Geraldine Page Movies

This performance features Page doing a monologue of a woman dining alone in a restaurant. ~ Rovi

Previously filmed in Argentina in 1951, black author Richard Wright's powerful race-conscious novel Native Son was remade in this barely released 1986 version. The story involves Bigger Thomas (Victor Love), an angry Depression-era Chicago black who hopes to elevate himself through his chauffeur's job with a prosperous white Gold Coast family. The family's daughter (Elizabeth McGovern) takes advantage of Bigger's servile status by ordering him to drive her to a rendezvous with her communist-activist lover (Matt Dillon). Their "parlor liberal" attitude both pleases and confuses Bigger, as do the girl's apparent sexual advances toward him. One evening, Bigger drives the girl home after she's gotten herself drunk. She flirts harmlessly with him in her bedroom; when her blind mother (Carroll Baker) stumbles onto the scene, the terrified Bigger, certain that he'll be accused of rape, tries to muffle the girl so she can't talk. He accidentally kills her, whereupon the panicky Bigger hides the body and tries to pin the girl's "kidnapping" on her lover. Tragedy piles upon tragedy before Bigger's climactic murder trial and execution; throughout, we are given the impression that this sorry state of affairs would never have taken place without the black-white tensions and divisiveness that existed in 1930s, and which still exist to this day. During the trial scene, TV talk host Oprah Winfrey makes a heavily-made-up cameo appearance as Bigger's mother. The whole scene has the earmarks of an "Oscar clip," but Oprah's excessive histrionics pale in comparison to her brilliant, well-modulated performance in the earlier The Color Purple. The 1986 version of Native Son was co-produced by PBS' American Playhouse. ~ Hal Erickson, Rovi

The fancy footwork and star appeal of Gregory Hines as Raymond, an exiled American, and the powerful grace of Mikhail Baryshnikov as Nikolai, a defector, combine with a great production design to carry this otherwise thinly-stretched tale of intrigue. With a stellar supporting cast (Isabella Rossellini as Raymond's wife, Helen Mirren as Nikolai's lover, and Jerzy Skolimowski, the Polish director, as a wily KGB agent), the film has a few excellent moments. Nikolai has defected from the former USSR some time in the past. While on a trip, his plane spectacularly crashes on a runway in Siberia. Trapped in the country he had escaped, he is brought to stay with Raymond, an American who defected during the Vietnam war. Nikolai desperately wants to get out of the country, but the Russians have other plans. ~ Eleanor Mannikka, Rovi

The never-say-die attitude of James Flanagan (Philip Bosco) a graying New York taxi driver whose real vocation is playing Shakespeare, underscores the spirit that runs through his life and this standard drama. First infected with the Bard's magic by his father, dead these many years, Flanagan recalls his idyllic visions as a youth. Now he is "trapped" in his taxi, suffers through a broken marriage, has two teenage sons of his own, and not much luck at auditions. Things that go wrong seem to come in clusters, and it is at one such downturn that Flanagan is almost ready to give up. ~ Eleanor Mannikka, Rovi

Page Fletcher stars as the title character in this 1983-1988 made-for-cable suspense anthology. ~ Jason Ankeny, Rovi

Set on the streets of New York's Little Italy, this dramatic series of character studies chronicles the lives and relationships between a disparate pair of Italian American cousins. Both of them want to leave the poverty of ghetto life, but each takes a dramatically different route when one of them joins the mob and the other accidentally impregnates his girlfriend. When the young gangster gets into deep trouble, the other must reevaluate his goals and his true feelings about his family. ~ Sandra Brennan, Rovi

Following the lead of the CBS soap opera Capitol, NBC's daytime drama Loving was introduced by a two-hour, prime-time TV movie. Created by Agnes Nixon, Loving is largely set on the campus of the fictional Alden University. The serial's "backstory" is cleverly related by having TV anchorwoman Merrill Vocheck (Patricia Kalember) unearth a hotbed of intrigue while doing a report on Alden. The main plot is spiced up by a murder mystery, and Merrill's meeting with a man who (according to the original prints ads) "will change her life forever." Future Loving regulars Patricia Kalember, John Shearin and Wesley Addy (among many others) share screen space with special guest stars Lloyd Bridges and Geraldine Page. The Loving pilot aired June 26, 1983; the series proper began the following day. ~ Hal Erickson, Rovi

Among the first original anthology series to be produced for cable television, The Hitchhiker was a collection of tales of the supernatural and bizarre. The title character, played during the first season by Nicholas Campbell and thereafter by Page Fletcher, was an unnamed drifter who wandered ubiquitously from story to story, sometimes briefly commiserated with the main characters, sometimes acting as a disinterested observer, but always ready with a few pithy and occasional chilling comments of the events which had transpired. Inasmuch as the series carried on pay cable and not "mainstream" commercial TV, the stories contained an abundance of nudity, profanity, and violence. Even so, in most of the half-hour playlets, Evil was severely punished (usually in an ironic "postman always rings twice" fashion) and Virtue more or less triumphed. After 39 episodes on HBO, the series moved to a basic-cable channel, USA, for 46 additional installments. While censorship was somewhat more stringent on USA, The Hitchhiker still managed to serve up rawer and meatier fare than was customary on over-the-air TV of the period. The series was first-run on HBO from November 23, 1983, to May 12, 1987, and on USA from January 4, 1989, to February 22, 1991. ~ Rovi

Originally networkcast in three installments, the 8-hour Blue and the Gray is a sprawling adaptation of a story concept by Civil War historian Bruce Catton. The drama begins in 1859, with young war correspondent-to-be John Hammond meeting future Union officer Stacy Keach at the trial of abolitionist John Brown (Sterling Hayden). They are reunited two years later during the presidential campaign of Abraham Lincoln (Gregory Peck) and are eyewitnesses at the battle of Bull Run. Keach marries Julia Duffy in 1862, while Virginia-born Hammond writes his dispatches from the Deep South. A subplot concerning a family torn by North/South loyalties is resolved just before Appomattox. The Blue and the Gray was first telecast November 14, 16 and 17, 1982. ~ Hal Erickson, Rovi

Harry's War is a "feel good" movie--and you'd better feel good or else. Edward Herrmann plays an postman whose aunt (Geraldine Page) is victimized by the Internal Revenue Service. Uncle Sam has made an error on her return, insisting that the poor old pensioner must pay 190 grand in back taxes. Try as he might, Harry can't get anyone at the IRS to correct the booboo (the bureau is populated exclusively by movie stereotypes--one is amazed that Charles Lane and Franklin Pangborn don't show up). So he plots a delicious revenge on the government, on behalf of his aunt and all the other average joes of America. ~ Hal Erickson, Rovi

Based on a true story, Something for Joey is about Heisman Trophy-winner Jon Cappelletti and his close relationship with his younger brother Joey, who is suffering from leukemia. ~ Stephen Thomas Erlewine, Rovi

In the conclusion of a two-part story (originally telecast as a single two-hour episode), Kojak (Telly Savalas) steps up his efforts to help Karen Foster (Marybeth Hurt), whom he believes has been falsely charged with murdering her mother. At the same time, powerful politician Edna Morrison (Geraldine Page) continues pulling strings and calling in favors to prevent Kojak from uncovering the whole truth about the murder. Ultimately, Kojak is framed for another crime to shut him up. ~ Hal Erickson, Rovi