Jean Benguigui Movies

It's hard to say if the kids or the counselors need more supervision at the second-rate summer camp in this comedy from France. Vincent (Jean-Paul Rouve) runs "Ces Jours Heureux," a camp for kids in rural France, and as he gears up for the summer season, he has to round up a new staff of counselors to look after the campers. Vincent ends up with six eccentric twenty-somethings, including self-styled ladies' man Daniel (Lannick Gautry), Canadian party animal Truman (Guillaume Cyr), potty-mouthed lapsed Catholic Caroline (Josephine de Meaux), pretty but non-ambitious Lisa (Julie Fournier), handsome black guy Joseph (Omar Sy), and Nadine (Marilou Berry), who is made the camp medic by virtue of her status as a medical school drop-out. While the campers have to contend with bad weather, worse food and extended periods of boredom, the supposedly more mature counselors hardly fare much better, and occasionally face visits from the cops over the camp's various safety violations. Nos Jours Heureux (aka Those Happy Days) was written and directed by the team of Eric Toledano and Olivier Nakache, who previously scored a box office hit with Je Prefere Qu'on Reste Amis. ~ Mark Deming, Rovi

Based on the original '60s French comic books by René Goscinny, Astérix & Obélix: Mission Cléopâtre is the big-budget sequel to the 1999 box-office hit Astérix and Obélix vs. Caesar. Empress Cleopatra (Monica Bellucci) makes a wager with Julius Caesar (played by writer/director Alain Chabat) that her people can build a beautiful palace in three months. She chooses architect Numerobis (Jamel Debbouze) for the project, which must be completed in time or he will be fed to the crocodiles. Numerobis travels to Gaul to get help from the superpowered Panoramix (Claude Rich) and the warriors Astérix (Christian Clavier) and Obélix (Gérard Depardieu), along with their faithful pet Dogmatix. They use their magic potion to make the Egyptian slave-labor population into superheroes, thereby building the palace in no time. Meanwhile, the angry architect Amonbofis (Gérard Darmon) and Julius Caesar don't want to see them succeed. At the time of its release, Astérix & Obélix: Mission Cléopâtre was the most expensive French film ever made, with a budget of $50 million. ~ Andrea LeVasseur, Rovi

Mathias Ledoux directs this atmospheric erotic thriller. Author Jean Dorset (Jean-Hugues Anglade) has suffered from a bad case of writer's block since his first novel became a bestseller. He lives in a small apartment in Paris with his wife Michelle (Clotilde Courau) and, in spite of their ostensible success, the couple are having trouble making ends meet. One day they receive the utterly unexpected news that they are the sole inheritors of a wealthy neighbor, M. Guillemet, whom they have never met. Guillemet has left them his old townhouse along with all of his belongings, but with two conditions -- the first is that the dead man's papers be left untouched, and the second is that his live-in maid Clemence Richbourg (Christine Boisson) remain employed at the estate. The Dorsets soon learn why they were the recipients of such strange generosity. Guillemet had set up a camera with a massive zoom lens pointing to their bedroom window. The couple is shocked and disgusted, but not enough to give up their new tony digs. Clemence proves to be a more unnerving presence. Her steely, impassive demeanor coupled with her penchant for wearing Mao jackets (and, it turns out, naughty underwear) gives her an air of menace. Soon the Dorsets speculate that Clemence poisoned her former employer's food in an ill-fated attempt at inheriting his property. Later, Jean decides to write his next novel on his curious benefactor. When he starts digging around the old man's files, he begins to suspect that his wife not only did know Guillemet, but frequented his place. This film was screened at the 2000 Berlin Film Festival. ~ Jonathan Crow, Rovi

The 50th film from legendary French New Wave writer and director Claude Chabrol is a typically Hitchcockian comic thriller about a pair of con artists. Up to now, the duo of Betty (Isabelle Huppert) and Victor (Michel Serrault) have contented themselves to small scams at hotel conventions, such as spiking the drink of a gambler, then rolling him for his winnings after he follows the flirtatious Betty back to his room and passes out. It then develops that, for the past year, without telling Victor, Betty has been plotting an enormous score involving Maurice (François Cluzet), the treasurer of an international corporation, who's planning to abscond with a briefcase containing five million Swiss francs in syndicate money. Betty's plan is for Victor to swap an identical briefcase with Maurice's and walk away with the jackpot, but Victor becomes suspicious of Betty's solo venture. Is his once-loyal partner betraying him? What about Maurice, who's no fool, and his gangster bosses, who will surely want their money returned? A dizzying array of potential double-crosses muddles the question of who's grifting who in the Betty-Victor-Maurice triangle. Rien Ne Va Plus (1997) screened at several film festivals under the English-language title The Swindle. ~ Karl Williams, Rovi

If such a thing as gentle humor can be wrung from murderous misogyny, this all-star comedy is the embodiment of it. The basic point of the film seems to be this: unattached men long to live with women, and once they do, they long to live without them. In this story, Paul (Thierry Lhermitte) is upset about his wife's having left him. He can't stop thinking about her, and eventually decides that he'd be much happier if he knew she was dead. Then, he thinks, he could put an end to his obsessing. His uncle, a judge (Phillippe Noiret), knows of a man who killed his wife more or less on purpose, and got away with it. Paul and his uncle get together with the lucky killer, Vincent (Richard Bohringer), and, on their way to visit Paul's wife, discuss how Vincent managed to kill his wife and get away with it. Along the way, the aggravations women bring to men are pretty thoroughly (and humorously) hashed over. ~ Clarke Fountain, Rovi

François (Thierry Lhermitte) has convinced his wife and nearly everyone else that he is a pleasant, downtrodden civil servant who has been immured in a dead-end job. In reality, he is a very competent secret operative for the government. Meanwhile, Helene (Miou-Miou), the mother of his two children, has grown bored with her dull husband and is considering whether or not she should have an affair with an attractively sleazy used-car salesman who has been feeding her his standard seduction line: that he's a secret agent (which, in his case, is a lie). When François discovers this, he concocts a plan to teach his wife a lesson, which grows unexpectedly complicated when the two of them stumble across an international arms-smuggling cartel. ~ Clarke Fountain, Rovi

Léah (Josiane Balasko) has been longing to be beautiful for years, but the best she's been able to accomplish on her own is dowdy but neat. When she inadvertently conjures up Abar (Daniel Auteuil), one of the devil's own representatives, she's more than willing to sell her soul for a great-looking, sexy body (Jessica Forde), especially if she can woo Abar with it. Alas, it seems that these contracts are frequently renewed by the Angel Gabriel (Michael Lonsdale), and just as she's getting ready to get things hopping, the angelic trumpeter says the deal's off. Now she's got her soul and body back, but she's still in bad, bad trouble because the guy she loves happens to be a devil. ~ Clarke Fountain, Rovi

Walter (Michel Blanc), the leader of a nudist colony, enlists the help of left-wing militant Henriette (Jacqueline Maillan) in this political satire. He feels he has been snubbed by the government when he mistakenly believes he should receive the Legion of Honor. The release of the film coincided with the elections in France, but none of the political issues of the time were reflected in the subject matter. ~ Dan Pavlides, Rovi

Isabelle Huppert stars in this thriller as Sarah, a woman who has settled into a more or less normal life in Milan after her lover, a much-wanted terrorist, left the scene. Her life becomes complicated indeed when she becomes aware that he is about to return. The difficulty is that not only is she aware of this, but the police and various underworld groups are also. How is she to protect her own life under the circumstances, much less keep her lover from falling prey to the various traps that are being set for him? ~ Clarke Fountain, Rovi

Francis Veber directs this hilarious comedy about Francois (Pierre Richard), a desperate, novice, bumbling bank robber who takes an ex-con hostage during his attempted hold-up. They are both chased by the police. Jean (Gerard Depardieu) plays the convicted bank robber just released from jail and forced to escape with Francois. Anais Bret portrays Francois' 6-year-old autistic daughter, and is the reason why he needed money so badly that he would steal for it. An inventive series of farcical situations and witty dialogue keeps the two men moving one step and several missteps ahead of the police. This comedy was so successful that Veber repeated it in 1989 for English-speaking audiences as Three Fugitives, starring Nick Nolte and Martin Short. ~ Eleanor Mannikka, Rovi

Based on the real-life assassination of a judge in Marseilles in 1981, this fictionalized account of how he came to die lacks the substance and drama that must have characterized the actual story as it happened. Judge François Müller (Jacques Perrin) was transferred from Vosges in northwest France to preside at the court in Marseilles, and when he arrives, he soon finds out what everyone else already knows: a certain Antoine Rocca (Daniel Duval) is the head of a large drug cartel centered in the city. The judge joins forces with a local police inspector, and manages to arrest Rocca for a short time for carrying an unlicensed weapon. Intent on eliminating the drug lord, Judge Müller goes to Palermo to search out evidence. With more dramatic build-up and an in-depth probing of the judge's own fears and motivations, this re-creation of a recent tragedy would have had more of an impact on audiences, especially in France where the details of the story were already known. ~ Eleanor Mannikka, Rovi

This well-articulated, engaging story about the differing fortunes of two brothers just after Algeria's war for independence is conventional in its outlines, and may have several more characters than can be developed in a short time, but its subtle handling by director Ariel Zeitoun helps to counteract those flaws. Rego (Christophe Malavoy) has just returned from a tour of duty in Algeria where he escaped the demands of his budding musical career. Now that he is back, his former agent does not welcome him with open arms because he is still mad over Rego's sudden departure, just when things were going well. The delinquent, wild teenager Antoine (Pierre-Loup Rajot) is Rego's younger brother, now in love with his new music teacher (Gabrielle Lazure), and his persistence in going after the reserved young woman ends in a brief and forbidden fling -- and trouble for her. As events continue on their course, the fate of the two brothers is vastly divergent, even though they continue to have a strong bond between them. ~ Eleanor Mannikka, Rovi