Manuel Padilla Movies

Al Pacino stars as Tony Montana, an exiled Cuban criminal who goes to work for Miami drug lord Robert Loggia. Montana rises to the top of Florida's crime chain, appropriating Loggia's cokehead mistress (Michelle Pfeiffer) in the process. Howard Hawks' "X Marks the Spot" motif in depicting the story line's many murders is dispensed with in the 1983 Scarface; instead, we are inundated with blood by the bucketful, especially in the now-infamous buzz saw scene. One carry-over from the original Scarface is Tony Montana's incestuous yearnings for his sister Gina (Mary Elizabeth Mastrantonio). The screenplay for the 1983 Scarface was written by Oliver Stone. ~ Hal Erickson, Rovi

Returning from the original American Graffiti are Debbie Dunham, Steve Bolander, John Milner, Carol/Rainbow, Terry the Toad and Laurie Bolander (Candy Clark, Ron Howard, Paul LeMat, Mackenzie Phillips, Charles Martin Smith and Cindy Williams), but Richard Dreyfuss is missing and Harrison Ford shows up in a gag cameo. The sequel brings its principles into the more radical end of the 1960s, with Steve and Laurie, now married, on the fringes of the protest movement. Debbie and Carol have been lured into the flower-power milieu by rocker Newt (Scott Glenn). And John has parlayed his love of hot rods into a drag-racing career. ~ Hal Erickson, Rovi

It's the last night of summer 1962, and the teenagers of Modesto, California, want to have some fun before adult responsibilities close in. Among them are Steve (Ron Howard) and Curt (Richard Dreyfuss), college-bound with mixed feelings about leaving home; nerdy Terry "The Toad" (Charles Martin Smith), who scores a dream date with blonde Debbie (Candy Clark); and John (Paul Le Mat ), a 22-year-old drag racer who wonders how much longer he can stay champion and how he got stuck with 13-year-old Carol (Mackenzie Phillips) in his deuce coupe. As D. J. Wolfman Jack spins 41 vintage tunes on the radio throughout the night, Steve ponders a future with girlfriend Laurie (Cindy Williams), Curt chases a mystery blonde, Terry tries to act cool, and Paul prepares for a race against Bob Falfa (Harrison Ford), but nothing can stop the next day from coming, and with it the vastly different future ushered in by the 1960s. Fresh off The Godfather (1972), producer Francis Ford Coppola had the clout to get his friend George Lucas's project made, but only for $750,000 on a 28-day shooting schedule. Despite technical obstacles, and having to shoot at night, cinematographer Haskell Wexler gave the film the neon-lit aura that Lucas wanted, evoking the authentic look of a suburban strip to go with the authentic sound of rock-n-roll. Universal, which wanted to call the film Another Slow Night in Modesto, thought it was unreleasable. But Lucas' period detail, co-writers Willard Huyck's and Gloria Katz's realistic dialogue, and the film's nostalgia for the pre-Vietnam years apparently appealed to a 1973 audience embroiled in cultural chaos: American Graffiti became the third most popular movie of 1973 (after The Exorcist and The Sting), establishing the reputations of Lucas (whose next film would be Star Wars) and his young cast, and furthering the onset of soundtrack-driven, youth-oriented movies. Although the film helped spark 1970s nostalgia for the 1950s, nothing else would capture the flavor of the era with the same humorous candor and latent sense of foreboding. ~ Lucia Bozzola, Rovi

This jungle adventure is comprised of two episodes from the 1966-69 TV show. ~ Sandra Brennan, Rovi

A Man Called Horse stars Richard Harris as Lord John Morgan, an English peer cast somewhat adrift in the American West. Captured by Sioux Indians, Lord Morgan is at first targeted for quick extinction, but the tribesmen sense that he is worthy of survival. The Englishman passes many of the necessary tests that will permit him to become a member of the tribe, the most grueling of which (and the one used most extensively in the film's advertising) is the Sun Vow Initiation. That's where his lordship is hung from the roof of a huge teepee with hooks through his pectoral muscles. Much of the dialogue is spoken in the Sioux language, though the film's much-vaunted "historical accuracy" is not altogether consistent, as witness the casting of British stage luminary Judith Anderson as Sioux woman Buffalo Cow Head. A Man Called Horse spawned warrant two sequels. Originally rated "GP" in 1970, it has since been re-rated R by the MPAA. ~ Hal Erickson, Rovi

Season Three of "The Flying Nun" was ushered in on September 17, 1969 with the episode titled "The Big Game." On this occasion, Sr. Bertrille takes over the coaching duties for the Convent San Tanco baseball team-and the result is a staggering 43-to-1 loss! Former Los Angeles Dodgers stars Willie Davis and Don Drysdale are cast respectively as the team manager and the opposition umpire. "The Big Giame" was written by Clifford Goldsmith, whose 1939 Broadway play What a Life served to introduce the character of Henry Aldrich. ~ Hal Erickson, Rovi

Sr. Bertrille stages a benefit show at Convent San Tanco, using mostly local talent (including herself). Banking on the appearance of professional magician Marko the Magnificent (Victor Buono), Sr. Bertrille is stunned when he refuses to perform. Our heroine tries to get to the bottom of Marko's reticence-and the results are truly magicial. Written by Bernard Slade, "Sister Socko in San Tanco" was first telecast on January 16, 1969. ~ Hal Erickson, Rovi

This time out, Sr. Bertrille is outraged over a parking ticket. No, she didn't technically receive the ticket, but her inbred sense of justice and equality dictates that nuns should not be granted special privileges. Insisting upon being arrested and locked up in jail, the militant nun causes a big-time political brouhaha involving the mayor, the judge, the arresting officer and an outraged mob. Written by Roy Kammerman, "A Ticket for Bertrille" first aired on December 10, 1969. ~ Hal Erickson, Rovi

A joint U.S.-Swiss production in the waning days of the 35-year-old Tarzan series, this film stars Mike Henry in the second of his three film appearances as the jungle king. The film is set in South America, where one of Tarzan's friends is murdered at Tarzan's favorite zoo. The culprits are the Leopard Men, a group of tribal humans dressed and behaving like jungle animals. They are headed by Chief Barcuna (Rafer Johnson). Tarzan recruits Captain Sam Bishop (Jan Murray) and some animal friends to help defeat Barcuna, who is planning on leading a revolt of his Leopard Men against peaceful tribal leaders. ~ Michael Betzold, Rovi

Carroll Baker, the Sharon Stone of the sixties, plays another classy-looking blonde with a sordid background in Sylvia. Millionaire Peter Lawford is about to marry the glamorous but secretive Sylvia (Baker). Before taking the plunge, he hires private eye George Maharis to do a background check on the girl. Whew, what he finds out! Apparently the only sin Sylvia doesn't commit is robbing parking meters, but we have no idea what might happen after the final fadeout. Shortly before it opened, Sylvia was the subject of several magazine articles, trumpeting the fact that Carroll Baker had conducted extensive interviews with real-life prostitutes in order to prepare herself for her role. This apparently left her no time to consult an acting coach. ~ Hal Erickson, Rovi

In this African adventure, a big game hunter's 8-year-old son finds fun and danger with his friends: a chimp and an elephant. The trouble begins when the three adventurers venture too far into the jungle and get lost. Later the boy's governess and others launch an exhaustive search for the lad. Though deathly afraid of lions, the brave nanny overcomes her fear just in time to save the boy from becoming a tasty snack. ~ Sandra Brennan, Rovi

In this Korean War drama, three POWs escape the North Koreans and try to make it safely across enemy lines. During their flight, the soldiers encounter a young boy and his German Shepherd. The boy hates the communists because they killed his parents for sheltering American soldiers, and he offers to help the Americans escape. The journey is arduous and one of the soldiers dies. The fugitives are then joined by a victim of brainwashing. Finally they find the rescue helicopter, but the two original soldiers refuse to board until they can ensure the safety of the brave boy. They decide to take him to America, even though it means they may be court-martialed. One of the men becomes the lad's step-father. ~ Sandra Brennan, Rovi