Ralph Roberts Movies

This film version of the successful stage play was written by and stars Ossie Davis as Purlie Victorious, a flamboyant, self ordained minister. Along with wife Lutibelle (Ruby Dee), he returns to Georgia to buy an old barn and convert it into a church. He seeks out Captain Cotchipec (Sorrel Booke), the aging plantation owner entrusted with a $500 inheritance left by the preacher's sister after her death. Lutibelle is talked into posing as a long-lost cousin to get the money quickly from the dying landowner. Comedian Godfrey Cambridge reprises his stage role as the black plantation straw boss who pays lip service in the presence of the Captain but mercilessly mock the old man behind his back. Lutibelle gets the money from the old man with the help of his sympathetic son Charlie (Alan Alda), who is as liberal and progressive as his father is racially intolerant.. Religious hypocrisy, racial bigotry, civil rights issues and the changing Southern society backed by forced integration are subjects in this film that coincided with the turbulent social issues of the time. The title is taken from the first line of Stephen Foster's sentimental classic "Old Black Joe." The film was released nearly one hundred years after the famous songwriter's death. Produced and directed by Nicholas Webster, most of the actors reprised their roles from the original stage production. ~ Dan Pavlides, All Movie Guide

Judy Holliday re-creates her Broadway role of flibbertigibbet telephone operator Ella Peterson in Bells are Ringing. Ella works for Susanswerphone, a hole-in-the-wall answering service run by her cousin Sue (Jean Stapleton). Our girl Ella can't help but become involved in the lives of her customers, which brings her to the attention of a dimwitted police detective, Barnes (Dort Clark), who suspects that Susanswerphone is a front for a house of ill repute. The cop is so obtuse that he never notices the story's genuine criminal, a flamboyant German bookie (Eddie Foy Jr.) who poses as a record executive and uses the names of composers as code for the various racetracks around the country. To avoid Barnes' wiretapping, Ella goes around New York in person to minister to the needs of her clients--most notably playwright Jeffrey Moss (Dean Martin), who is in danger of becoming an alcoholic if he can't come up with a good idea for a play. Assuming a false identity, Ella prattles on about some of her other clients, notably a dentist (Bernie West) who composes pop songs on his air hose. Moss is inspired by Ella, and eventually falls in love with her. Because she will not reveal who she really is to Jeffrey, Ella decides that her relationship is founded on lies, and walks out of his life. But Moss, together with the other Susanswerphone customers who have been "rescued" by Ella, show up at Ella's doorstep for a happy ending. Bells are Ringing is not an example of MGM's Arthur Freed unit at its best, but Judy Holliday is luminescent in this, her last screen role (incidentally, Holliday's "blind date" in one scene is played by her then boyfriend, jazz musician Gerry Mulligan). The film's songs, by Betty Comden, Adolph Green and Jule Styne, include the hit numbers "Just in Time" and "The Party's Over". ~ Hal Erickson, All Movie Guide

Stanley Kubrick's second feature film, Killer's Kiss was made on a budget of $40,000, all raised by Kubrick's relatives. The black-and-white drama was shot principally at night in a variety of seedy Manhattan locations. The plot, told in an extended flashback, covers two days in the life of boxer Davy Gordon (Jamie Smith) -- he meets nightclub dancer Gloria Price (Irene Kane); the two fall in love, and decide to make their futures somewhere other than New York City. But Gloria is lusted after by her ex-employer, Vince Rapallo (Frank Silvera), who not only won't take "no" for an answer but has no intention of losing her to a two-bit boxer. His machinations lead to murder, a police manhunt, and revenge in the best film noir fashion -- the very best, in fact, as Kubrick's use of real New York settings (and very ominous and sleazy New York settings at that) gives the action here a startling verisimilitude, as though we're watching a documentary, or the unfolding of actual events. The violence escalates as Davy and Rapallo find themselves going one-on-one, to the death if need be, with a climax in a warehouse filled with department store mannequins and their various component parts. Director-writer-photographer-editor Kubrick wasn't pleased with the studio-imposed ending added by its distributor (United Artists), but that compromise was a lot more logical and satisfying than the filmmaker's intended denouement. Irene Kane, who played the female lead, subsequently achieved success as TV commentator and journalist Chris Chase; also appearing in the film is Kubrick's then-wife Ruth Sobotka. And Frank Silvera, who plays the villain, was among the most prominent black actors working in theater and films during the 1950s, and eventually achieved stardom on television a dozen years later with his role on the NBC series The High Chapparal. ~ Bruce Eder, All Movie Guide

Louis B. Mayer's nephew Gerald proved himself an able director with the MGM "B" thriller Dial 1119. Marshall Thompson stars as an emotionally disturbed young man who pulls out a gun at a bar and holds the patrons hostage. As the police gather outside, the film concentrates on the various bar customers, each of whom has his or her own deep-rooted problems. Thompson is on the verge of killing everyone around him when a telephoned ruse breaks the crisis. A raw-nerved 75 minutes' worth of entertainment, Dial 1119 was a personal favorite of actress Virginia Field, who played one of the hostages. ~ Hal Erickson, All Movie Guide

Ellen Burstyn plays Edna McCauley, the wife of a man (Jeffrey DeMunn) who is killed in an auto crash. Edna herself survives, but not before enduring an "out of body" experience. Crippled in the accident, Edna heads to her hometown in Kansas to recuperate. There she discovers that she has the power to heal people, presumably a byproduct of her brief trip into the beyond. She accepts her gift, but resists the notion that she has been blessed with divine powers. On the other hand, her young lover (Sam Shepard) believes that she is the embodiment of Jesus Christ. It is his method of proving his hypothesis that brings the film to its startling conclusion. Both Ellen Burstyn and Eva Le Gallienne (as Burstyn's grandmother) were nominated for Academy Awards. ~ Hal Erickson, All Movie Guide

The final film of stars Clark Gable and Marilyn Monroe is an elegy for the death of the Old West from writer Arthur Miller and director John Huston. Gable stars as Gay Langland, an aging hand traveling the byways and working at rodeos with his two comrades, Guido (Eli Wallach) and young Perce Howland (Montgomery Clift). The three men come up with a plan to corral some misfit mustangs and sell them for dog food, but Gay's new girlfriend Roslyn Taber (Marilyn Monroe), a high-minded ex-stripper who has just divorced her husband Ray (Kevin McCarthy) in Reno, is appalled by the plan. Although both Guido and Perce are also in love with Roslyn, she stands by Gay, sure that in the end he will do the right thing, even as he and his pals begin their planned roundup. ~ Karl Williams, All Movie Guide