Bruce Bennett Movies

Clemson Reade (Cary Grant) is the kind of man who wants to marry an old-fashioned girl, one who will stay home and take care of her husband. However, he's fallen in love with Priscilla "Effie" Effington (Deborah Kerr), who has an exciting career with the State Department that she has no intention of giving up. Clemson has the poor timing of proposing marriage to Effie just as she's in the middle of trying to resolve a major political crisis with the Middle Eastern nation of Bukistan; the United States wants to stay on Bukistan's good side, thanks to their plentiful reserves of oil. Tired of waiting for Effie, Clemson decides that he needs to find a potential bride who will follow his lead instead of her own, and he soon meets Princess Tarji (Betta Saint John), daughter of the King of Bukistan, who has spent her life learning to faithfully serve her man. Clemson half-seriously sends a telegram proposing marriage to Tarji, which touches off a political tempest in a teapot when Tarji responds by visiting the United States. The State Department decides that someone should look after Tarji while she's in America, and who should be given the assignment but Effie; to Clemson's chagrin, Effie uses her time with Tarji to enlighten her about the more liberated status of women in the West. By the way, don't bother looking for Bukistan in your atlas, the country doesn't really exist. ~ Mark Deming, All Movie Guide

Paramount's immensely successful Pine-Thomas production unit once more struck box-office gold with The Last Outpost. Ronald Reagan stars as devil-may-care Confederate officer Vance Britton, who leads a band of guerillas on a series of sabotage raids. The Northern Army dispatches Vance's brother, Union officer Jeb Britton (Bruce Bennett), to put an end to Vance's activities. Both brothers are forced to work shoulder to shoulder when a Northern attempt to enlist the aid of the Apache tribe backfires, sparking an all-out Indian war. Rhonda Fleming, who seemed to spend her entire career in Technicolor adventure flicks, appears as the romantic bone of contention between the battling Brittons. Halfway down the cast list as Lieutenant Fenton is TV's future "Ward Cleaver," Hugh Beaumont. ~ Hal Erickson, All Movie Guide

Blonde good-time girl Vivian Heldon (Jan Sterling), who lives in a cheap rooming house in a working-class section of Boston, run by the inquisitive and neurotic Mrs. Smerrling (Elsa Lanchester), goes out one night after a phone conversation with her boyfriend, proclaiming that she's got big plans and might even move to a nicer place. After putting in her shift as a waitress at a cheap dive called The Grass Skirt, she latches onto Henry Shanway (Marshall Thompson), an innocently drunk patron, who's trying to wash away his sadness over his wife's stillborn child. She uses Henry's car with him in tow to drive out to Cape Cod, then strands him on foot and meets her boyfriend -- but when she arrives, he puts a bullet into her, then strips the body, throws it into the sea, and drops the clothes and the car into a lake. Six months later, an ornithologist from the cape spots the skeleton of a human foot sticking up through the sand.

Enter Lt. Peter Morales (Ricardo Montalban) of the Boston PD; he and his partner on this case, Det. Sharkey (Wally Maher), bring the bones to Dr. McAdoo (Bruce Bennett), of Harvard University's forensic medical laboratory. Over the next few days, McAdoo and his staff are able to determine the gender, age, and general appearance of the person to whom the bones belonged, and that this is a case of murder -- and that the victim was pregnant. Morales and Sharkey, combing through what they know about the victim and the missing persons records of six nearby states, eventually tie the skeleton up with Vivian Heldon, who disappeared on just about the same day the victim was killed, and also to Shanway's car, which he reported stolen that day. The poor slob, who is merely trying to cover up a drunken lapse from his wife (Sally Forrest), acts guilty enough and lies about just enough so that Morales is certain that he's the murderer. His investigation isn't helped by the interference of Mrs. Smerrling, who sold Vivian's belongings when she didn't return to her room, and now seems fixated, even obsessed with the details of the case and its connection to her rooming house. While the police tighten the screws on Shanway, she backtracks Vivian's phone calls and makes contact with the woman's boyfriend, James Joshua Harkley (Edmon Ryan), member of a wealthy Boston family, and a married man; she also manages to steal a vital piece of evidence. But instead of turning it over to the police, she uses it to blackmail Harkley.

Meanwhile, the district attorney sets an early trial date for Shanway, but with the opening arguments only a week away, Morales begins to develop doubts about Shanway's guilt, in addition to harboring his own sympathy for Grace Shanway, whose life is being gradually destroyed by the prosecution on her husband -- not that Morales thinks he's innocent, but there's enough that's not right about the case, including the missing murder weapon, that he's not 100-percent sure. And that's when Vivian's friend and neighbor, Jackie Elcott (Betsy Blair) reports how strangely Mrs. Smerrling is acting, and the fact that she's got a gun. But before they can question her, Harkley kills Mrs. Smerrling -- now it's a race between Morales and Harkley to see who can get to the murder weapon first. ~ Bruce Eder, All Movie Guide

Phyllis Holmes (Ella Raines) has resigned herself to being too plain-looking to attract men. All this changes when Phyllis is injured in an auto accident. Plastic surgery transforms Phyllis into a vision of loveliness, but there's more to it than that: the surgery was financed by an unknown benefactor, who disappears after the girl recovers. Determined to find the man who cared enough to give her a new lease on life, Phyllis spends the rest of the picture trying to find him, convinced that he's in love with her. The results are surprising for both Phyllis and the audience. Second Face wavers uncertainly between straight romance and psychological melodrama. ~ Hal Erickson, All Movie Guide

House Across the Street was the second remake of the 1933 Paul Muni starrer Hi, Nellie. The original's satirical jibes against columnist Walter Winchell are downplayed in favor of undistilled concentration on the plot. Crusading newspaperman Dave Joslin (Wayne Morris) is kicked downstairs to the "Advice to the Lovelorn" column when he manages to offend a politically powerful racketeer. While pretending to stick to his job, Joslin conducts his own investigation to bring the villain to justice. Bruce Bennett, Warner Bros' busiest general-purpose actor (next to John Ridgely, that is!) brings subtlety and shading to the two-dimensional role of the racketeer. Likewise, Janis Paige avoids cliches as an intrepid girl reporter. One of the shortest top-of-the-bill Warners releases of 1949, House Across the Street clocks in at 69 minutes. ~ Hal Erickson, All Movie Guide

Glenn Ford first appeared under the MGM banner in The Doctor and the Girl. Ford stars as Dr. Michael Corday, scion of a highly respected family of physicians. When he marries one of his patients, shopgirl Evelyn Heldon (Janet Leigh), Corday is thrown out of his house by his tradition-bound father (Charles Coburn). Denied a posh Park Avenue practice, Corday becomes a selflessly dedicated general practitioner, while his rebellious sister Fabienne (Gloria de Haven) likewise leaves home and hearth in favor of Greenwich Village bohemianism. Father and son are tearfully reconciled when Fabienne dies as the result of a botched abortion (though her operation is never so identified). Doctor and the Girl is a toned-down, telescoped adaptation of Maxence van der Meersh's best-selling novel Bodies and Souls. ~ Hal Erickson, All Movie Guide

The story of the outlaw Younger Brothers is duly Hollywoodized in this Technicolor western. Wayne Morris, Bruce Bennett, Robert Hutton and James Brown star as Cole, Jim, Johnny and Bob Younger, who as the film begins have just been released from jail. They try hard to follow the straight and narrow path, but when ex-Pinkerton man Ryckman (Fred Clark) launches a campaign of vengeance against the boys, out come the six-guns. One of Ryckman's schemes is to use female bandit Kate (Janis Paige) to lure the Youngers back into a life of crime. The villain very nearly succeeds, but the boys are saved by the beneficence of the screenwriters. Prominent in the cast of The Younger Brothers is Alan Hale, who showed up in practically every Warner Bros. western made between 1939 and 1950. ~ Hal Erickson, All Movie Guide

John Huston's 1948 treasure-hunt classic begins as drifter Fred C. Dobbs (Humphrey Bogart), down and out in Tampico, Mexico, impulsively spends his last bit of dough on a lottery ticket. Later on, Dobbs and fellow indigent Curtin (Tim Holt) seek shelter in a cheap flophouse and meet Howard (Walter Huston), a toothless, garrulous old coot who regales them with stories about prospecting for gold. Forcibly collecting their pay from their shifty boss, Dobbs and Curtin combine this money with Dobbs's unexpected windfall from a lottery ticket and, together with Howard, buy the tools for a prospecting expedition. Dobbs has pledged that anything they dig up will be split three ways, but Howard, who's heard that song before, doesn't quite swallow this. As the gold is mined and measured, Dobbs grows increasingly paranoid and distrustful, and the men gradually turn against each other on the way toward a bitterly ironic conclusion. The Treasure of the Sierra Madre is a superior morality play and one of the best movie treatments of the corrosiveness of greed. Huston keeps a typically light and entertaining touch despite the strong theme, for which he won Oscars for both Director and Screenplay, as well as a supporting award for his father Walter, making Walter, John, and Anjelica Huston the only three generations of one family all to win Oscars. ~ Hal Erickson, All Movie Guide

Love leads a man to his most evil deeds and forces him to change his ways in this Western. After being handed a dishonorable discharge during the Civil War, Mike McComb (Errol Flynn) becomes a professional gambler and follows a path of ruthless action to get what he wants. After moving out West and making a killing prospecting silver, McComb becomes a wealthy and powerful man, and he finds himself infatuated with beautiful Georgia Moore (Ann Sheridan). However, Georgia is married to Stanley Moore (Bruce Bennett), who works for McComb, so he arranges for Stanley to be given a dangerous assignment; Stanley is killed, and McComb sweeps the widowed Georgia off her feet. Georgia weds McComb, but in time she finds out the ugly truth about her second husband, leaving him behind. Devastated, McComb sets out to mend his ways and win Georgia back by serving more noble purposes. Silver River was the seventh Flynn vehicle directed by Raoul Walsh; it would also mark the last time they worked together. ~ Mark Deming, All Movie Guide

A mysterious crook by the name of "The Poet" is robbing Wells Fargo stages and creating havoc in the Old West. The sheriff is having no luck discovering the desperado's identity; when he comes across James Wylie (Dennis Morgan), a gambler who is running from the law in Carson City, he blackmails him into going undercover and tracking the outlaw down. Wylie takes the next coach out, joined by two tantalizing women, Ann (Jane Wyman) and Emily (Janis Paige). Emily is just a saloon singer (which affords her the chance to croon "I'm So in Love" and "Going Back to Old Cheyenne"), but it turns out that Ann is more unusual -- she's the wife of The Poet. The two team up to track him down (encountering The Sundance Kid and his gang along the way) -- and discover that they make a pretty good team. A popular TV series of the same name was loosely based upon the movie; starring Clint Walker, it ran for 7 years starting in 1955. ~ Craig Butler, All Movie Guide

In this slick melodrama, a sort of film-noir for women, a nightclub singer has an affair with an unhappily married San Francisco doctor. Though the physician desperately wants to leave his wife, he lacks the courage to ask for a divorce. In retaliation, the singer accepts an offer to move East and start up a new club in New York. Lost without the singer, the doctor is without option until his partner suddenly dies. With a burst of inspiration, he fakes his own death and flees to New York. Later, he is horrified to learn that his death has been officially declared a homicide, and so he goes into hiding in the singer's apartment. To cope with his fear and the increasing success of his lover, the physician begins drinking heavily. This only makes him paranoid and more depressed and he begins to suspect his lover is having an affair. Upon confronting the "lover," a fight ensues, the doctor wins, and thinking he killed his rival, he takes off -- only to end up in a horrible traffic accident that leaves his face unrecognizable. Though plastic surgery gives him a new identity, it is at that time that he is arrested and sent back to California to stand trial for his own murder. Rather than burden his family with the shock that he is still alive, the doctor insists that his lover keep mum, and he stoically goes to trial where he is sentenced to Death Row. Beautifully photographed by James Wong Howe in typically expressionistic style, the film focuses on the desperation and entrapment of the characters and expresses a true bleak, fatalistic film-noir sensibility which makes this film unique in the genre. ~ Sandra Brennan, All Movie Guide