Henry Oscar Movies

Hollywood star Richard Barthelmess, who's about as French as a hot dog with mustard, plays the title character in the British costume melodrama Spy of Napoleon. Based on a novel by Baroness Orczy (The Scarlet Pimpernel), the plot focuses on the animosity between Napoleon III (Frank Vosper) and Prussian chancellor Bismarck (Lyn Harding). Certain that he is surrounded by traitors (which indeed he is), Napoleon dispatches his illegitimate daughter Eloise (Dolly Haas) to flush out the turncoats. It happens that the girl is married to exiled French patriot Gerald de Lanoy (Barthelmess), who though he despises Napoleon loves his country and agrees to help her in her mission. Francis L. Sullivan wins the acting honors as the Emperor's sinister chief of police Toulon. ~ Hal Erickson, All Movie Guide

Based upon The Chase of the Golden Plate by Jacques Futrelle, The Man Behind the Mask was the last film Michael Powell made before The Edge of the World established him as a major director. As the film begins, loving couple Nick Barclay (Hugh Williams) and June Slade $Jane Baxter) are attending a fancy masked ball, from which they plan to elope. Nick, however, is assaulted, and his assailant takes his place at the party. Thus disguised, he steals away with both June and a famous artifact, the Shield of Kahm, that belongs to her father, Lord Slade. Nick, whose story of being assaulted is not given full credence, begins a search for June, enlisting the aid of a Dr. Walpole and his secretary along the way. They rescue June and the Shield from an inn, although they do not capture the thief. June and Nick proceed with their plans to marry; but with the burglar still loose and upset that his plans were foiled, neither they nor the Shield are safe. ~ Craig Butler, All Movie Guide

In this little thriller, an innocent wager nearly results in death. The trouble begins when a novelist bets that he can hide his friend for a month. He then whisks the fellow into the country. However, the young victim's parents do not know about the bet and call the police. ~ Iotis Erlewine, All Movie Guide

Gunrunners who even kill their enemies through the use of train wrecks are being trailed by Yankee detective Lowe and girlfriend Cummings. ~ All Movie Guide

Henry Oscar plays Gabriel Perry in this rusty-dusty British courtroom drama. Perry is the local justice-of-the peace; his wife is played by Olga Lindo. When Mrs. Perry discovers that Gabriel has committed murder, she can do nothing; after all, a wife cannot testify against her husband (or could not back in 1935). Margaret Lockwood, on the verge of stardom, shows up in a nondescript ingenue role. The Case of Gabriel Perry was adapted from Wild Justice, a play by James Dale. ~ Hal Erickson, All Movie Guide

In this British comedy, the owner of a country pub finds her wedding night ruined when a man comes up and offers her husband a shilling. He accepts it, but discovers that it is really the Queen's bounty for enlistment and that the kindly man is the local recruiting officer. The bride decides she must be with her man and ends up impersonating one to be with him. Eventually she saves him from the French. ~ Sandra Brennan, All Movie Guide

One of the best of Michael Powell's low-budget "quota quickies" -- essentially British B-movies made on ultra-low budgets under the government-imposed quota system for British-made movies in British theaters -- Red Ensign was also one of the more intelligent thoughtful dramas of its kind. Set amid the massive economic disruptions of the worldwide depression of the mid-'30s, it tells the story of David Barr (Leslie Banks), the managing director of an idled Scottish ship-building company, who has devised a revolutionary new design for cargo vessels using arcform hulls, which permits them to operate more cheaply and efficiently than any ships currently in service. He can revolutionize the merchant shipping industry, but Barr wants more than that -- he sees that as only the first step to reviving the entire British economy. Barr, who worked his way up from the shipyards (starting as a riveter) to the boardroom, is able to see this larger picture, from the top down to the vantage point of the lowest yard worker, and from the bottom up to the management suites, and he is driven by the breadth and clarity of what he perceives. But before he can do that, or get even one ship built, he has to overcome the resistance of the other directors, upper-class all, who admire Barr's brilliance but can't understand his passion, content as they are to ride out this worldwide depression in cautious comfort. Their leader is the recalcitrant board chairman, Lord Dean (Frank Vosper), who not only doesn't believe in taking risks but also resents Barr's successful wooing of the company's principal shareholder, June Mackinnon (Carol Goodner), the daughter of the company's late founder.

Barr is single-minded in his vision and certain enough of his cause that he is willing to withhold information from the other directors to get what he wants, and even commit forgery if there's no other way to get the first ship built. Lord Dean, meanwhile, wants to sign a contract for the new ships with Manning (Alfred Drayton), the unscrupulous owner of a shipping line notorious for its use of foreign registries, poorly paid and trained foreign crews, and safety violations, which would solve the shipyard's problems for a time but do nothing for British shipping or the economy. And Manning, desiring these new ship and faced with Barr's opposition, is not above putting spies and saboteurs into the shipyard, and setting fires and explosions to undermine Barr's work. Amid the corporate maneuvering and the threat of strikes (fomented by Manning's paid agitators) and arrest, the script keeps the pacing brisk and the focus tight on the fate of Barr and his ideas, in what was one of the more cerebral and diverting dramatic thrillers of its day. ~ Bruce Eder, All Movie Guide