Henry Oscar Movies

The Boulting Brothers enjoyed one of their biggest box-office successes of the 1950s with the wry service comedy Private's Progress. Though billed fourth, Ian Carmichael plays the central character, feckless British soldier Stanley Windrush. Interrupting his college education to serve his country, Windrush flunks out of officer's candidate school and is demoted to private. Much of the humor arises from the bookish hero's confrontation with the ruder and cruder side of army life, as represented by rough-hewn fellow private Cox (Richard Attenborough). As Major Hitchcock, Terry-Thomas offers a brilliant parody of the "Mad Dogs and Englishmen" school of military service, while Dennis Price is equally amusing as a nonplussed commanding officer named Tracepurcel (!) Also worth watching is future "Dr. Who" star William Hartnell as a loudmouthed sergeant. Halfway through the film, the plot rears its ugly head as the protagonists become involved with the covert reclamation of art treasures confiscated by the Nazis during WW2. ~ Hal Erickson, All Movie Guide

A once-popular stage melodrama by Gordon Sherry was the source for the 1938 British film Black Limelight. Raymond Massey plays Peter Charrington, who early in the proceedings is charged with murder. Escaping from the authorities, Peter desperately tries to keep in touch with his distraught wife Mary (Joan Marion), who believes in his innocence. Meanwhile, an overly unctuous fellow named Lawrence Crawford (Walter Hudd) watches from the sidelines as Peter eludes the police. Crawford has a vested interest in the outcome of the chase; he is, after all, the real murderer. Reviewers in 1938 enjoyed Black Limelight, but carped over the fact that neither Raymond Massey nor Joan Marion seemed inclined to scale down their stage characterizations for the more intimate demands of the screen. ~ Hal Erickson, All Movie Guide

Filmed in Great Britain, Brides to Be was distributed worldwide by Paramount. Leading lady Betty Stockfield is a humble shop girl, in love with a rich millionaire who has lots of money. Betty is framed for a robbery by a gang of crooks. This proves awkward not only for Betty but for the crooks, who may have to eliminate the girl before her wealthy beau finances her defense. Basil Mason scripted Brides to Be from his own (presumably less confusing) story Sign Please. ~ Hal Erickson, All Movie Guide

A case of mistaken identity is the basis for this drama. The trouble begins when a rich entrepreneur is accused of being the notorious thief, Jean Pelletier, who performed his infamous robberies in the years preceding the war. A court battle ensues. The industrialist states that he suffered amnesia during the war. His fiance found him from a newspaper picture. Pelletier's ex-lover then testifies that the man is indeed Pelletier. Another man swears that he had witnessed the robber's death during the war. The accused is acquitted and goes home. The witness waylays him and tells the man that he lied, and that if he doesn't pay him a large ransom, he will tell the court. The poor businessman is truly confused. His amnesia was quite real so there is a definite possibility that he is the thief. He becomes fixated with discovering the truth. He goes to Pelletier's ex-love, and the thief's mother. They convince him. He really is Pelletier. The man decides to turn himself in, but his lawyer convinces him not to do it. In the meantime, the mistress learning that the blackmailer is planning to spill the beans anyway, takes matters into her own hand. ~ Sandra Brennan, All Movie Guide

Dishonor Bright draws upon the talents of two master farceurs from Britain's Aldwych Theatre, Tom Walls (star-director) and Ben Travers (screenwriter). A correspondent in a bitter divorce case, Stephen Champion (Walls), ends up marrying the defendant, Ivy Lamb (Dinah Churchill), though he still carries a torch for Stella (Betty Stockfield), the wife of the plaintiff's attorney (Cecil Parker). While on an Alpine honeymoon with Ivy, Stephen tries to rescue Stella from the libidinous machinations of rakish Lisle (George Sanders, in one of his earliest major roles). In so doing, Stephen not only nearly messes up Stella's marriage but his own as well. Hollywood's Eugene Pallette offers a well-rounded characterization (in every sense of the word) as a duplicitous American tourist. ~ Hal Erickson, All Movie Guide

Tom Burke essays the title role in the Irish-made Father O'Flynn. Like many Hibernian films of the era, the story is allegedly based on the popular title song. Father O'Flynn's ward Macushia (Jean Adrienne) falls in love with local boy Nigel (Robert Chisholm), but her long-missing father (Denis O'Neil) reappears to gum up the works. The plot hinges on the audience's acceptance that the feisty, independent Macushia would willingly allow herself to become the virtual prisoner of her wayward father. All this is forgotten in the final scenes, when the hero settles the villain's hash with a good old donnybrook. Not surprisingly, the film is an inventory of sentimental Irish ballads, performed with verve by stars Burke and Adrienne. ~ Hal Erickson, All Movie Guide

Albert Lieven plays German general Erwin Rommel in this British war drama set in Libya and Egypt. A spy working on behalf of Rommel slips behind British lines and swipes "valuable" battle plans. Actually the information is false, planted by counterintelligence in hopes of misleading the "desert fox". Based on a true story, Foxhole in Cairo is an instructive if not overly suspenseful history lesson. Keep an eye peeled for Michael Caine, billed 16th in the published cast list (but uncredited in many prints). ~ Hal Erickson, All Movie Guide

Filmed in 1935, the British Hell's Cargo finally received a US release in 1939, capitalizing on the recent outbreak of war in Europe. Most of the story takes place on a cargo ship, slowly inching its way through treacherous waters with a cargo consisting of a top-secret poison gas. When the ship's intoxicated doctor reveals the nature of the cargo to a good-time girl in a foreign port, chaos ensues, culminating in the death of the treacherous doctor at the hands of the ship's three commanding officers: Englishman Falcon (Kim Peacock), Frenchman Lestallieur (Walter Rilla), and Russian Tomasov (Robert Newton). The question: if a murder is committed in to maintain the Peace of the World, can it truly be considered murder? Hell's Cargo was based on a story by French writer/director Leo Joannon, whose later seafaring efforts included Laurel & Hardy's Atoll K (1951). ~ Hal Erickson, All Movie Guide

The Idol of Paris is based on Paiva, Queen of Love, a novel by Alfred Schirokauer. Set in the mid-19th century, the film traces the rags-to-riches story of a girl named Theresa (Beryl Baxter). Sleeping her way to the top, she becomes a highly sought-after Parisian courtesan, one worthy of the attentions of the Emperor Napoleon (Kenneth Kent). But Theresa has no time for the Emperor, not with such virile lovers as Hertz (Michael Rennie) around and about. Despite inherent censorship problems, The Idol of Paris was picked up for American distribution by Warner Bros. ~ Hal Erickson, All Movie Guide

In this drama, a construction contractor gets into trouble when he inadvertently receives some stolen property. This makes it even more difficult for him to frantically finish a housing estate designed to harbor a visiting princess. ~ Sandra Brennan, All Movie Guide

This sweeping, highly literate historical epic covers the Allies' mideastern campaign during World War I as seen through the eyes of the enigmatic T. E. Lawrence (Peter O'Toole, in the role that made him a star). After a prologue showing us Lawrence's ultimate fate, we flash back to Cairo in 1917. A bored general staffer, Lawrence talks his way into a transfer to Arabia. Once in the desert, he befriends Sherif Ali Ben El Kharish (Omar Sharif, making one of the most spectacular entrances in movie history) and draws up plans to aid the Arabs in their rebellion against the Turks. No one is ever able to discern Lawrence's motives in this matter: Prince Feisal (Alec Guinness) dismisses him as yet another "desert-loving Englishman," and his British superiors assume that he's either arrogant or mad. Using a combination of diplomacy and bribery, Lawrence unites the rival Arab factions of Feisal and Auda Abu Tayi (Anthony Quinn). After successfully completing his mission, Lawrence becomes an unwitting pawn of the Allies, as represented by Gen. Allenby (Jack Hawkins) and Dryden (Claude Rains), who decide to keep using Lawrence to secure Arab cooperation against the Imperial Powers. While on a spying mission to Deraa, Lawrence is captured and tortured by a sadistic Turkish Bey (Jose Ferrer). In the heat of the next battle, a wild-eyed Lawrence screams "No prisoners!" and fights more ruthlessly than ever. Screenwriters Robert Bolt and Michael Wilson used T. E. Lawrence's own self-published memoir The Seven Pillars of Wisdom as their principal source, although some of the characters are composites, and many of the "historical" incidents are of unconfirmed origin. Two years in the making (you can see O'Toole's weight fluctuate from scene to scene), the movie, lensed in Spain and Jordan, ended up costing a then-staggering $13 million and won seven Academy Awards, including Best Picture and Best Director. The 1962 Royal Premiere in London was virtually the last time that David Lean's director's cut was seen: 20 minutes were edited from the film's general release, and 15 more from the 1971 reissue. This abbreviated version was all that was available for public exhibition until a massive 1989 restoration, at 216 minutes that returned several of Lean's favorite scenes while removing others with which he had never been satisfied. ~ Hal Erickson, All Movie Guide

In this British comedy, the owner of a country pub finds her wedding night ruined when a man comes up and offers her husband a shilling. He accepts it, but discovers that it is really the Queen's bounty for enlistment and that the kindly man is the local recruiting officer. The bride decides she must be with her man and ends up impersonating one to be with him. Eventually she saves him from the French. ~ Sandra Brennan, All Movie Guide