Paul Benjamin

Corrine (Cathy Cahlin Ryan) is attacked at the hospital by an Asian man (Xuyen Tu Valdivia) she's trying to patch up. Vic (Michael Chiklis) argues with Owen (Vincent Angell) over whether or not she should go to the station and file a report. Vic plans to hunt down the perp regardless. Called away on other police business, he asks Julien (Michael Jace) to alert him when they catch the guy. Vic learns that the feds have traced some of the marked bills from the "Money Train" job to a bank in Indio. A talented young black graffiti artist is found lynched, and despite the fact that the victim had no gang affiliation, gang involvement is suspected. When a local Hispanic priest affiliated with Los Profetas is stabbed to death soon afterward, with the signature of the One-Niners, Aceveda (Benito Martinez) fears, rightly, that a gang war could erupt at any moment, and puts all of his available manpower on the case. Claudette (CCH Pounder) comes into conflict with Waylon (Gareth Williams) again over an assignment, and Vic continues to play both sides against the middle, offering to help Waylon get his Decoy Squad transferred out of the division, while appearing to support Claudette. When Vic puts his trust in the wrong gang leader, he tells Aceveda that it's because he's no longer in touch with the streets, and he needs to have the Strike Team turned loose again. Aceveda finally tells Aurora (Camilia Sanes) that he was sexually assaulted, and she is not as understanding as one might hope. This episode marked the directorial debut of star Michael Chiklis. ~ Josh Ralske, All Movie Guide

Actor and playwright Tom McCarthy makes his feature film debut as a writer/director with the quirky comedy drama The Station Agent. In New Jersey, Finbar McBride (Peter Dinklage) is a four-foot-tall lonely man who chooses to live the life of a hermit in an abandoned train yard following the death of his friend. While he is there, he unexpectedly meets and befriends a couple of fellow loners. Troubled Olivia (Patricia Clarkson) is an artist devastated by the loss of her son and separation from her husband, while carefree and friendly Joe (Bobby Cannavale) runs a hot dog stand. The three unlikely friends each deal with their urge to connect compared with their individual need for isolation. Also starring Raven Goodwin, Paul Benjamin, and Michelle Williams. The Station Agent won the Audience award at the 2003 Sundance Film Festival. ~ Andrea LeVasseur, All Movie Guide

Mekhi Phifer makes his first series appearance as Gregory Pratt, a remarkably self-confident intern who is supervised by Greene (Anthony Edwards) during the latter's last day with the ER. Pratt's zealous eagerness prompts the terminally ill Greene to rethink how he will spend his final days on earth; and later on, he has a poignant reunion with his ex-wife, Jenn (Christine Harnos). Elsewhere, Abby (Maura Tierney) finally feels safe enough to return to her own home. ~ Hal Erickson, All Movie Guide

Old duffer Marcus Rosco (Rance Howard) loathes his life in a nursing home, so he bones up on his magic and learns to switch bodies with younger folks -- a process that proves fun for him but extremely hard on his host bodies. Of course, a vampire body is immortal, so Angel (David Boreanaz) turns out to be the ideal candidate for a switcheroo. Unaware that the vampire hero has been evicted from his own body, Angel's friends and foes alike suffer through Marcus' escapades. He toys with the affections of Fred (Amy Acker) and then crushes them with relish -- and engages in fun and games of a more physical nature with evil lawyer Lilah Morgan (Stephanie Romanov). Eventually, Marcus realizes that he can live forever in Angel's body if he just kills his own aging vessel. The gang intervene, however, saving their boss' spirit and sending it back to its proper receptacle. Originally broadcast October 15, 2001, on the WB network, "Carpe Noctem" marked season three, episode four of the supernatural comedy drama. ~ Brian J. Dillard, All Movie Guide

Rosewood is the true story of an almost unknown incident in a small Florida town, (fictionalized, but faithful to the known facts, as documented in a 1994 report by the Florida Legislature). The town was inhabited almost entirely by quiet, "middle-class" African- Americans (most of them home and land owners and better off than average at the time.) On New Year's day, 1923, the town was wiped off the face of the earth by angry whites from a neighboring community. Based on palpably false testimony by a single white woman against one "Black" stranger, many of the men of Rosewood were hunted down and lynched, or shot, or burned. The rest of the town's residents fled into the swamps and never returned. At the time, official reports stated that two to six people from the black community were slain. Neither the perpetrators nor the victims spoke of the incident again, which was promptly forgotten until 1983 when a reporter stumbled across the old story and began investigating. Interviews with surviving victims indicated that the previous reports were wrong; in reality, between 70 and 250 people were killed in Rosewood during the four-day attack.

The film is a human story, about human envy, greed and lust, about the totally insane psychology of a mob, but also about the courage and decency of common folks facing an unbelievable onslaught of evil. The courage of the black residents is self evident, and the decency on the part of a few white neighbors is reluctant, until they realize that they can't live with themselves if they don't help the woman and children to escape. The most notable black heroes are Sylvester (Don Cheadle) -- a music teacher and the best-educated man in town -- and Mann (Ving Rhames) -- a stranger on horseback with Samson-like strength who becomes the focus of white hatred and black resistance. The penny-pinching, adulterous town grocer John Wright (John Voight), one of the few white residents, also plays a key role in saving lives, but before he does, he must resolve painful racial issues and make a difficult personal choice. Eventually, though, he sees enough of the mob's evil to know what he must do, and with the help of the reluctant owner-operators of the Gainesville railway, he does it. John Singleton's powerful epic film does not present a "comfortable" view of the circumstances of this grim, little-known page from American history. ~ Michael P. Rogers, All Movie Guide

Originally telecast as a two-hour special, the first episode of ER has since been divided into a two-parter for syndication. In part one, young and inexperienced third-year med student John Carter (Noah Wyle) reports for work at the emergency room of Chicago's County General Hospital. During a hectic 24-hour shift, Carter is brusquely introduced to his future co-workers: his arrogant trainer, Dr. Peter Benton (Eriq La Salle); workaholic chief resident Dr. Mark Greene (Anthony Edwards); the equally hardworking Dr. Susan Lewis (Sherry Stringfield); the womanizing Dr. Douglas Ross (George Clooney); and troubled head nurse Carol Hathaway (Julianna Margulies). All in all, it is a typical shift at the ER, with cases ranging from gunshot wounds, ruptured aneurysms, burns, and even hangnails -- but a few surprises are in store for both the staff and the viewers at home. In part two, inexperienced three-year med student John Carter continues to cope as best he can with his hectic first day in the emergency room of Chicago's County General Hospital. Meanwhile, chief resident Greene weighs the possibility of entering private practice; Carter's supervisor, Benton, oversteps his authority by operating on a patient with an aortic aneurysm; and troubled head nurse, Carol Hathaway, becomes a patient herself after attempting suicide (originally intended as a one-shot character, Hathaway proved so popular with the viewers that she was immediately pencilled in as a regular). ~ Hal Erickson, All Movie Guide

Hard-boiled San Francisco police detective Captain Mike Stone returns to his old beat in order to find the crook who killed his partner (played during the 1972- 1977 series by Michael Douglas whose scenes are taken from clips of the original series) in this crime drama. ~ Sandra Brennan, All Movie Guide

Joe Pesci stars as Louie Kritski, a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option, which he accepts -- he must live in his rat-infested hell hole until he brings it up to liveable standards. The judge gives him 120 days, during which time Louie meets many of his tenants, including drug dealer Marlon (Ruben Blades). Over time, Louie grows more sympathetic with their problems and sees the results of his own greediness. Unfortunately, Louie's father, Big Lou Kritski (Vincent Gardenia), is the real owner of the property, and he resists his son's entreaties to spend money to clean up the place. Famed screenwriter Nora Ephron co-scripted the story with Sam Simon. ~ Michael Betzold, All Movie Guide

For his third film as a director and his third film directing Clint Eastwood, stunt-man Buddy Van Horn helmed this action comedy involving a skip tracer, some neo-nazis, and the titular vehicle. Eastwood stars as Tommy Nowak, a bounty hunter with a knack for catching bail-skippers with an array of costumes and characters. After he captures a young woman (Bernadette Peters), he suddenly finds himself between the woman's good-for-nothing husband and his white supremacist cohorts and the wads of cash hidden in the pink Cadillac she's driving. With the skin-heads hot on their tail, a romance sparks between the skip-tracer and his captive. Written by John Eskow, Pink Cadillac costars Timothy Carhart and Michael Des Barres. ~ Matthew Tobey, All Movie Guide

High-priced hooker Barbra Streisand has been arrested for the murder of one of her clients. The attorney engaged by Streisand's parents hope to cop an insanity plea so that she can avoid a trial and manslaughter conviction. But she refuses this, citing a proviso in New York law which may result in her spending the rest of her life in an institution. Against all odds, struggling lawyer Richard Dreyfuss tries to prove that Streisand is not crazy and capable of standing trial. Dreyfuss certainly has his work cut out for him: from what we've seen in the film thus far, the violently impulsive Streisand is not only "nuts," but certifiably so. Though she has plenty of opportunity in Nuts to give out with her usual bravura Streisandisms, Streisand (who also produced the film and wrote the songs) is surprisingly restrained through most of the proceedings. And then there's that extended-monologue climax. Nuts was adapted by Tom Topor, Darryl Ponicsan and Alvin Sargent from Topor's stage play. ~ Hal Erickson, All Movie Guide

After being kicked off the force, Stoney Cooper (Wings Hauser) turns private detective for special cases; one involves tracking down a serial killer noted for carving X's into the forehead of each woman he kills. While Cooper is on the case, he's harassed by an old job partner (Lincoln Kilpatrick) and his ex-wife (Joyce Ingalls). ~ John Bush, All Movie Guide

In the tradition of his earlier work in Grapes of Wrath and Twelve Angry Men, Henry Fonda played another social-protest role in the Hallmark Hall of Fame TV presentation Gideon's Trumpet. Clarence Earl Gideon (Fonda) is a poor, ill-tempered Florida handyman who is arrested for petty larceny in 1961. Unable to afford a lawyer, Gideon is sentenced to five years in prison. His treatment by the Florida judicial system, a clear violation of the Fourteenth Amendment, is brought to the attention of the Supreme Court. As a result, a landmark decision is reached, assuring free legal representation for anyone accused of a crime in the United States. Also appearing are Jose Ferrer as Gideon's attorney Abe Fortas, John Houseman (who also produced) as the Chief Justice, and Fay Wray as the owner of the lodging establishment where Gideon lived. Gideon's Trumpet premiered on April 30, 1980. ~ Hal Erickson, All Movie Guide