played by Anne Bancroft. A witty film that is by turns touching and outrageous, Torch Song Trilogy works well despite its somewhat soft-pedaled approach to the material. ~ Hal Erickson, Rovi