Mike Murphy Movies

Stunt man Corey Michael Eubanks plays a repo man in Forced to Kill. While claiming a Jaguar, Johnny (Eubanks) is captured by a strange family. Before long, he's in the thick of a subrosa boxing tournament, where bare fists are de rigeur and the participants are obliged to kill one another. A question: if Eubanks is such a crackerjack stunt man, how'd he allow himself to get into this mess? (and he wrote the script, too!) Check your brains at the door: the action is terrific. The supporting cast of Forced to Kill includes filmmaker Ron Howard's father Rance and brother Clint. ~ Hal Erickson, Rovi

When speaking of Laurel and Hardy's first feature film Pardon Us, Stan Laurel described it as "a three-story building on a one-story base"-in other words, a 2-reeler stretched and bloated into 6 reels. Much the same could be said of Blake Edwards's Blind Date, though one wonders if Stan Laurel could have even gotten two reels out of its wafer-thin premise. At the outset, yuppie Bruce Willis is warned not to let his blind date, southern belle Kim Basinger, drink anything stronger than lemonade. So what does Willis do the first chance he gets? That's right, kids; he plies poor Basinger with champagne. And then he wonders why his life rapidly goes to hell in a handbasket. In his first starring movie role, Bruce Willis manages to find all sorts of nuances in his one-note role, while Kim Basinger is very funny when she's blotto-at least, for the first five minutes or so. John Laroquette costars as a character straight out of a 1920s bedroom farce; he's also pretty good, even though his dialogue is numbingly unamusing. Blake Edwards is famous for his ability to make a lot out of a little...but there has to be a limit somewhere. ~ Hal Erickson, Rovi

Adapted by Julian Barry from his own Broadway play, Lenny manages to be both brutally frank and highly romanticized in detailing the short life and career of influential, controversial stand-up comedian Lenny Bruce. The chronology hops, skips and jumps between Lenny (Dustin Hoffman) in his prime and the burned-out, strung-out performer who, in the twilight of his life, used his nightclub act to pour out his personal frustrations at great, boring length. We watch as up-and-coming comic Bruce courts his "Shiksa goddess," a stripper named Honey (Valerie Perrine). With family responsibilities, Lenny is encouraged to do a "safe," conformist act, but he can't do it. Constantly in trouble for flouting obscenity laws, Lenny develops a near-messianic complex, which fuels both his comedy genius and his talent for self-destruction. Worn out by a lifetime of tilting at Establishment windmills, Lenny Bruce died of a drug overdose in 1966. Director Bob Fosse chose to film Lenny in black-and-white, giving the film the texture of a documentary. Though a film as verbally graphic as Lenny could not have been made when the real Lenny Bruce was alive, audiences in 1974 responded, to the tune of an $11 million gross. ~ Hal Erickson, Rovi

Captured by the Germans, Sgt. Saunders (Vic Morrow) manages to escape during an Allied bombing raid. Severely burned in the shelling, Saunders painfully makes his way through enemy territory and back to the American lines. The ordeal nearly drives him insane, but he relentlessly plods forward, doggedly determined to survive while grimly resigned to the likelihood that sudden death is lurking within every shadow and behind every tree. This classic episode earned an Emmy nomination for star Vic Morrow--and, according to some reports, brought about the firing of director Robert Altman for ignoring the series' "established" format. ~ Hal Erickson, Rovi