Paul Benjamin Movies

Originally from South Carolina, actor Paul Benjamin made his film debut in 1969 as a bartender in Midnight Cowboy. After a small role in Sidney Lumet's The Anderson Tapes, he did television work throughout the '70s. A few notable exceptions involved small parts in Gordon Parks' biopic Leadbelly and Don Siegel's prison film Escape From Alcatraz. He fared better on CBS in the TV adaptations I Know Why the Caged Bird Sings and Gideon's Trumpet. He got his first major starring role in the HBO movie The Man Who Broke 1,000 Chains, based on the novel by Robert E. Burns. On the big screen during the '90s, Benjamin worked with some well-known directors. He appeared in Spike Lee's Do the Right Thing, Robert Townsend's The Five Heartbeats, Bill Duke's Hoodlum, and John Singleton's Rosewood. On television, he appeared in the 1994 pilot episode of ER, which led to his recurring role of homeless man Al Ervin during the next few seasons. Benjamin also worked on the American Masters documentary of Pulitzer Prize-winning author Ralph Ellison, which aired on PBS. After 2000, he appeared primarily in small independent films like Stanley's Gig, The Station Agent, Deacons for Defense, and James Hunter's 2004 drama Back in the Day. ~ Andrea LeVasseur, All Movie Guide
1969  
R  
Add Midnight Cowboy to QueueAdd Midnight Cowboy to top of Queue
Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. ~ Lucia Bozzola, All Movie Guide

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Starring:
Dustin HoffmanJon Voight, (more)
1971  
PG  
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This breathlessly paced high-tech thriller stars Sean Connery as Anderson, a career criminal who's just been released from his latest prison term. Seeking a quick financial turnover, Anderson uses mob funding to finance an ambitious robbery. With a gang of expert thieves, Anderson sets about to rob every wealthy tenant of a fancy East Side apartment building. What he doesn't know is that every move he makes is being monitored and taped by several law-enforcement agencies, who hope that Anderson will lead them to the Mob kingpins. Though the film may look like a "comment" on the Watergate break-in, The Anderson Tapes actually preceded that third-rate burglary by nearly two years. The Anderson Tapes boasts an impressive supporting cast, many of whom play wildly against type, including Alan King as an aging and infirm Mafia don. ~ Hal Erickson, All Movie Guide

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Starring:
Sean ConneryDyan Cannon, (more)
1972  
 
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Across 110th Street is a violent urban thriller about a corrupt, older white cop (Anthony Quinn) and an honest, young African-American cop (Yaphet Kotto) chasing three robbers-cum-murderers who ran away with $300,000 that belonged to the Italian mob. The police must find them before the sadistic Mafia henchman Nick D'Salvio (Anthony Franciosa) reaches them first. The film has reached a cult status; the title song, performed by Bobby Womack, was later used in Jackie Brown, Quentin Tarantino's extended homage to the crime flicks of the 1970s. ~ Yuri German, All Movie Guide

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Starring:
Anthony QuinnYaphet Kotto, (more)
1973  
 
Originally made as a television pilot for a series that never panned out, Mr. Inside, Mr. Outside focuses on two New York cops (Hal Linden, Tony LoBianco). The pair work together to thwart a gang of diamond smugglers, with one going undercover while the other remains on the outside. ~ John Bush, All Movie Guide

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1973  
PG  
Based on filmmaker Samuel Fuller's short-story "Riata," this extremely bloody, excessively violent and long-running western centers on a vengeful sheriff's search for the murderous bank robbers who slaughtered his family. Originally Fuller was the director for the film, but severe artistic differences between himself and the film's star Richard Harris forced the studio execs to put in a new director, Barry Shear. They also dumped the million dollars worth of footage Fuller shot and started from scratch. ~ Sandra Brennan, All Movie Guide

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1974  
R  
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A surprisingly long and worthwhile film, The Education of Sonny Carson is based on a true story. Rony Clanton stars as Carson, a product of the Brooklyn ghetto. After several years of gang and drug activities, Sonny is sobered by his horrendous experiences in prison. He puts his priorities in order and finds a "born again" purpose in life under his new name, Iwina Lmiri Abubadika. The film ends in the 1970s, long before Abubadika's controversial involvement in New York politics. ~ Hal Erickson, All Movie Guide

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1975  
 
The marital difficulties of two army couples provides the focus of this drama, set in the 1950s. The first marriage is between a black sergeant and his German wife. The other chronicles the difficulty of a married private who is having an affair with an older woman. He doesn't love his wife anymore, but he cannot bring himself to tell her. ~ Sandra Brennan, All Movie Guide

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Starring:
Paul BenjaminEija Pokkinen, (more)
1975  
 
Except for Me and Thee is the syndicated title of Friendly Persuasion, the pilot film for an unsold TV series based on the novel by Jessamyn West. Richard Kiley and Shirley Knight star as Quaker farmers Jess and Eliza Birdwell, whose pacificism is put to the test when the Civil War breaks out. In keeping with the humanitarian edicts of their religion, the Birdwells aid several slaves in their escape from the South. Brothers Michael and Kevin O'Keefe play the Birdwells' eldest sons (Michael continued acting into the 1990s).Friendly Persuasion was previously adapted into a popular film in 1956, starring Gary Cooper and Dorothy McGuire; Dmitri Tiomkin's theme music from that film was redeployed for Except for Me and Thee. ~ Hal Erickson, All Movie Guide

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Starring:
Richard KileyShirley Knight, (more)
1975  
R  
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A woman looking for adventure finds romance, excitement and danger in her viewfinder in this action-packed comedy-drama. Friday Foster (Pam Grier) is a beautiful and ambitious young photographer who is working as an assistant at Glance Magazine, edited by the hard-boiled Monk Riley (Julius Harris). When Riley can't get in touch with his first-call photographer, he calls Foster with a very important New Year's Eve assignment -- reclusive billionaire Blake Tarr (Thalmus Rasulala), often called "the black Howard Hughes," is expected to be coming to Los Angeles, and Riley wants pictures of Tarr's arrival. But Foster gets more than she bargained for when Tarr is ambushed by a gang of assassins disguised as security guards. The next day, Foster is helping to shoot a fashion show introducing new creations from flamboyant designer Madame Rena (Eartha Kitt) when Clorils Boston (Rosalind Miles), a model who has known Friday since childhood, is stabled to death. Colt Hawkins (Yaphet Kotto), a private detective who is on the scene, offers to help Friday track down Clorils' killer after she notices that the same mysterious man (Carl Weathers) was present at both crimes. Foster and Hawkins discover the two killings are connected by a plot hatched by an underground group called "Black Widow" to kill off powerful and influential African-Americans. But who is behind the conspiracy, and can they be stopped in time? Also starring Godfrey Cambridge, Paul Benjamin, Scatman Crothers and Ted Lange, Friday Foster was based on the comic strip by Jim Lawrence and Jorge Longeron; running from 1970 to 1974, it was the first syndicated strip with an African-American woman as the leading character. ~ Mark Deming, All Movie Guide

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Starring:
Pam GrierYaphet Kotto, (more)
1976  
PG  
This biographical picture explores the troubled life of blues singer and master guitarist Leadbelly, who developed his style and wrote many of his songs during his frequent stints in prison. Featured performances are "&Rock Island Line" and "&Goodnight Irene". ~ All Movie Guide

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Starring:
Roger E. MosleyPaul Benjamin, (more)
1977  
 
Kojak moved from its familiar Sunday-night stamping grounds to a Tuesday slot with this episode, in which a young Dorian Harewood) is cast as Jake Riley, a prizefighter falsely accused of his wife's murder. Escaping custody, Riley takes several hostages in a local church and demands that the authorities provide him with $200,000 in ransom money and an escape route. Racing against time, Kojak (Telly Savalas must simultaneously talk sense to the desperate fugitive and locate the actual murderer. Featured in the supporting cast is Ken Foree, best known to contemporary horror fans as the protagonist in George Romero's Dawn of the Dead. ~ Hal Erickson, All Movie Guide

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1978  
 
An outstanding performance by LeVar Burton makes this an above-average sports biography. Based on an adaptation of his autobiography, this is the story of Ron LeFlore, who was raised in the Detroit ghetto and became a major league baseball player for the Detroit Tigers. ~ Tana Hobart, All Movie Guide

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1979  
PG  
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No one can escape from Alcatraz, right? Try telling that to lifer Frank Morris (Clint Eastwood). This Donald Siegel-directed nailbiter is a reenactment of Frank Morris' 1962 attempt to bust himself and two other cons out of The Rock. Eastwood, as Morris, tilts with nasty warden Patrick McGoohan for a while, befriends several fellow prisoners, and picks the guys with whom he'll make his escape. Among his break-out buddies are the Anglin Brothers (Fred Ward and Jack Thibeau), with whom he'd served in other lockups, and several others who've got their own special reasons to despise the sadistic McGoohan. Filmed on location at the newly renovated Alcatraz, Escape From Alcatraz was another box-office winner for the Eastwood/Siegel combo. ~ Hal Erickson, All Movie Guide

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Starring:
Clint EastwoodPatrick McGoohan, (more)
1979  
 
I Know Why the Caged Bird Sings is based on the writings of African-American poet/playwright Maya Angelou. Though she eventually became America's poet laureate, Angelou was once just another little black girl growing up in Depression-era Arkansas. Her efforts to better herself run up against the stone wall of bigotry; in addition, the girl is traumatized into sullen silence by a brutal rape. Slowly, and with the loving support of her dedicated mother, Angelou overcomes her many deprivations, and by the time she is a high school senior, she has been elected class valedictorian. Constance Good plays young Angelou in this made-for-TV film, which also stars Esther Rolle, Roger E. Mosley, Diahann Carroll, Ruby Dee and Madge Sinclair. Filmed on location in Vicksburg, Mississippi, I Know Why the Caged Bird Sings was adapted for television by Ms. Angelou and Leonora Thuna; it was first telecast April 28, 1979. ~ Hal Erickson, All Movie Guide

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1980  
 
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In the tradition of his earlier work in Grapes of Wrath and Twelve Angry Men, Henry Fonda played another social-protest role in the Hallmark Hall of Fame TV presentation Gideon's Trumpet. Clarence Earl Gideon (Fonda) is a poor, ill-tempered Florida handyman who is arrested for petty larceny in 1961. Unable to afford a lawyer, Gideon is sentenced to five years in prison. His treatment by the Florida judicial system, a clear violation of the Fourteenth Amendment, is brought to the attention of the Supreme Court. As a result, a landmark decision is reached, assuring free legal representation for anyone accused of a crime in the United States. Also appearing are Jose Ferrer as Gideon's attorney Abe Fortas, John Houseman (who also produced) as the Chief Justice, and Fay Wray as the owner of the lodging establishment where Gideon lived. Gideon's Trumpet premiered on April 30, 1980. ~ Hal Erickson, All Movie Guide

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Starring:
Henry FondaJohn Houseman, (more)
1982  
R  
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Richard Pryor gives a compelling performance in Some Kind of Hero, playing a Vietnam veteran who tries to readjust to civilian life. Pryor plays Eddie Keller, who has just spent five years in a North Vietnamese prisoner-of-war camp. Most of the time there, Eddie was able to hold his own against his captors, but he eventually was forced to sign a statement denouncing United States involvement in the Vietnam War. Eddie decided to sign the document in order to insure that his friend Vinnie (Ray Sharkey) would be given proper medical treatment. Because of this denunciation, when Eddie returns home from the war he is denied his back pay. He also discovers that his wife has left him for another man, his business has fallen apart, and his mother has been sent to an asylum. Eddie falls into a deep depression and hits rock bottom. But he meets a friendly prostitute, Toni (Margot Kidder), who helps him straighten out his life. ~ Paul Brenner, All Movie Guide

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Starring:
Richard PryorMargot Kidder, (more)
1983  
R  
After being kicked off the force, Stoney Cooper (Wings Hauser) turns private detective for special cases; one involves tracking down a serial killer noted for carving X's into the forehead of each woman he kills. While Cooper is on the case, he's harassed by an old job partner (Lincoln Kilpatrick) and his ex-wife (Joyce Ingalls). ~ John Bush, All Movie Guide

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Starring:
Wings HauserJoyce Ingalls, (more)
1985  
 
The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide

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1987  
R  
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High-priced hooker Barbra Streisand has been arrested for the murder of one of her clients. The attorney engaged by Streisand's parents hope to cop an insanity plea so that she can avoid a trial and manslaughter conviction. But she refuses this, citing a proviso in New York law that may result in her spending the rest of her life in an institution. Against all odds, struggling lawyer Richard Dreyfuss tries to prove that Streisand is not crazy and capable of standing trial. Dreyfuss certainly has his work cut out for him: from what we've seen in the film thus far, the violently impulsive Streisand is not only "nuts," but certifiably so. Though she has plenty of opportunity in Nuts to give out with her usual bravura Streisandisms, Streisand (who also produced the film and wrote the songs) is surprisingly restrained through most of the proceedings. And then there's that extended-monologue climax. Nuts was adapted by Tom Topor, Darryl Ponicsan and Alvin Sargent from Topor's stage play. ~ Hal Erickson, All Movie Guide

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Starring:
Barbra StreisandRichard Dreyfuss, (more)
1987  
 
In this drama, the life of a San Francisco widow changes forever when she has a brief encounter with a younger man. ~ Sandra Brennan, All Movie Guide

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1989  
R  
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Director Spike Lee dives head-first into a maelstrom of racial and social ills, using as his springboard the hottest day of the year on one block in Brooklyn, NY. Three businesses dominate the block: a storefront radio station, where a smooth-talkin' deejay (Samuel L. Jackson) spins the platters that matter; a convenience store owned by a Korean couple; and Sal's Famous Pizzeria, the only white-operated business in the neighborhood. Sal (Danny Aiello) serves up slices with his two sons, genial Vito (Richard Edson) and angry, racist Pino (John Turturro). Sal has one black employee, Mookie (Spike Lee), who wants to "get paid" but lacks ambition. His sister Jade (Joie Lee, Spike's sister), who has a greater sense of purpose and a "real" job, wants Mookie to start dealing with his responsibilities, most notably his son with girlfriend Tina (Rosie Perez). Two of Mookie's best friends are Radio Raheem (Bill Nunn), a monolith of a man who rarely speaks, preferring to blast Public Enemy's rap song Fight The Power on his massive boom box; and Buggin' Out (Giancarlo Esposito), nicknamed for his coke-bottle glasses and habit of losing his cool. When Buggin' Out notes that Sal's "Wall of Fame," a photo gallery of famous Italian-Americans, includes no people of color, he eventually demands a neighborhood boycott, on a day when tensions are already running high, that incurs tragic consequences. ~ Mark Deming, All Movie Guide

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Starring:
Danny AielloSpike Lee, (more)
1989  
PG13  
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For his third film as a director and his third film directing Clint Eastwood, stunt-man Buddy Van Horn helmed this action comedy involving a skip tracer, some neo-nazis, and the titular vehicle. Eastwood stars as Tommy Nowak, a bounty hunter with a knack for catching bail-skippers with an array of costumes and characters. After he captures a young woman (Bernadette Peters), he suddenly finds himself between the woman's good-for-nothing husband and his white supremacist cohorts and the wads of cash hidden in the pink Cadillac she's driving. With the skin-heads hot on their tail, a romance sparks between the skip-tracer and his captive. Written by John Eskow, Pink Cadillac costars Timothy Carhart and Michael Des Barres. ~ Matthew Tobey, All Movie Guide

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Starring:
Clint EastwoodBernadette Peters, (more)
1991  
R  
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Loosely based on the life and times of several R&B artists (The Dells, The Temptations, Frankie Lymon, Sam Cooke and others) The Five Heartbeats traces the rise and fall of a popular African-American 1950s singing aggregation. The story is told from the point of view of one of the "Heartbeats," played by Robert Townsend (who also co-produced, directed and co-wrote the script with Keenan Ivory Waynans). The film is an amalgam of anecdotes drawn from real-life experiences: the long struggle upward, the first rush of success, the dishonest record-company executives, the hard-nosed but nurturing managers, the sex, the drugs, the isolation and the precipitous downward slide. The film begins and ends in the 1990s, as the middle-aged "Duck" (Townsend) ruminates on the past and makes the best of the present. ~ Hal Erickson, All Movie Guide

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Starring:
Robert TownsendMichael Wright, (more)
1991  
R  
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Joe Pesci stars as Louie Kritski, a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option, which he accepts -- he must live in his rat-infested hell hole until he brings it up to liveable standards. The judge gives him 120 days, during which time Louie meets many of his tenants, including drug dealer Marlon (Ruben Blades). Over time, Louie grows more sympathetic with their problems and sees the results of his own greediness. Unfortunately, Louie's father, Big Lou Kritski (Vincent Gardenia), is the real owner of the property, and he resists his son's entreaties to spend money to clean up the place. Famed screenwriter Nora Ephron co-scripted the story with Sam Simon. ~ Michael Betzold, All Movie Guide

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Starring:
Joe PesciVincent Gardenia, (more)
1992  
 
Hard-boiled San Francisco police detective Captain Mike Stone returns to his old beat in order to find the crook who killed his partner (played during the 1972- 1977 series by Michael Douglas, whose scenes are taken from clips of the original series) in this crime drama. ~ Sandra Brennan, All Movie Guide

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Starring:
Karl Malden

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