Richard Olsen Movies

Stephen King's short story, The Night Flier, originally appeared in Prime Evil: New Stories by the Masters of Modern Horror (1988), edited by Washington, D.C., lawyer Douglas E. Winter, and it was later collected in King's Nightmares & Dreamscapes (1993). This film adaptation aired on HBO (November 1997) and was seen in European territories prior to the American theatrical release. An unknown vampiric Cessna pilot is suspected of night murders at remote airfields. At the tabloid Inside View, longtime reporter Richard Dees (Miguel Ferrer) expresses disinterest, so eager newcomer Katherine Blair (Julie Entwisle) is instead given the story by editor Merton Morrison (Dan Monahan). Then there's another murder, prompting Dees to reverse himself. He demands the story back and takes after the killer in his one private plane, tracking witnesses, gathering grue, and staging photos when the subject looks too dull. Blair is also on the trail, and the two newshounds are soon competing. Both are out for blood -- and so is the night flier. Stephen King campaigned for director Mark Pavia and co-scripter Jack O'Donnell to steer The Night Flier after he saw their short film Drag, which King called "the best short horror film I've seen in 20 years." Locations included Wilmington, North Carolina. The character of tabloid journalist Richard Dees was first introduced in Stephen King's 1979 novel The Dead Zone. ~ Bhob Stewart, All Movie Guide

Per the title of this made-for-TV drama, all Rachel Stockman (played by future "Desperate Housewife" Marcia Cross) has ever wanted is to bear children. Unfortunately, Rachel suffers from a bipolar disorder, requiring her to take lithium, which thus far has prevented her from becoming pregnant. In desperation, Rachel discontinues her medication, and before long she is "with child." She is also undergoing severe and horrifying mood swings, leading to confinement in a hospital--and ultimately a competency hearing that will determine whether or not she can be legally obliged to take lithium...and to terminate her pregnancy. All She Ever Wanted originally aired April 14, 1996, on ABC. ~ Hal Erickson, All Movie Guide

In this violent thriller, three young men start a joke that quickly becomes more real (and more dangerous) than they'd ever anticipated. It's 1957, and three high school seniors celebrating their graduation think it would be fun to pull a prank; David (David Arquette), Tim (Jason London), and Joe (Jonah Blechman) will fake a robbery by driving up to a bank, "shooting" one of their number with a blank gun, and throwing him in the trunk before speeding away. But just as they're playing their practical joke, Florence (Mickey Rourke) and Leon (Stephen Baldwin) are pulling an actual armed robbery at the same bank. In the confusion, the boys get mixed up with the real criminals, who take the teenagers hostage. Florence, unstable and given to sadistic tendencies, subjects the boys to torture with a clear homoerotic undercurrent; eventually, Florence and Leon tell the boys they'll release them only if they pull an actual bank job. The boys grudgingly agree, but Tim ends up grabbing window teller Patty (Sheryl Lee) instead of the cash. ~ Mark Deming, All Movie Guide

When her little nephew visits her and her overbearing sisters, a rather naïve, simple-minded young woman finds herself inundated with terrifying memories of a childhood trauma. ~ Sandra Brennan, All Movie Guide

A blend of screwball farce and whodunit murder mystery, this madcap period piece was the brainchild of executive producer George Lucas. In 1939, Penny Henderson (Mary Stuart Masterson) is the harried general secretary and de facto manager of a new fourth radio network, WBN. On the night that the Chicago station goes live on the air, a mysterious voice interrupts, and a series of murders soon follows, each one described by the same sonorous phantom. While Penny and her staff desperately try to keep WBN's roster of shows afloat during the unfolding crisis, her estranged husband Roger (Brian Benben), a staff writer, becomes the chief suspect. Roger is forced to dodge a detective, Lieutenant Cross (Michael Lerner), find the real killer, win Penny back, and perform last-minute script rewrites for an unhappy sponsor. As the backstage hysteria reaches a fever pitch, the show goes on with real-life radio-era pros such as George Burns and Rosemary Clooney. Although never explicitly pointed out in the film, Radioland Murders (1994) was a pseudo-prequel to an earlier Lucas feature -- Roger and Penny are the future parents of Curt Henderson (Richard Dreyfuss) from American Graffiti (1973). ~ Karl Williams, All Movie Guide

Produced for cable TV, this feeble follow-up to the classic Hitchcock thriller transfers the avian carnage from Bodega Bay to the New England fishing town of Land's End, where a young couple and their two daughters are besieged by squadrons of malicious gulls and their assorted winged cousins. Despite some opening scenes suggesting an actual motivation for the bird attacks -- something Hitchcock left eerily ambiguous -- there is little variation on the formula, which overstays its welcome long before the lackluster climax (which owes more to The Killer Shrews than to The Birds); the pointless proceedings are further bogged down by a dreary adultery subplot. Even the presence of Tippi Hedren fails to provide even a slightly clever nod to the original, as she is wasted in a minor role as the proprietor of a local diner who has her own theories about the cause of the bird attacks. Direction was credited to standard DGA pseudonym Alan Smithee when Rick Rosenthal withdrew his name from the final cut. ~ Cavett Binion, All Movie Guide

The Portrait, based upon the off-Broadway play by Tina Howe, is a made-for-cable film in which Gregory Peck and Lauren Bacall play Gardner and Fanny Church, aging parents of artist Mags (Cecelia Peck). As the film opens, Mags unexpectedly drops in on her parents, hoping that she can complete a portrait she has been working on for her one-woman show. As Gardner and Fanny are the subjects of the portrait, their cooperation is essential, but they pointedly refuse to help their daughter out. Even more surprisingly, it turns out that Mags has arrived as they are in the midst of moving out -- not only out of the family home in which Mags grew up, but out of the entire collegiate community where Gardner has for years been a respected figure. Her parents largely push aside Mags' attempts to find out why they are taking this drastic action, but it soon becomes clear that it involves Gardner, who seems to be entering the first stages of senility. Along the way, Mags discovers a great deal about her parents -- and herself. ~ Craig Butler, All Movie Guide

A hybrid cross-pollination of a Martin Scorsese and Frank Capra film, this feel-good comic fantasy is loosely based on the real-life story of a New York lottery winner. Anthony LaPaglia stars as Frank Pesce Jr., a New Yorker with a good-luck streak that is unmatched in his Little Italy neighborhood. When Frank throws a pair of dice in a game of chance, he doesn't just toss a winning hand, the dice land on top of each other. When he's stabbed in the chest by a girlfriend's brother, his doctors find a pre-cancerous tumor. Although he tries again and again to get rid of a vehicle he no longer wants, it is retrieved every single time by the authorities. So when New York announces its first statewide lottery in 1976, Frank buys one ticket and immediately becomes everybody's best friend. Unfortunately, Frank's good luck is matched by the equally bad luck of his hard-working father, Frank Sr. (Danny Aiello), who has run up a gambling debt to a local mobster. The wise guy is willing to forgive the note if Frank Jr. will just hand over his sure-to-be lucky ticket, leaving the city's luckiest Italian-American in a bit of a moral quandary. The real Frank Pesce Jr. executive produces and co-stars in 29th Street as his own police officer brother, Vito. ~ Karl Williams, All Movie Guide

Helen Hunt stars as Pamela Smart, the schoolteacher who seduced one of her students into murdering her husband, in this torn-from-the-headlines made-for-TV effort. ~ Jason Ankeny, All Movie Guide

Rambling Rose is the most part a flashback, related by grown-up Southerner Buddy Hillyer (John Heard). The bulk of the film takes place in 1935, when rambunctious backwoods housekeeper Rose (Laura Dern) virtually invades the Hillyer household. Daddy Hillyer (Robert Duvall), a bed-rock Southern gentleman, welcomes the congenitally amoral but basically goodhearted Rose into his house, carefully fending off her ill-timed romantic advances. But Rose can't help feeling smitten with him; meanwhile, she has also drawn the attentions of 13-year-old Buddy (Lukas Haas). Based on the novel by screenwriter Calder Willingham, Rambling Rose was not the box-office breakthrough that many expected for director Martha Coolidge; though it fizzled financially, the film did manage to secure Oscar nominations for both Dern and her real-life mother Diane Ladd. ~ Hal Erickson, All Movie Guide

In this made-for-TV gangster docudrama, Al Capone (Eric Roberts) wages war against his younger brother (Adrian Pasdar), a Midwestern sheriff. ~ Jason Ankeny, All Movie Guide

This made-for-cable biopic originally went out under the simpler title Margaret Bourke-White. Farrah Fawcett stars as the famed photojournalist, whose work for Life magazine from 1936 onward gained her worldwide celebrity. The best scenes, showing the dauntless Bourke-White (Fawcett) at work in the most grueling and perilous of situations, are all too fleeting. The filmmakers evidently believed that the audience would be more intrigued by Bourke-White's stormy relationship with her husband, novelist Erskine Caldwell (played with a fluctuating Southern accent by Frederic Forrest). The film's chief assets are the well-focused performance of Farrah Fawcett, and the lensed-on-location sequences in Louisiana and Moscow. Margaret Bourke-White premiered over the TNT cable channel on April 24, 1989. ~ Hal Erickson, All Movie Guide

A dissatisfied woman encounters a mysterious stranger who may be her long-lost son in this peculiar, darkly comic drama. Theresa Russell plays the deeply disappointed Linda Henry, who feels stifled by a strained marriage to Dr. Henry Henry (Christopher Lloyd), who pays more attention to his model railroads than to his wife. Desperate for diversion, she is captivated when Martin (Gary Oldman) arrives, claiming to be the child she gave up for adoption after a teenage pregnancy. She immediately bonds with this stranger, but numerous signs indicate that he may not be what he seems. Strange behavior follows from everyone involved, with some of the film's most bizarre sequences concerning Dr. Henry's toy train fetish. The complex, often ambiguous script is by noted British writer Dennis Potter, who also wrote Pennies from Heaven and The Singing Detective, and Nicolas Roeg provided his predictably stylized, enigmatic direction. Despite several interesting moments, Track 29 is far from either Potter's or Roeg's best work, and most critics found it a bizarre, ineffective muddle. ~ Judd Blaise, All Movie Guide