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Yaman Okay Movies

1993  
 
The homeland of the Kurds runs across the Middle East in a narrow band beginning in Turkey, continuing through Northern Iran and Iraq, and culminating in western Afghanistan. In all these nations, Kurds are an embattled minority; in some of them, the government is actively seeking to exterminate them entirely. In Turkey, what they suffer is more like cultural genocide than being murdered en mass. This drama is shot entirely in Kurdish, a language which is outlawed in Turkey. In the film, a group of village children are brought to hear an old teller of traditional tales. They are guarded by va woman whose job is to warn them if anyone approaches. As the storyteller relates his tale about an unlikely hero, Siyabend (Tarik Akan) and his love for Xece (Mine Cayiroglu), the story comes alive onscreen. ~ Clarke Fountain, Rovi

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Starring:
Tarik AkanMenderes Samancilar, (more)
 
1990  
PG  
Xavier Koller's fact-based drama chronicles the hardships suffered by a family of Turkish farmers who sell all of their worldly possessions in order to fund an escape to the greener pastures of Switzerland. En route, they fall prey to a group of smugglers, who direct them to access Switzerland via an illegal and dangerous mountain pass. ~ Jason Ankeny, Rovi

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Starring:
Nur SurerEmin Sivas, (more)
 
1990  
 
Nesibe dotes on the movies, and is much neglected by her parents; her father is given to enforcing discipline with his fists, and her mother isn't up to much at all. It seems reasonable to her that if she wants some nice new outfits to enable her to better enact her movie-based fantasies, she should turn a few tricks on the side with older men. Eventually, she wises up to the limitations of her part-time prostitution, and begins dating someone closer to her own age. ~ Clarke Fountain, Rovi

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Starring:
Hulya AvsarYaman Okay, (more)
 
1989  
 
The title of this German film translates to Vatanyolu -The Journey Home. Like many films of the late 1980s, Vatanyolu dramatizes the trials and tribulations of foreigners living in contemporary West Germany -- in this instance, a Turkish laborer. Offered a great deal of money if he'll return to his old job in his native land, our hero finds that his family is dead-set against moving back. Despite the plotline's darker aspects, Vatanyolu-Die Heimreise is essentially a comedy. Whether or not its appeal will extend to American audiences is best left up to those audiences. ~ Hal Erickson, Rovi

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Starring:
Yaman OkayFusun Sen, (more)
 
1986  
 
In this emotionally-charged drama, Turna is a young Turkish bride whose hopes for a better life in Germany with her husband are abruptly dashed. Dursun has found a job in a German factory and on his first working day after Turna moves in, he walks out of their apartment and locks the door behind him. The message is clear -- good brides do not leave the four walls. Turna spends her time scrubbing, washing clothes, doing dishes, cooking, cleaning, and sometimes staring out the window onto a small courtyard. The occasional smile of a neighbor child or the sounds of other people's lives are her only contact with Germany. None of this prepares her for an unexpected jolt waiting just around the corner. ~ Eleanor Mannikka, Rovi

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Starring:
Ozay FechtYaman Okay, (more)
 
1986  
 
In this well-photographed drama from director Serif Goren, a young Turkish widow (Hulya Kocyigit) lives near the Greek border and goes to work in the rice fields after her husband is murdered. She tries to make a living for herself and her young son, ignoring the male workers who obviously lust after her in spite of the fact she is newly widowed. When a former suitor returns after he is released from prison, her life becomes even more complicated. ~ Eleanor Mannikka, Rovi

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Starring:
Hulya KocyigitTalat Bulut, (more)
 
1986  
 
The title Forty Square Meters of Germany (originally 40 M Deutschland) refers to the shabby apartment where 90% of the film takes place. Ozay Fecht stars as an impressionable Turkish girl who is taken in by the tall tales spun by migrant worker Yaman Okay. She marries Ozay and accompanies him to Germany, where she has been promised the usual indescribable wealth and gold-plated streets. Instead, her husband locks her in their apartment and refuses to let her out while he's working. Yaman deals with her tomb-like existence by peeking through her tiny window and communicating by sign language with her next-door neighbor. After indignity heaped upon indignity, the bride rebels against her husband when he suffers a stroke. Refusing to seek aid, Yaman watches her husband die, and for the first time she emerges into the German streets. She is alone, pregnant and penniless -- but free. ~ Hal Erickson, Rovi

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1985  
 
With good guidance from director Zeki Okten but an uninspired script, this story of a brother and his Turkish family influenced by old and new traditions is somewhat uneven. Bilal (Tarik Akan) is devoted to the art of wrestling, following in the footsteps of his father and grandfather, who were both champions at the sport. Aside from his interest in wrestling for its own sake, Bilal has a chance to win a provincial wrestling contest and thereby bring home a considerable cash award for his efforts -- and so his days are spent in training for the event. Meanwhile, his brother and sister-in-law and their daughter have come back home after living in Germany for 12 years and are finding the adjustment to their cultural roots a bumpy ride. As long scenes of well-oiled and slippery wrestlers in action prepare viewers for Bilal's big event, the struggle of these men is reminiscent of the struggle of Bilal's family to come to grips with a world they may not be able to accept unconditionally.
~ Eleanor Mannikka, Rovi

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Starring:
Tarik AkanMeral Orhonsay, (more)
 
1982  
 
Driven by the desire to see his son get an education and rise out of their level of abject poverty, a peasant father takes his boy to Istanbul to look for the advantages that were missing in his life. He hopes to find a good job so he can send his son to school, but as time goes by it seems they can barely make their way around the city and stay out of debt, let alone get ahead. Besides, the police always seem to be after them for one thing or another. Director Ali Ozgenturk was arrested before he completed shooting this film, with no reason given for his arrest -- as the content of his film suggests, this is not an unusual occurrence. He was later released. ~ Eleanor Mannikka, Rovi

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