Jean Ozenne Movies

The second screen version of Octave Mirbeau's novel (originally filmed in 1946 by Jean Renoir), Diary of a Chambermaid charts the ambitions of Celestine (Jeanne Moreau), a woman who comes to work in the 1930s for a Normandy estate occupied by Monsieur Rabour (Jean Ozenne), his daughter (Francoise Lugagne), and the daughter's husband, Monsieur Montiel (Michel Piccoli). Celestine quickly learns that M. Rabour is a more or less harmless boot fetishist, his daughter a frigid woman more concerned with the family furnishings than in returning the affections of her husband, who, in turn, can't keep his hands off the servants. The gamekeeper, Joseph (Georges Geret), is a fascist who keeps his masters informed of all the doings downstairs, and the next-door neighbor (Daniel Ivernel) is a veteran who can't stand Monteil and is sharing a bed with his housekeeper. Celestine picks her way through this minefield carefully, spurning the advances of all of the men until it's convenient for her. ~ Tom Wiener, Rovi

The scene is the French Riviera. Based on eyewitness testimony, three identically dressed men are accused of kidnapping and murdering a child, but two of them can possibly be guilty. Is the innocent party Anthony Perkins, an American who has fled to France in the wake of a sex scandal? Is it Italian Renato Salvatori, whose bad reputation with women has preceded him? Or is it Jean-Claude Brialy, a French businessman whose sister uses her sexual wiles to clinch her brother's big business deals? We'll never know...because Two Are Guilty director Andre Cayatte, a longtime critic of the French justice system, contrives to have all three suspects killed by an out-of-control mob. ~ Hal Erickson, Rovi

A young Susannah York had her first lead role in this drama about a teenage girl on the cusp of womanhood. When her mother falls ill during a vacation in the French wine country, 16-year-old Joss Grey (York) is left to her own devices as she and her three younger siblings are left in the reluctant care of Madame Zisi (Danielle Darrieux), the proprietor of the hotel where they were staying. Eliot (Kenneth More), Zisi's strapping boyfriend, offers to show the youngsters some of the sights in the countryside, and Joss finds herself developing a strong infatuation with the older man. However, when she realizes that Eliot and Zisi are lovers, she becomes despondent and ends up getting drunk on wine with Paul (David Saire), a boy who works in the kitchen at Zisi's hotel. When Joss learns that Eliot is actually a jewel thief wanted by the law, she informs the police of his whereabouts. However, that same night, Paul's efforts to seduce Joss degenerate into a violent attempt at rape, but when Eliot hears her screams for help, he comes to Joss' rescue. Having spared her virtue and perhaps her life, Joss confesses to Eliot that she has turned him in to the police, and urges him to flee for his own safety. One of Joss' sisters is played by Jane Asher, a distinguished actress who was most famous in the United States not for her abilities as a performer, but for spending several years as Paul McCartney's girlfriend. ~ Mark Deming, Rovi

Sly and greedy young people endeavor to use l'amour to get their hands on a fortune in this French comedy. The story begins when an aspiring young artist falls hopelessly in love with his model Julie, an extraordinarily beautiful redhead. He desperately wants to marry her, but his father insists that he abandon the foolishness of art and take over the family business. The dutiful young son does so, but deep down regrets not pursuing his dream. He marries another and produces a son. Eventually he dies, leaving his son only one third of his empire. The rest he bequeathed to the beautiful, long-gone Julie. The son is anxious to find this enigmatic woman so he can buy her out. Unfortunately, she too has died and left the money to her daughter, also a Julie. To get at the fortune, he launches a whirlwind courtship. Unfortunately, things don't quite work out as planned. ~ Sandra Brennan, Rovi

La Tete Contre Les Muirs (U.S. title: The Keepers) was director Georges Franju's 2nd cinematic offering for 1958, and his first purely fictional film. Franju's prior training in documentaries helps to bring a veneer of reality to this harrowing glimpse within the walls of an insane asylum. Pierre Brasseur plays Marbeau, a traditionalist "head doctor" who takes on the case of young Francois (Jean-Paul Mocky). Though not really insane, Francois has been institutionalized for daring to defy his wealthy father. The story is told from Francois' point of view, as he teeters on the edge of madness during his involuntary internment. The film is essentially a plea for more sensible treatment of the mentally disturbed and the emotionally distressed, calling for much-needed widespread reforms -- something that, alas, was not readily forthcoming in the late 1950s. ~ Hal Erickson, Rovi

In this dark drama, a young American is on his way to take his final vows as a priest when he encounters a troubled nightclub singer with a checkered past. He honestly wants to help her, and soon finds himself tempted by her seductive ways. But giving in to temptation could have more serious repercussions than the damnation of his immortal soul. The story was filmed in Paris. ~ Sandra Brennan, Rovi

Yves Allegret's Maneges was released in English-speaking countries as The Riding School, The Cheat and Riding for a Fall. Allegret and his screenwriter Jacques Sigurd use their melodramatic plotline to skewer several varieties of hypocrisy. Simone Signoret plays a thoroughly mercenary young woman who offers her body to a wealthy riding-school owner (Bernard Blier). Once she's trapped the poor man into marriage, she strips him of his wealth and property, all the while consorting with lovers from her own class. The film's Ethan Frome-like climax is in keeping with the cynical, semi-satiric tone of the rest of the picture. It is difficult to "feel" for any of the characters in Maneges, since Allegret holds all of them in undisguised contempt. ~ Hal Erickson, Rovi