Lee Bennett Movies

Bob Hope is up to his famous nose in danger in this espionage comedy. Second-rate burlesque comic Peanuts White (Hope) is approached by federal agents who think that he's international spy Eric Augustine, to whom Peanuts bears a striking resemblance. When they realize that Peanuts and Eric are two different people, the FBI persuades him to travel to Africa posing as Eric and fetch a batch of microfilm that could prove vital to national security. With reluctance, Peanuts flies to Tangiers and arranges a rendezvous with Lily Dalbray (Hedy Lamarr), Eric's beautiful girlfriend and an agent of shifting alliances herself. However, Lily's superior Karl Brubaker (Francis L. Sullivan) wants the microfilm, and he will stop at nothing to get it. As Peanuts tries to rescue the microfilm, make time with Lily, and avoid Karl, things become even more confused when Eric escapes from hiding and re-enters the picture. Both Bob Hope and Hedy Lamarr contribute songs to the soundtrack, though unlike Bob, Hedy's vocals were dubbed in by a studio vocalist. ~ Mark Deming, All Movie Guide

The plot for this Western involves the wives and girlfriends of the Dalton gang, who decide to carry on the gang's criminal activities after the menfolk were either gunned down or locked up. Old-time B-Western star Lash LaRue shows up to take care of them. ~ Hal Erickson, All Movie Guide

Though At War With the Army was the third film appearance of Dean Martin and Jerry Lewis, it was the team's first starring vehicle. A pattern is set herein for all the Martin-Lewis flicks to follow: Martin plays a self-assured romeo, forever bursting into song, while Lewis is a hopeless screw-up unable to perform the simplest task without wreaking havoc (in this one, he can't even operate a Coke machine properly). Mike Kellin repeats his Broadway role as M&L's tough topkick while Polly Bergen makes a very brief appearance. Because it has lapsed into public domain, At War with the Army is one of the most available of the Martin and Lewis films. ~ Hal Erickson, All Movie Guide

Randolph Scott is a single-minded gunman bent on tracking down and killing the white man responsible for an Indian raid on a stagecoach. Scott's fiancee was killed in the raid and a large army payroll was stolen. The villain is George Macready, a "solid citizen" with fingers in several dirty pies. The film's highlight is not the final confrontation with Macready but a brutal fistfight between Scott and minor heavy Forrest Tucker. Filmed in Cinecolor (a pleasing if limited two-color process), Coroner Creek was based on a novel by western specialist Luke Short. ~ Hal Erickson, All Movie Guide

Dissatisfied with his postwar Republic westerns (not to mention his comparatively low salary), Gene Autry switched his base of operations to Columbia in 1947, where he wore two hats as both star and producer. Autry's first Columbia effort, The Last Round-Up, is a vast improvement over the Republics that preceded it. The story finds Autry arranging for an impoverished Indian tribe to move from their desolate reservation to a more fertile and attractive location. Understandably, the Indians doubt Autry's motives, having been previously burned by such usurping crooks as Mr. Mason (Ralph Morgan) and his son Matt (Mark Daniels). Once Autry has convinced the Indians that he's on their side, he must contend with the Masons' murderous minions. In the course of events, Gene Autry sings five songs, several of them directed to pert leading lady Jean Heather. Featured among the Indian characters is little Bobby Blake, a recent graduate of Republic's "Red Ryder" series. Some of the action highlights in The Last Round-Up were lifted from the 1940 Columbia "A" western Arizona. ~ Hal Erickson, All Movie Guide

Completed several years before its 1947 release, Scared to Death is historically important as Bela Lugosi's only color film (outside of his brief unbilled appearance in 1931's Fifty Million Frenchmen, which today exists only in black & white). Other than that, it's a dreary story of how a beautiful but treacherous young woman (Molly Lamont) literally dies of fright. Anticipating Sunset Boulevard by at least five years, the film is narrated by the deceased "heroine", meaning that suspense and surprise are hardly considerations here. It's a toss-up as to who's funnier: the film's official comedy relief, dumb detective Nat Pendleton and dumber blonde Joyce Compton, or the "odd couple" team of the caped-and-cloaked Bela Lugosi and his dress-alike dwarf companion Angelo Rossitto. For the record, Lugosi plays a sinister hypnotist named Leonide, yet another of his myriad of "red herring" roles in the 1940s. ~ Hal Erickson, All Movie Guide

Filmed in less than glorious two-strip Cinecolor, this average Eddie Dean western benefited from Dean performing "Ride on the Tide of a Song", "Journey's End"and "I Can Tell by the Stars". The story surrounding all this warbling, however, was the standard one of a gang of thugs interfering with the building of the telegraph. Headed by Drake Dawson (Terry Frost) and a crooked lay judge (Warner P. Richmond), the gang stirs up trouble among the local Indians, who are persuaded that the telegraph may mean the end of the buffalo. Enter retired rangers Eddie Dean, Soapy Jones (Roscoe Ates) and Stormy Day (Al "Lash" La Rue), who are persuaded back in harness to secure the prompt continuation of the building project. Carrie Bannister (Sarah Padden), the widow of a slain ranger captain, persuades her friend Chief Black Fox (Chief Yowlachie) to help secure the telegraph rather than oppose its construction. On their way to gather more information on the outlaws, Soapy and Skinny (Robert "Buzzy" Henry, Mrs. Bannister's young son, are ambushed by Dawson's men. Discovering an abandoned gun near a wounded Skinny, Soapy recognizes the weapon as belonging to the murdered Captain Bannister. When Eddie learns that Dawson himself is carrying a matching gun, Bannister's murderer has finally been found. The rangers arrive just in time to round up the gang and, peace finally restored, a recovered Skinny is made an honorary ranger. A truncated black and white version of this film was released in 1948 under the title of Prairie Outlaws, presumably in order to cash in on the appearance of Al "Lash" La Rue, who by then had his own starring series. ~ Hans J. Wollstein, All Movie Guide

Without Reservations has to be the least typical John Wayne picture of the postwar era. Top billing is bestowed upon Claudette Colbert as Kit, a best-selling novelist heading westward to oversee the film version of her latest novel. Taking it upon herself to select the man who should portray the hero of her novel, Kit chooses war hero Rusty (John Wayne), whom she meets during her train trip to Hollywood. Unaware of Kit's true identity, Rusty and his pal Dink (Don DeFore) rail against the factual errors in her book. One thing leads to another, and before long Kit, Rusty and Dink have all been thrown off the train for annoying the other passengers. After a hectic stopover at a New Mexico farm, Kit reveals who she really is to Rusty and Dink, who are understandably put out. All is forgiven in the end, of course, with Kit and Rusty altar-bound at fadeout time. The Hollywood scenes feature such guest celebrities as Cary Grant, Louella Parsons and Jack Benny; and yes, that is an unbilled Raymond Burr as Claudette Colbert's dancing partner. Without Reservations was based on Jane Allen and May Livingston's novel Thanks, God, I'll Take it From Here (too bad they couldn't use that title!) ~ Hal Erickson, All Movie Guide

The Caravan Trail stars PRC Pictures' resident singing cowboy Eddie Dean. This time around, wagonmaster Dean is appointed sheriff of a lawless frontier territory. Immediately getting down to business, our hero goes after a band of land-grabbing outlaws who've been terrorizing the homesteaders. The film is stolen hands down by supporting play Al LaRue, who as "Lash" LaRue would eventually be awarded a western series of his own. Like most of Eddie Dean's 1946 releases, The Caravan Trail was lensed in the two-hued Cinecolor process. ~ Hal Erickson, All Movie Guide

MGM's Till the Clouds Roll By is the musicalized, and highly fictionalized, life story of beloved composer Jerome Kern, who gave his blessing to the production shortly before his death in 1946. As played by a gray-templed Robert Walker, Kern is a likeable but none too exciting sort who expresses his emotions through his music. Constructed in the form of an extended flashback, the story proper begins at the turn of the century, as Kern tries to peddle his ditties to disinterested Broadway producers. His efforts to interest impresario Charles Frohman (Harry Hayden) go nowhere because Frohman is convinced that the only good music comes from Europe. Obligingly, Kern moves to London, where he meets and falls in love with his future wife Eva (Dorothy Patrick). On the verge of securing work with Frohman, Kern's hopes are dashed when the producer goes down with the Lusitania in 1915. Fortunately, Kern has developed such powerful U.S. contacts as Victor Herbert (Paul Maxey) and Oscar Hammerstein (Paul Langton), enabling him to find success as the composer of several "intimate" musicals for New York's Princess Theater. The film ends where it begins, with Kern's triumph as composer of the Broadway blockbuster Show Boat. Van Heflin weaves in and out of the proceedings as the obligatory best friend/severest critic, a musical arranger named Jim Hessler (purportedly based on longtime Kern associate Paul Sadler). No one in 1946 really cared about the dramatic passages of Till the Clouds Roll By; the film's biggest drawing card was its lineup of all-star MGM talent, performing Kern's most famous numbers. Judy Garland (as Marilyn Miller) sings "Look for the Silver Lining"; Dinah Shore performs "The Last Time I Saw Paris" before a back-projected "Gay Paree"; Kathryn Grayson does a Rita Hayworth imitation with "Long Ago and Far Away"; Virginia O'Brien deadpans "A Fine Romance"; Tony Martin warbles "All the Things You Are"; June Allyson and Ray McDonald team up for the title number; and Frank Sinatra, incongruously dressed in white tuxedo, runs through "Ol' Man River." In addition, other musical contributions are made by Van Johnson, Angela Lansbury, Cyd Charisse, Gower Champion, and Lucille Bremer (cast as Van Heflin's daughter). The film's high point comes at the very beginning with a Reader's Digest edition of Show Boat, featuring Lena Horne, as Julie (the role she was born to play, but never did again on screen), delivering a powerhouse rendition of "Can't Help Lovin' Dat Man." Since lapsing into public domain in 1974, Till the Clouds Roll By has, along with Royal Wedding, become the most readily accessible of all MGM musicals. ~ Hal Erickson, All Movie Guide

In this wartime comedy, a spoiled socialite attempts to endure army life after marrying a lieutenant. The constant traveling and inadequate quarters are almost more than she can bear. That she cannot get along with the other soldier's wives makes matters worse. When her husband's unit is placed on alert, she tries to get her father to help him get assigned a permanent position stateside. The couple then has a misunderstanding when he falsely believes that she is with child. Finally the woman begins to understand the nature of true patriotism and begins supporting her husband. ~ Sandra Brennan, All Movie Guide

In this musical comedy, a vaudevillian father, wanting a better life for his son, fires the youth from their act. The deeply angry young man's devoted and creative gal, a hat-check girl, helps him land a job with a big band. But despite his resulting success, he remains estranged from his heart-broken father, until the girl friend uses her creative writing skills to effect a reunion. ~ Sandra Brennan, All Movie Guide

Two Girls and a Sailor is another of those all-star, no-plot wartime musicals turned out by the bushel basket in the 1940s. Its lack of nuance does not lessen its entertainment value in the least. Gloria DeHaven and June Allyson play a couple of well-meaning sisters who stage their own USO shows in their apartment for the benefit of visiting servicemen. They'd like to expand their show, so GI Van Johnson, who happens to be a millionaire, buys an empty factory and has it converted into a canteen. A trivial love triangle develops, but who cares? Bring on the stars! In the case of Two Girls and a Sailor, the celebrity lineup includes Jimmy Durante, Lena Horne, Jose Iturbi, Xavier Cugat, Grace Allen (performing her immortal "Concerto for Index Finger"), Harry James, Helen Forrest, and, in an amusing uncredited cameo, Buster Keaton (Also: keep a sharp eye out for Ava Gardner) ~ Hal Erickson, All Movie Guide