Brian Oulton Movies

John Gielgud stars in this adaptation of Oscar Wilde's classic ghost tale. Simon de Canterville (Gielgud) becomes trapped in his family's estate after he runs away instead of engaging in a duel with another man. After he dies, his ghost haunts the mansion; his soul cannot rest until his descendents restore the honor of the family name. A few centuries later, a family moves into the estate and are a bit unnerved to realize that they aren't the only ones living there. ~ Rebecca Flint Marx, Rovi

It was Richard Attenborough's lifelong dream to bring the life story of Indian political and spiritual leader Mahatma Gandhi to the screen. When it finally reached fruition in 1982, the 188-minute, Oscar-winning Gandhi was one of the most exhaustively thorough biopics ever made. The film begins in the early part of the 20th century, when Mohandas K. Gandhi (Ben Kingsley), a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of "passive resistance," endeavoring to win freedom for his people without resorting to bloodshed. In the horrendous "slaughter" sequence, more extras appear on screen than in any previous historical epic. The supporting cast includes Candice Bergen as photographer Margaret Bourke-White, Athol Fugard as General Smuts, John Gielgud as Lord Irwin, John Mills as the viceroy, Martin Sheen as Walker, Trevor Howard as Judge Broomfield, and, in a tiny part as a street bully, star-to-be Daniel Day-Lewis. Gandhi won eight Academy Awards, including Best Picture, Best Actor, and Best Director. ~ Hal Erickson, Rovi

In this comedy, two men pursue four very valuable women who have tattooed the location of stolen bonds upon their rumps. The Mafia is also in pursuit of the marked women. The two fellows are lead to Rome where the lead character tries to sell the Sistine Chapel to American tourists. ~ Sandra Brennan, Rovi

A great deal of director Al Viola's version of this film was pruned away for its general release. The missing portions are not only the heart of the story, but they are the heart of the novel by Graham Billings which gave rise to the film. The whole story is that Forbush (John Hurt) is going nowhere in his romance of Tara (Hayley Mills) because he is basically an uninteresting, shallow man. In desperation, he decides to go off to Antarctica and study penguins. He hopes that his heroism in doing this will prove his sincerity to Tara. Once there, he grows genuinely enchanted by his project and develops a real interest in penguins. It is this, rather than his courage, which wins him Tara's affections. The truncated version omits most of the film's reputedly spectacular and affecting Antarctic footage (shot by Arne Sucksdorff) in order to concentrate on the love story. ~ Clarke Fountain, Rovi

Made in England at a time when Morecambe and Wise were popular with TV audiences, this movie is as good as it is because of the inclusion of three of their more popular routines. A surprisingly complicated plot, though very thin, keeps the audience confused, however, in a tale rife with political intrigue, a British-Russian pact and other espionage-type complications which keep the bumbling spies hopping as they try to catch a ring of saboteurs. ~ Tana Hobart, Rovi

First telecast on February 29, 1964, this episode was penned by Avengers stalwart Brian Clemens. Steed finds himself under suspicion when several enemy agents are killed off in a short period of time. In order to clear himself and avert an international incident, Steed works side by side with the enemy so that both sides can track down the actual killer. The trail of evidence leads to a gentleman's charm school. This episode was remade as the "Emma Peel" installment "The Correct Way to Kill," wherein Anna Quayle played the Iron Curtain operative originally portrayed by Fenella Fielding. "The Charmers" made its American TV bow on April 3, 1991. ~ Hal Erickson, Rovi

Producer Anthony Hinds used the alias John Elder to pen the screenplay of Kiss of the Vampire. Dr. Ravna (Noel Willman), an early 20th century Bavarian, entices a British honeymooning couple, Gerald and Marianne (Clifford Evans, Jennifer Daniel), to accept his hospitality. Once ensconced in Ravna's chateau, the couple discovers with horror that Ravna, Bavaria's biggest fan of Count Dracula, is the leader of an enthusiastic vampire cult. Clifford Evans plays the Van Helsing counterpart, Professor Zimmer, a vampire expert who first tries to warn the couple out of the area and then saves Marianne. Not as horrific as the title suggests, Kiss of the Vampire concentrates on the seductive, sensual side of vampirism, especially in a surrealistic masked-ball sequence. Though it contains far less bloodletting than most Hammer productions, Kiss of the Vampire was severely cut for its American TV release (and retitled Kiss of Evil). ~ Hal Erickson, Rovi

Joseph Losey directed this unusual science fiction effort, which has won a small but fervent cult following. Simon Wells (MacDonald Carey) is an American visiting England, where he meets a woman named Joan (Shirley Ann Field). Simon is immediately attracted to Joan, but there's a considerable obstacle in their budding romance: Joan's brother King (Oliver Reed), the leader of a violent pack of motorcycle rockers. King has a barely concealed incestuous attachment to his sister, and he sometimes uses her to lure victims into his gang's clutches. King and his cronies attack Simon, take his money, and leave him stranded, where he's eventually found by a pair of military security men. Simon is brought to the home of Bernard (Alexander Knox), a scientist working on a secret project for the government, and his girlfriend Freya (Viveca Lindfors), a sculptor. Joan eventually tracks Simon down in hopes of winning his forgiveness, but another run-in with King causes Simon and Joan to discover a cave that holds a terrible secret: a group of strange, cold-blooded children who were the products of one of Bernard's experiments gone wrong. The children were genetically engineered to survive a nuclear war, and, as a result, they are radioactive enough to kill anyone who comes in close contact with them. Controversial in its day, The Damned was produced in England in 1961 but was not released until 1963, when Hammer Films booked it as the second-half of a double bill with Maniac. It did not reach American screens until 1965, when it was shown under the title These Are the Damned. ~ Mark Deming, Rovi

In this children's film, an enterprising gang of kids create a homemade zoo because they cannot have pets in their apartment. Their "zoo" is located behind an empty manor in an old garden. Unfortunately, the manor is the hideout of three jewel thieves. The brave children and their critters team up to defeat the bad-guys. ~ Sandra Brennan, Rovi

Jigsaw was based on Hilary Waugh's play Sleep Long My Love. The scene is Brighton: A woman's body is found in an isolated beach house. The local constabulary painstakingly assemble the "jigsaw" of random clues to reconstruct the woman's history and her last moments on earth, hoping this will lead them to the killer. Though essentially a mystery, the storyline hides nothing from the viewer; the clues are there if you're willing to pick up on them. At 107 minutes, the film is long but never tiresome. With so many films titled Jigsaw floating around the TV schedule, this 1961 production can be characterized as "the good Jigsaw." ~ Hal Erickson, Rovi

Flush on the heels of their success with the comedy I'm All Right Jack, the twin Boulting brothers (Roy, director and John producer) released this standard comedic fare with a dash of spice. Set in the traditional British boys' school, the farce deals with the reactions of the young lads and their profs when Mlle. Madeleine Lafarge (Agnes Laurent), a gorgeous new French language teacher, shows up to start work. Along with the incidents that evolve out of countless crushes on the charming, sexy woman is a school full of great characters -- from the cook to the posturing school master, and the young lover to the insufferable colonel who heads up the board of governors, all adding interest and zest to the goings-on. ~ Eleanor Mannikka, Rovi

The "Carry On" gang take on law enforcement in this rude and crude slapstick comedy. When a flu epidemic leaves a British police station decimated with illness, three incompetent rookies are given the chance to prove themselves as police officers. The three screwy recruits are Tom Potter (Leslie Phillips), a two-bit lothario; Stanley Benson (Kenneth Williams), an uppity intellectual with unique views on law enforcement procedures; and Charlie Constable (Kenneth Connor), an obsessive type who is consumed with astrology. With the help of the swishy Special Officer Timothy Gorse (Charles Hawtrey), the stooges manages to mess up every assignment they are given. But when a criminal gang robs a payroll truck, the four nincompoops are forced to prove their worth. ~ Paul Brenner, Rovi