Paul Benjamin Movies

Corrine (Cathy Cahlin Ryan) is attacked at the hospital by an Asian man (Xuyen Tu Valdivia) she's trying to patch up. Vic (Michael Chiklis) argues with Owen (Vincent Angell) over whether or not she should go to the station and file a report. Vic plans to hunt down the perp regardless. Called away on other police business, he asks Julien (Michael Jace) to alert him when they catch the guy. Vic learns that the feds have traced some of the marked bills from the "Money Train" job to a bank in Indio. A talented young black graffiti artist is found lynched, and despite the fact that the victim had no gang affiliation, gang involvement is suspected. When a local Hispanic priest affiliated with Los Profetas is stabbed to death soon afterward, with the signature of the One-Niners, Aceveda (Benito Martinez) fears, rightly, that a gang war could erupt at any moment, and puts all of his available manpower on the case. Claudette (CCH Pounder) comes into conflict with Waylon (Gareth Williams) again over an assignment, and Vic continues to play both sides against the middle, offering to help Waylon get his Decoy Squad transferred out of the division, while appearing to support Claudette. When Vic puts his trust in the wrong gang leader, he tells Aceveda that it's because he's no longer in touch with the streets, and he needs to have the Strike Team turned loose again. Aceveda finally tells Aurora (Camilia Sanes) that he was sexually assaulted, and she is not as understanding as one might hope. This episode marked the directorial debut of star Michael Chiklis. ~ Josh Ralske, All Movie Guide

Avon Kirkland's Ralph Ellison: An American Journey takes a close look at the Pulitzer Prize-winning author Ralph Ellison. In addition to the expected array of experts that analyze Ellison's work, Kirkland intersperses dramatized scenes from Ellison's only novel Invisible Man, including the infamous blind battle royal that appears in the beginning of the book. Andre Braugher (Homicide) provides the narration. This film was screened at the 2002 Sundance Film Festival before playing as part of the American Masters series on PBS. ~ Perry Seibert, All Movie Guide

A letter confirming the death of Mark Greene is delivered to the ER. While the tragic news sinks in, a grieving Carter (Noah Wyle) confronts Abby (Maura Tierney), and Weaver (Laura Innes) begins to worry about her own health -- and her future life outside of medicine. And having resolved the problems with Chloe and Suzy in New York, Lewis (Sherry Stringfield) prepares to return to Chicago. ~ Hal Erickson, All Movie Guide

A tribute to the fabled jazz scene of L.A.'s Central Avenue during the 1930s and '40s, Stanley's Gig opens on a Hawaiian cruise ship where charismatic waster Stanley Myer (William Sanderson) has gotten a gig playing his ukulele for a group of filthy rich businessmen. The gig, arranged by his friend Leila (Faye Dunaway) helps to stem Stanley's overriding debt, but after it ends, he's desperate for another job. He finds one as a recreational therapist at a nursing home, where he wins the affections of all of its residents save for Eleanor Whitney (Marla Gibbs), a faded jazz great who now lives in self-imposed emotional exile. Eventually, a friendship forms between Stanley and Eleanor, and Stanley becomes determined to arrange a return performance for his friend at Honey Brown, the jazz club she used to headline. ~ Rebecca Flint Marx, All Movie Guide

Hard-boiled San Francisco police detective Captain Mike Stone returns to his old beat in order to find the crook who killed his partner (played during the 1972- 1977 series by Michael Douglas, whose scenes are taken from clips of the original series) in this crime drama. ~ Sandra Brennan, All Movie Guide

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide

I Know Why the Caged Bird Sings is based on the writings of African-American poet/playwright Maya Angelou. Though she eventually became America's poet laureate, Angelou was once just another little black girl growing up in Depression-era Arkansas. Her efforts to better herself run up against the stone wall of bigotry; in addition, the girl is traumatized into sullen silence by a brutal rape. Slowly, and with the loving support of her dedicated mother, Angelou overcomes her many deprivations, and by the time she is a high school senior, she has been elected class valedictorian. Constance Good plays young Angelou in this made-for-TV film, which also stars Esther Rolle, Roger E. Mosley, Diahann Carroll, Ruby Dee and Madge Sinclair. Filmed on location in Vicksburg, Mississippi, I Know Why the Caged Bird Sings was adapted for television by Ms. Angelou and Leonora Thuna; it was first telecast April 28, 1979. ~ Hal Erickson, All Movie Guide

Kojak moved from its familiar Sunday-night stamping grounds to a Tuesday slot with this episode, in which a young Dorian Harewood) is cast as Jake Riley, a prizefighter falsely accused of his wife's murder. Escaping custody, Riley takes several hostages in a local church and demands that the authorities provide him with $200,000 in ransom money and an escape route. Racing against time, Kojak (Telly Savalas must simultaneously talk sense to the desperate fugitive and locate the actual murderer. Featured in the supporting cast is Ken Foree, best known to contemporary horror fans as the protagonist in George Romero's Dawn of the Dead. ~ Hal Erickson, All Movie Guide

Except for Me and Thee is the syndicated title of Friendly Persuasion, the pilot film for an unsold TV series based on the novel by Jessamyn West. Richard Kiley and Shirley Knight star as Quaker farmers Jess and Eliza Birdwell, whose pacificism is put to the test when the Civil War breaks out. In keeping with the humanitarian edicts of their religion, the Birdwells aid several slaves in their escape from the South. Brothers Michael and Kevin O'Keefe play the Birdwells' eldest sons (Michael continued acting into the 1990s).Friendly Persuasion was previously adapted into a popular film in 1956, starring Gary Cooper and Dorothy McGuire; Dmitri Tiomkin's theme music from that film was redeployed for Except for Me and Thee. ~ Hal Erickson, All Movie Guide

Across 110th Street is a violent urban thriller about a corrupt, older white cop (Anthony Quinn) and an honest, young African-American cop (Yaphet Kotto) chasing three robbers-cum-murderers who ran away with $300,000 that belonged to the Italian mob. The police must find them before the sadistic Mafia henchman Nick D'Salvio (Anthony Franciosa) reaches them first. The film has reached a cult status; the title song, performed by Bobby Womack, was later used in Jackie Brown, Quentin Tarantino's extended homage to the crime flicks of the 1970s. ~ Yuri German, All Movie Guide

Rosewood is the true story of an almost unknown incident in a small Florida town, (fictionalized, but faithful to the known facts, as documented in a 1994 report by the Florida Legislature). The town was inhabited almost entirely by quiet, "middle-class" African- Americans (most of them home and land owners and better off than average at the time.) On New Year's day, 1923, the town was wiped off the face of the earth by angry whites from a neighboring community. Based on palpably false testimony by a single white woman against one "Black" stranger, many of the men of Rosewood were hunted down and lynched, or shot, or burned. The rest of the town's residents fled into the swamps and never returned. At the time, official reports stated that two to six people from the black community were slain. Neither the perpetrators nor the victims spoke of the incident again, which was promptly forgotten until 1983 when a reporter stumbled across the old story and began investigating. Interviews with surviving victims indicated that the previous reports were wrong; in reality, between 70 and 250 people were killed in Rosewood during the four-day attack.

The film is a human story, about human envy, greed and lust, about the totally insane psychology of a mob, but also about the courage and decency of common folks facing an unbelievable onslaught of evil. The courage of the black residents is self evident, and the decency on the part of a few white neighbors is reluctant, until they realize that they can't live with themselves if they don't help the woman and children to escape. The most notable black heroes are Sylvester (Don Cheadle) -- a music teacher and the best-educated man in town -- and Mann (Ving Rhames) -- a stranger on horseback with Samson-like strength who becomes the focus of white hatred and black resistance. The penny-pinching, adulterous town grocer John Wright (John Voight), one of the few white residents, also plays a key role in saving lives, but before he does, he must resolve painful racial issues and make a difficult personal choice. Eventually, though, he sees enough of the mob's evil to know what he must do, and with the help of the reluctant owner-operators of the Gainesville railway, he does it. John Singleton's powerful epic film does not present a "comfortable" view of the circumstances of this grim, little-known page from American history. ~ Michael P. Rogers, All Movie Guide

This drama quietly comments upon urban American life while depicting the sad life of a young man gone astray who tries to reclaim his life and fails. Terry Griff has just been released from prison after serving 13 years for stabbing his abusive father in self-defense and subsequently stabbing a guard while he was in his teens. He is determined to stay clean, but it isn't easy. Living in Chicago, he calls up the sister-in-law of his best friend who died in prison. He then gets a job. He really tries. But when his parole officer rips him off, Terry tries to strangle him. He escapes into a life of crime and gets involved in a robbery with a street hustler. ~ Sandra Brennan, All Movie Guide

Joe Pesci stars as Louie Kritski, a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option, which he accepts -- he must live in his rat-infested hell hole until he brings it up to liveable standards. The judge gives him 120 days, during which time Louie meets many of his tenants, including drug dealer Marlon (Ruben Blades). Over time, Louie grows more sympathetic with their problems and sees the results of his own greediness. Unfortunately, Louie's father, Big Lou Kritski (Vincent Gardenia), is the real owner of the property, and he resists his son's entreaties to spend money to clean up the place. Famed screenwriter Nora Ephron co-scripted the story with Sam Simon. ~ Michael Betzold, All Movie Guide