Christopher Olsen Movies
- 1958
In this western, a convict escapes from prison to search for the considerable loot he and his gang had stolen off a stage coach 11 years before. Before heading for the pokey, the outlaw left the loot with his boozy brother. Originally, the plan had been to split the cash with his two cohorts. Unbeknownst to him, the two are plotting to kill him once they get the dough. Unfortunately for all of them, the drunken brother has gambled their money away. ~ Sandra Brennan, All Movie Guide
- Starring:
- Philip Carey, Catherine McLeod, (more)
- 1957
Perhaps the grittiest and grimmest of the Randolph Scott-Budd Boetticher collaborations, The Tall T was adapted by Burt Kennedy from the Elmore Leonard short story The Captive. Scott plays a former ranch foreman who, along with newlyweds Maureen O'Sullivan and John Hubbard, is held hostage at a deserted stagecoach station by ruthless bandit Richard Boone and his henchmen Henry Silva and Skip Homeier. Since we already know that Boone has no qualms about killing a freckle-faced 10 year old boy, we shudder to think of what's in store for Scott and his fellow captives once Boone carries out his plan to rob the next stagecoach. In Boetticher's time-honored Mexican Standoff fashion, Scott bargains with Boone for the life of O'Sullivan, but his efforts are undercut by Hubbard's cowardly treachery. The film's sparse, carefully controlled tension level bursts into full-out bloodshed only minutes before the final fade-out. Curiously, the title The Tall T is never explained at any time; certainly the "T" doesn't refer to Randolph Scott, whose character name is Pat Brennan. ~ Hal Erickson, All Movie Guide
- Starring:
- Randolph Scott, Richard Boone, (more)
The debate still rages as to whether Alfred Hitchcock's 1956 remake of The Man Who Knew Too Much is superior to his own original 1934 version. This two-hour remake (45 minutes longer than the first film) features more stars, a lusher budget, and the plaintive music of Bernard Herrmann (who appears on-camera, typecast as a symphony conductor). Though the locale of the opening scenes shifts from Switzerland to French Morocco in the newer version, the basic plot remains the same. American tourists James Stewart and Doris Day are witness to the street killing of a Frenchman (Daniel Gelin) they've recently befriended. Before breathing his last, the murder victim whispers a secret to Stewart (the Cinemascope lens turns this standard closeup into a truly grotesque vignette). Stewart knows that a political assassination will occur during a concert at London's Albert Hall, but is unable to tell the police: his son (a daughter in the original) has been kidnapped by foreign agents to insure Stewart's silence. The original script for Man Who Knew too Much was expanded and updated by John Michael Hayes and Angus McPhail. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Doris Day, (more)
- 1956
Based on an article in the New Yorker, Nicholas Ray's Bigger Than Life stars James Mason (who also produced the film) as elementary school teacher Ed Avery, a thoughtful, gentle man, with a loving wife, Lou (Barbara Rush), and a young son, Richie (Christopher Olsen), who loves him. Avery is successful and well liked in his community, but he is over-extended in his pursuit of the American dream -- he secretly works a second job to earn extra money, and doesn't dare break stride, despite the increasingly painful physical spasms that he suffers. He collapses one day, and the doctors inform him that he suffers from an arterial disease that will probably give him less than a year to live. But they also offer him one hope, with treatment using cortisone, which was then a new, not-fully-tested drug. Avery makes a seemingly full recovery and returns to work, but it soon becomes clear that he's not the same -- he has a new, cavalier attitude toward money, and then Lou becomes alarmed over his expressions of rage over seemingly insignificant annoyances. He starts expressing himself in grand, exalted terms, first to Lou and then to his colleagues at school, including his closest friend, Wally Gibbs (Walter Matthau). And matters only get worse when Wally determines that it is the cortisone -- which Ed has been taking in far greater doses than prescribed -- that is making him act this way. And his obsession w ith forcing Richie to live up to his full potential soon turns into a much darker fixation. Director Ray later offered regret over having used cortisone by name, as it was still not standard treatment and its benefits and drawbacks weren't known. But this did lend the movie a verisimilitude that was essential for what appeal it did hold for audiences. (Seven years later, screenwriter William Read Woodfield would incorporate Bigger Than Life's cortisone plot device into his script for the Voyage To The Bottom of the Sea episode \"Mutiny\". Bigger Than Life's more immediate problem at the time lay in its broader plot -- with a story that brought drug addiction and fact-based psychological unhingement into a suburban American setting, it was a daring subject for its time, for which audiences were unprepared in 1956. It was also one of a group of offbeat pictures that Mason produced as well as starred in. ~ Bruce Eder, All Movie Guide
- Starring:
- James Mason, Barbara Rush, (more)
- 1956
The talented David Wayne is afforded a rare movie starring role in Allied Artists' The Naked Hills. Wayne plays prospector Tracy Powell, whose all-consuming lust for gold motivates the plot. Heading to California during the '49 Gold Rush to try his luck in the mineral-rich mountains, Powell is forever one step behind those who are smarter and swifter than he. Meanwhile, Powell's wife Julie (Marcia Henderson) waits patiently at home for her husband to return from his many lengthy absences. At film's end, the older-but-no-wiser Powell is still chasing rainbows, with the fabled pot of gold still just beyond his reach. The excellent supporting cast includes James Barton as Powell's grizzled partner and Keenan Wynn and Jim Backus as a pair of claim-jumping sharpsters. ~ Hal Erickson, All Movie Guide
- Starring:
- David Wayne, Keenan Wynn, (more)
- 1955
Six convicts plan a prison break and are successful, though their ringleader (William Bendix) is injured in the attempt. He promises to share the fortune in gold he has stowed away if they help him get to a doctor. ~ John Bush, All Movie Guide
- Starring:
- William Bendix, Arthur Kennedy, (more)
- 1954
With the exception of the brilliant The Court Jester, Knock on Wood must rank as the best of Danny Kaye's movie vehicles. Capitalizing on the star's recent successful engagement in London, the film casts Kaye as a neurotic American ventriloquist performing in England and Europe. In a parody of the 1946 thriller Dead of Night, Kaye is unable to control the words coming out of his dummy, resulting in a near-nervous breakdown. On the advice of his manager (David Burns), Kaye seeks out the help of a psychiatrist, who turns out to be beautiful Mai Zetterling. But first, he heads to a local repair shop to pick up one of his dummies. What Kaye doesn't know is that a set of stolen blueprints for a top-secret weapon have been secreted into his dummy's head. Before he knows what's happening, our hero is up to his ears in spies, counterspies, and corpses. Falsely accused of murder, Kaye spends the rest of the film adopting one disguise after another to elude both the authorities and the various enemy agents roaming about. Filled to overflowing with musical and comedy highlights, Knock on Wood includes the famous "under the table" bit wherein Kaye finds himself literally between two warring spy factions, and a climactic ballet sequence reminiscent of (and superior to) the comic-opera finale of Kaye's Wonder Man (1945). And of course, the audience is treated to the tongue-twisting patter songs written for Kaye by his wife Sylvia Fine. ~ Hal Erickson, All Movie Guide
- Starring:
- Danny Kaye, Mai Zetterling, (more)
At the height of their TV fame, Lucille Ball and Desi Arnaz were contracted by MGM to make two theatrical films. The first of these, The Long, Long Trailer, stars Lucy and Desi as an upwardly mobile couple who decide to buy a trailer so they can live together while his job takes him around the country. Thanks to their naivete in such matters, they end up with a huge, bulky RV that costs five times what they planned. Their "seeing America" trip turns out to be a slapstick disaster, topped by Lucy's foolish decision to hide a heavy rock collection in the trailer; as Desi tries to maneuver a treacherous mountain road, the weighted-down home-on-wheels nearly loses its balance and almost tumbles off a cliff. The story is told in flashback, as Desi 'splains the breakup of his marriage to a motel court manager. Happily, Lucy shows up, goes "Waaaaah" a little, and all is forgiven. Despite the fact that audiences were getting Ball and Arnaz for free each week on television, The Long, Long Trailer was a big hit at the box-office. The film was adapted by Albert Hackett and Frances Goodrich from a novel by Clinton Twiss, with uncredited assistance from the I Love Lucy writing staff. ~ Hal Erickson, All Movie Guide
- Starring:
- Lucille Ball, Desi Arnaz, (more)
A master blend of comedy, domestic drama and sudden tragedy, The Marrying Kind remains one of the best collaborations between star Judy Holliday, screenwriters Garson Kanin and Ruth Gordon, and director George Cukor. The film begins at the end, with married couple Florence and Chet Keefer (Judy Holliday and Aldo Ray) seeking a divorce. Both parties state their cases before understanding judge Carroll (Madge Kennedy)--whereupon the story of their marriage unfolds in a series of revelatory flashbacks. After an amusing recap of their courtship days, the film details the many major and minor trials and tribulations of married life. In the film's most unforgettable sequence, one of the couple's children dies by drowning while Florence and Chet are obliviously engaged in one of their petty squabbles. Throughout the testimony, the Judge gives equal time to both parties, and in so doing demonstrates that all aspects of marriage work both ways. In the final scenes, the Judge allows the Keefers to reconsider their impending divorce, but not before offering a few understanding and unobtrusive words of advice. Judy Holliday is in top form, while Aldo Ray delivers what may be his finest performance. Featured in the cast as Ray's sister-in-law is Peggy Cass in her film debut. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Holliday, Aldo Ray, (more)
- 1952
Gus (George Winslow) is the young son of divorced industrialist Dave Jennings (Richard Widmark). Unable to cope with Gus' mischievous streak, Jennings places the boy in a day-care center. Gus' teacher Lydia Marble (Joanne Dru) manages to curb the boy's prankishness, and along the way falls in love with Jennings. Enter the villainess of the piece: Jennings' ex-wife Joyce (Audrey Totter), who claims that the divorce is invalid and demands a huge sum from Jennings, lest she claim custody of Gus. In the end, it comes down to priorities: does Jennings value his son over his money, or vice versa? My Pal Gus is no Kramer vs. Kramer, but it does pass the time in an agreeable manner. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Joanne Dru, (more)
- 1948
Another of 20th Century-Fox's "drawn from today's headlines" dramas of the late 1940s, Behind the Iron Curtain (a.k.a. The Iron Curtain) is based on the true-life defection of Soviet Embassy code specialist Igor Gouzenko. Portrayed by Dana Andrews, Gouzenko is brought to Canada under a cloud of secrecy by Russian "special agents", the better to help them in their espionage efforts. Despite the fact that he is far from Russia, Gouzenko is hounded by his suspicious superiors and denied the simplest basic rights. When Gouzenko realizes that his government will soon call him back to Russia to engage in the "class struggle," the code clerk decides to defect, stealing secret information and turning it over to the Canadian Ministry of Justice. At first, Gouzenko is ignored, but when his information is digested by the Canadian government, the authorities round up the Communist spy ring. Gouzenko and his family are put in protective custody by the Canadian government, while several of Gouzenko's Russian superiors are punished by the Communist higher-ups for allowing the clerk to slip through their hands. Filmed in a semi-documentary style, Behind the Iron Curtain is more matter-of-fact and less paranoic than other "Red scare" films of the period. ~ Hal Erickson, All Movie Guide
- Starring:
- Dana Andrews, Leslie Barrie, (more)
