Anouk Aimée Movies

Born into a theatrical family, Anouk Aimee was trained in acting and dancing at the Bauer-Therond school. In films from the age of 14, Ms. Aimee (usually billed merely as Anouk) was elevated to international stardom in 1949's Lovers of Verona, specifically written for her by Jacques Prevert. Possessed of an aloof, haunting beauty, Anouk has given her best performances under the knowing direction of such European masters as Federico Fellini (La Dolce Vita, 8 1/2) and Jacques Demy (Lola, The Model Shop). She has also worked extensively in English language films; she did her bit for the Resistance in Anatole Litvak's The Journey (1959), essayed the title role in George Cukor's Justine (1969), and portrayed the worldly-wise Simone Lowenthal in Robert Altman's Ready to Wear (1994). Her most famous screen assignment, and the one that earned her an Academy Award nomination, was the role of Anne Gauthier in Claude Lelouch's A Man and a Woman (1966). Looking every bit as alluring as she had in '66, Anouk Aimee reprised this role in 1986's A Man and a Woman: Twenty Years Later. ~ Hal Erickson, All Movie Guide
1999  
NR  
1999 Madeleine is the first step in an ambitious project by the French filmmaker Laurent Bouhnik to make one film per year between 1999-2009, recounting the turn of the century in an interweaving narrative pattern. Episode one is about Madeline, a lonely woman obsessed by religion and cleanliness. Her solitary existence leads her to place an advertisement for a man willing to share his life with a 'single, working 35-year-old.' She is a woman of our times who is caught between the paradoxes of modern life and individual needs for communication. The world offers her opportunities to satisfy material needs but, unfortunately, this is to the detriment of her spiritual needs. Madeleine received the 1st prize of the Young Jury (UBS) at the 1999 Locarno International Film Festival, and Vera Briole was awarded a Bronze Leopard as Best Actress. ~ Gönül Dönmez-Colin, All Movie Guide

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Starring:
Vera BrioleManuel Blanc, (more)
1963  
 
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Fresh off of the international success of La Dolce Vita, master director Federico Fellini moved into the realm of self-reflexive autobiography with what is widely believed to be his finest and most personal work. Marcello Mastroianni delivers a brilliant performance as Fellini's alter ego Guido Anselmi, a film director overwhelmed by the large-scale production he has undertaken. He finds himself harangued by producers, his wife, and his mistress while he struggles to find the inspiration to finish his film. The stress plunges Guido into an interior world where fantasy and memory impinge on reality. Fellini jumbles narrative logic by freely cutting from flashbacks to dream sequences to the present until it becomes impossible to pry them apart, creating both a psychological portrait of Guido's interior world and the surrealistic, circus-like exterior world that came to be known as "Felliniesque." 8 1/2 won an Academy Award for Best Foreign-Language Film, as well as the grand prize at the Moscow Film Festival, and was one of the most influential and commercially successful European art movies of the 1960s, inspiring such later films as Bob Fosse's All That Jazz (1979), Woody Allen's Stardust Memories (1980), and even Lucio Fulci's Italian splatter film Un Gatto nel Cervello (1990). ~ Jonathan Crow, All Movie Guide

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Starring:
Marcello MastroianniClaudia Cardinale, (more)
1995  
 
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This homage to the cinema by venerated movie-maker Agnes Varda, often dubbed the "grandmother" of the French New Wave, features an all-star international cast. The story is based upon the memories and insights of the 100-year old Mr. Simon Cinema. He lives in a magnificent house filled with movie memorabilia. To help him remember the important details of his career he hires Camille, a film student to write down his remembrances and experiences which have involved all areas of movie-making. Camille comes once a day for 101 days. Film clips, photographs and actual visitors highlight his stories. As he continues to spin his yarns, the imagery in the film smoothly morph into other images. Camille, when not recording, is involved in other exploits including a romance with a production assistant, Mica who aspires to becoming a director. She also begins plotting a way to get to Mr. Cinema's fortune by having a friend pose as his long lost heir. Many other characters are peripherally involved including Death, an Italian seeking the rights to his film catalogue, and a memory specialist. ~ Sandra Brennan, All Movie Guide

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Starring:
Michel PiccoliMarcello Mastroianni, (more)
1966  
 
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The ultimate "date" movie of the mid-1960s, director Claude Lelouch's A Man and a Woman (Un Homme et Une Femme) stars Jean-Louis Trintignant and Anouk Aimee in the title roles. The twosome meet at the boarding school where their children are enrolled. Aimee, an actress, misses her train home, and Trintignant, a professional race car driver, offers her a ride. It is the first of several friendly encounters which eventually blossom into love. Both want to commit to each other, but neither can shake the Past. The now-famous climactic scene in a train station was not scripted at the time of shooting, thus Aimee was unaware that director Lelouch had decided upon a tearful reunion between her and Trintignant. This explains the look of utter surprise on the actress' face. Much has been written about the possible motivation behind Lelouch's decision to film some scenes in color, others in black-and-white. None of the more ardent auterists truly want to hear the director's explanation: he'd run short of money halfway through production, and black-and-white film stock was infinitely cheaper. The winner of two Oscars (one for Best Foreign Film), A Man and A Woman also scored on the "top ten" with its memorable theme music by Francis Lai. A sequel, A Man and a Woman: 20 Years Later appeared....twenty years later. ~ Hal Erickson, All Movie Guide

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Starring:
Anouk AiméeJean-Louis Trintignant, (more)
1986  
PG  
It is possible to enjoy Claude Lelouch's Man and a Woman: 20 Years Later on its own merits, though we advise that to fully appreciate the film, it's best to catch Lelouch's 1966 blockbuster A Man and a Woman first. True to its word, the 1986 film brings us up to date with the protagonists of the earlier picture. One-time movie script girl Anouk Aimee is now a producer, suffering a slump due to a string of box-office bombs. Former race car driver Jean-Louis Trintigant now books races for younger drivers. His love affair with Aimee long in the past, Tritignant is startled to receive an out-of-the-blue phone call from his former amour. She wants his permission to film a musical version of their romance, but with more "suitable" younger leads. Alas, Aimee has been part of the Studio System too long, and can't help but include a pointless subplot involving an escaped lunatic. Aimee must give up her show-biz excesses, and Tritignant must forsake his much-younger mistress Marie-Sophie Pochat, in order to clear the decks for a happy ending. ~ Hal Erickson, All Movie Guide

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Starring:
Anouk AiméeJean-Louis Trintignant, (more)
1966  
 
In this Italian bedroom farce, a humble village peasant has managed to remain a bachelor despite the fact that he has fathered numerous illegitimate children. The trouble begins when he finds himself entangled in a fight over water rights. Though others attempt to blame him, the clever fellow manages to come out clean and solve the conflict by fathering two more children. ~ Sandra Brennan, All Movie Guide

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Starring:
Ugo TognazziGiovanna Ralli, (more)
1989  
 
Having previously essayed the role of real-life Canadian physician/political activist Norman Bethune in a 1977 TV movie, Donald Sutherland returns to the role in the 1989 theatrical feature Bethune: The Making of a Hero. Over a period of several decades, Dr. Bethune grows increasingly disenchanted with the corrupt politics that have fomented so many wars. Radicalized during the Spanish Civil War, he declares himself by fighting with Mao Tse Tung's Chinese Communist forces against the Japanese in World War 2. He remains a staunch Mao supported in the postwar years, winning him both loyal supporters and bitter foes in the West. This warts-and-all film makes no effort to cover up Bethune's personal demons, notably his boozing and philandering. Still, one emerges from the film wishing to learn just a wee bit more about the good doctor's motivations. Bethune: The Making of a Hero was released in the US in 1993 as Doctor Bethune. ~ Hal Erickson, All Movie Guide

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Starring:
Donald SutherlandHelen Mirren, (more)
1955  
 
England's Richard Greene and France's Anouk Aimee (here billed simply as Anouk) star in the fast-paced espionager Contraband Spain. Greene is cast as American federal agent Lee, who is dispatched to the French-Spanish border to break up a smuggling ring. Making things difficult for Lee is the fact that his own brother is one of the smugglers. Aimee plays Elena, a nightclub singer who plays both sides, but who eventually links up with Lee. As British customs official Ricky, Michael Denison virtually reprises his foppish "Algernon Moncrieff" characterization from The Importance of Being Earnest--but his broad behavior is all part of the plot. ~ Hal Erickson, All Movie Guide

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Starring:
Richard Greene
1953  
 
Deux Crimes d'Amour (Two Love Crimes) is comprised of two separate, but thematically linked, short films. "Mina de Vangel," directed by Maurice Clavel and Maurice Barry, is based on a novelette by Stendhal (The Red and the Black), wherein a starry-eyed German lass (Odile Versois), betrayed by a French roue, vainly tries to find happiness with a decent man (Alain Cuny) for whom she works as a domestic. The second film is the award-winning "Le Rideau Cramoisi" ("The Scarlet Curtain"), adapted from a short novel by Barbey D'Aurevilly and directed by Alexandre Astruc. When a Napoleonic soldier (Jean-Claude Pascal) is billeted with a French family, all social proprieties are observed--a first. But a chance physical contact with the enigmatic daughter (Anouk Aimee) of the household leads to a torrid romance, which in turn leads to tragedy. ~ Hal Erickson, All Movie Guide

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Starring:
Odile VersoisAlain Cuny, (more)
1958  
 
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Francois Perier, Peter vanEyck, and Anouk Aimee star in this tense tale of five highly skilled thieves who all pool their resources in hopes of pulling off the perfect heist. ~ Jason Buchanan, All Movie Guide

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2003  
 
German filmmaker Eckhart Schmidt tracks down many high-profile Italian movie folks for the documentary portrait Federico Fellini: Through the Eyes of Others. Actresses Anita Ekberg, Anouk Aimée, and Sandra Milo provide commentary about the director's behavior on and off the set. Other interview subjects include screenwriter Tullio Pinelli, producer Dino de Laurentiis, cinematographer Giuseppe Rotunno, biographer Tullio Kezich, and novelist Gore Vidal. The film also employs archive footage and film clips. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Anouk AiméeDino de Laurentiis, (more)
2001  
PG13  
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The romance, intrigue, and industry politics of the world's biggest film festival -- which is also the world's biggest film marketplace -- provides the backdrop for this typically understated comedy-drama from director Henry Jaglom. Alice Palmer (Greta Scacchi) is a well-known American actress who has written a screenplay that she'd like to direct, and she arrives a the Cannes Film Festival to look for investors. Alice has her eyes on veteran star Millie Marquand (Anouk Aimee) to play the lead, but while Millie loves the script, she's been offered a better-paying supporting role in an upcoming Tom Hanks project. Meanwhile, Millie's former husband Viktor Kovner (Maximilian Schell) is a director fallen on hard times who is trying to scare up financing for his own film. Producer Rick Yorkin (Ron Silver) wouldn't mind leaving Millie in the lurch if it meant landing Alice for his next project. Kaz (Zack Norman) is a less-than-scrupulous producer hoping to put some sort of package deal together. And Blue (Jenny Gabrielle) is a young woman whose shoestring budget independent film has become an unexpected smash hit. Shot in the midst of the 1999 Cannes Film Festival, Festival In Cannes features cameos from such stars as Jeff Goldblum, Holly Hunter, Faye Dunnaway, and William Shatner. ~ Mark Deming, All Movie Guide

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Starring:
Jenny GabrielleGreta Scacchi, (more)
1954  
 
Forever My Heart appears to have been fashioned from two half-hour episodes of TV's Douglas Fairbanks Jr. Presents. Fairbanks produced this 52-minute effort, and appeared in both of the short playlets offered herein. The first story takes place a hundred or so years ago; a male and female prisoner in the Tower of London plot their escape, but when the time comes, only one of them is able to make the break to freedom. In the second story, a woman of loose morals begins to imagine that the ghost of her sister has materialized to condemn her. The biggest "name" in the cast outside of Fairbanks is Anouk Aimee as the heroine of the second story. Forever My Heart was directed by Leslie Arliss and Bernard Knowles, both regular contributors to Fairbanks' TV anthology. ~ Hal Erickson, All Movie Guide

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2004  
 
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Writer, director, and actor Yvan Attal takes another look at the ups and downs of love and monogamy in this biting romantic comedy. Vincent (Yvan Attal), Fred (Alain Cohen), and Georges (Alain Chabat) are three Parisian men in their early forties who are coming to the unfortunate realization that their love lives are not what they dreamed of in their youth. Vincent is married to Gabrielle (Charlotte Gainsbourg), and while there's still some spark left in their marriage, it usually appears only after an argument. Vincent is having a furtive affair with a beautiful woman (Angie David), while Gabrielle is tempted to do the same when a handsome man in a record shop (Johnny Depp) begins silently flirting with her. Fred is the bachelor of the group, and seems to have an endless parade of women passing through his bedroom, but no one misses the fact that he longs for the sort of long-term relationship that has so far evaded him. And Georges is reaching the end of his rope with his wife, Nathalie (Emmanuelle Seigner), an abrasive feminist who insists on making every aspect of their lives a political matter, but lacking the courage to break up with her, Georges deals with his feelings in the traditional manner -- he buys a new car. Happily Ever After was Attal's first project as writer and director after his international hit Ma Femme Est une Actrice. ~ Mark Deming, All Movie Guide

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Starring:
Yvan Attal
1996  
 
A feather-light and funny musing on the nature of love, fate and starting over, Claude Lelouch's comedy begins with the meeting of Fabio Lini, an actor turned undercover Paris cop and the notorious lawyer-cum-businessman Benoit Blanc . Both have come to the same clinic to have their ulcers checked, and as they chit-chat, they realize that they have much in common. Relations with women have played big parts in their ulcers. Both freely acknowledge that male/female relations are always problematic, and yet, despite the hindrances the unions present, neither Claude nor Benoit is able to live without them. ~ Sandra Brennan, All Movie Guide

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Starring:
Fabrice LuchiniBernard Tapie, (more)
2006  
 
Earning frequent comparisons to the finer work of David Lynch for its defiantly unpredictable and enigmatic narrative twists, neophyte director Brice Cauvin's political thriller Hotel Harabati opens at a Parisian train depot, with a European couple in their mid-thirties, Philippe (Laurent Lucas) and Marion (Helene Fillieres, waiting to journey to Venice. Without substantial explanation, they promptly retrieve a suitcase that doesn't belong to them; labeled with the words "tel Harabati" (or 'Hotel Harabati'), it contains a massive amount of neatly-rolled foreign currency. They decide impulsively to skip their Venetian tour and hearken back to the City of Lights, but deceive kith and kin, fabricating accounts of Venice to Philippe's mother Nelly (screen legend Anouk Aimee) . In time, the couple begins to search for new living quarters for themselves and their two little boys; open talk of the bag dissipates, yet Philippe's paranoia mounts, particularly given the discussions of neighborhood bombings on the local news and sightings of an unsavory character who exudes a menacing aura - and who may or may not be connected with the suitcase. Cauvin co-authored the original script with Jerome Beaujour and Pierre Schoeller; Julie Gayet (Les Gens qui s'aiment) and Anthony Roth Costanzo (A Soldier's Daughter Never Cries) co-star. ~ Nathan Southern, All Movie Guide

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Starring:
Hélène FillièresLaurent Lucas, (more)
1961  
 
An episodic, funny, though uneven spoof of human manners and foibles, this comedy by Vittorio de Sica begins in Naples when a disembodied voice announces to the city's residents "The Last Judgment will begin at 6:00 p.m." Naturally, not all are immediately willing to accept this statement -- but not for long. As comic vignettes unfold, the good citizens soon become even better as they try to undo past and present sins, just in case. There is a long list of top actors that show up briefly in the story, everyone from Alberto Sordi to Jimmy Durante, Melina Mercouri, Anouk Aimée, Vittorio Gassmann, and many, many others. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Vittorio GassmanRenato Rascel, (more)
1965  
 
An ambitious Italian financier (Vittorio Gassman) will stop at nothing to further his economic expansion. He forsakes old friends, relatives and his wife as he compromises his integrity in the pursuit for more money. He becomes a shameless bootlicker for a wealthy man who can help his financial gains. The ambitious money-grabber gets what he wants in the way of money, but sabotages everything else in his greed, leaving him a rich but lonely recluse in this ironic drama. ~ Dan Pavlides, All Movie Guide

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1969  
R  
Justine (Anouk Aimee) is a Jewish prostitute living in Egypt who manages to sleep her way to the top. Marrying a financial minister, Justine works her way up from her beginnings as a hooker, but continues to use her sexual allure as a tool to win her and her husband's ends. Along the way, she helps the Jews fight for their own homeland against the British and Arabs. The story is told from the perspective of the English nobleman Darley (Michael York), who first meets the temptress in 1938. The Jews in Egypt are continually pressured by the Moslem majority, who also persecute local Coptic Christians. Justine helps both Christians and Jews in Alexandria receive fair treatment despite religious and racial prejudice. Dirk Bogarde and Anna Karina also star in this story tinged with adultery, incest, homosexuality and religious and nationalistic fervor. This story is based on the novel Justine, one of four which comprise the Alexandria Quartet, by British diplomat and novelist Lawrence Durrell. ~ Clarke Fountain, All Movie Guide

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Starring:
Anouk AiméeDirk Bogarde, (more)
1961  
 
L'Improvisto is a suspenseful, effective drama by Alberto Lattuada about the careful planning and execution of a kidnapping. The "ringleader" and instigator of the clever plan is Tomas, a professor from a provincial town. His two cohorts are Claire (Anouk Aimée), his wife, and Juliette (Jeanne Valerie), his mistress. The trio make a rather different ménage à trois with objectives ranging far afield from the romantic. The circumstances of the preparation and carrying out of the deed keep tension coiled throughout. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Tomas MilianAnouk Aimée, (more)

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