Jess Osuna Movies

Elaine May wrote and directed (credits May attempted to have removed after the studio made extensive cuts in the film) this dark and funny comedy about marriage, murder, and money. May also stars as Henrietta, a shy and clumsy wallflower, who is also heir to a large pile of money. Indigent playboy Graham (Walter Matthau), who has squandered his inherited trust fund and needs to get a new source of money, begins to ply his affections upon Henrietta. When his butler (George Rose) recommends that Graham should marry Henrietta and gain control of her funds, Graham borrows money from his miserable uncle (James Coco) and wines and dines Henrietta. Graham's dastardly plan is to marry Henrietta, take her off on a trip to the mountains, and murder her. Graham can then return from her funeral and inherit his wealth. But thrown into his path toward the perfect murder are a collection of Henrietta's loyal -- and not so loyal -- retainers and the small dim light of Graham's own conscience. ~ Paul Brenner, All Movie Guide

"His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him." As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack's 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible: by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford's All the President's Men (1976), Three Days of the Condor pits a working Everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations; the challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle's pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen. ~ Lucia Bozzola, All Movie Guide

Conspiracy film specialist Alan J. Pakula turned journalists Bob Woodward and Carl Bernstein's best-selling account of their Watergate investigation into one of the hit films of Bicentennial year 1976. While researching a story about a botched 1972 burglary of Democratic Party headquarters at the Watergate apartment complex, green Washington Post reporters/rivals Woodward (Robert Redford, who also exec produced) and Bernstein (Dustin Hoffman) stumble on a possible connection between the burglars and a White House staffer. With the circumspect approval of executive editor Ben Bradlee (Jason Robards), the pair digs deeper. Aided by a guilt-ridden turncoat bookkeeper (Jane Alexander) and the vital if cryptic guidance of Woodward's mystery source, Deep Throat (Hal Holbrook), Woodward and Bernstein "follow the money" all the way to the top of the Nixon administration. Despite Deep Throat's warnings that their lives are in danger, and the reluctance of older Post editors, Woodward and Bernstein are determined to get out the story of the crime and its presidential cover-up. Once Bradlee is convinced, the final teletype impassively taps out the historically explosive results. ~ Lucia Bozzola, All Movie Guide

In this comedy based on a play by Herb Gardner, a zany, disparate couple tries to beat the odds and stay together. The man runs a posh private school and cannot see why his lover prefers teaching in the Lower East Side where they were raised. The two temporarily split, and each of them has an affair. The experience teaches them that they are meant to be together. Unfortunately, when the humbled two return to their luxurious apartment, they again begin arguing. In the heat of anger, the man grabs the gun her father gave him and fires three shots into the ceiling. With the police sirens encroaching, the woman realizes that inside, he is still the wild and crazy guy she fell for years before, and romantic bliss ensues. ~ Sandra Brennan, All Movie Guide

Robert Benton's Oscar-winning adaptation of Avery Corman's bestseller takes on contemporary problems of divorce and shifting gender roles, as a jilted husband learns how to be a nurturing father. Manhattan housewife Joanna Kramer (Meryl Streep) walks out on her workaholic ad man husband Ted (Dustin Hoffman), leaving their young son Billy (Justin Henry) in Ted's less than capable hands. Through trial and error, Ted learns how to take care of Billy, devoting more energy to his family than to his work, and finally losing his high-powered job because of his new priorities. When Joanna returns with her own lucrative job and the intent to take custody of Billy, Ted finds employment that won't interfere with his paternal duties. Even though he proves that he can do it all, Joanna still wins in court. Joanna, however, rethinks her desires when she finally grasps how close father and son have become. Addressing the male side of the self-actualization question, previously explored from the female perspective in such 1970s movies as An Unmarried Woman (1978), Alice Doesn't Live Here Anymore (1974), and The Turning Point (1977), Kramer focuses on Ted's evolution from absent parent to ideal father, as he learns to balance domestic and professional lives in the shifting late-1970s social landscape. Joanna's attempt to achieve the same, however, gets buried; only Streep's sensitive performance prevents Joanna from seeming an unsympathetic harridan. Critics praised the film's realistic depiction of Ted's travails, as well as the three lead actors' work; and audiences, perhaps facing the same questions of divorce and self-realization, turned it into a box-office smash. It went on to win five Oscars, including Best Picture, Best Actor, and Best Supporting Actress. ~ Lucia Bozzola, All Movie Guide

Ann-Margret is beyond praise in her TV movie debut as the real-life Lucile Frey. A poor, minimally educated rural Iowa mother, Lucile learns on the occasion of the birth of her tenth child in 1952 that she is dying of cancer. Reasoning that her husband (Frederic Forest) is not responsible enough to take care of her children on his own, Lucile takes upon herself the task of finding suitable foster parents for her soon-to-be motherless brood. Not as depressing as it might have been, Who Will Love My Children? closes with the implication that Lucile's children were able to retain their family ties even after being separated for 29 years. The real-life Frey children were showcased the same evening that Who Will Love My Children premiered (February 15, 1983) on an installment of the ABC TV series That's Incredible. ~ Hal Erickson, All Movie Guide

When a decorated New York City policeman voiced his opposition to an accused cop killer's death sentence, his co-workers ostracized him in this true story. ~ All Movie Guide