Merle Oberon Movies
Born in India to an Indian mother and an Indo-Irish father, Estelle Merle O'Brien Thompson spent an impoverished childhood in the subcontinent, before coming to England in 1928 where, among other things, she worked as a dance hostess before starting to pick up bit parts in movies in the early '30s, beginning with Alf's Button (1930). It was Hungarian-born film mogul Alexander Korda who first spotted Oberon's screen potential, and began giving her parts in his pictures, building her up toward stardom with role such as Anne Boleyn in The Private Life of Henry VIII (1933). Although she was an actress of very limited range, Oberon acquitted herself well in movies such as The Scarlet Pimpernel (1934), as Sir Percy Blakeney's wife, and her exotic good looks made her extremely appealing. She was cast opposite Laurence Olivier in the 1938 comedy The Divorce of Lady X, which was shot in Technicolor and showed Oberon off to even better advantage. Seeking to build her up as an international star, Korda sold half of Oberon's contract to Samuel Goldwyn in America, who cast her as Cathy in Wuthering Heights (1939). She moved to America with the outbreak of war, and also married Korda (1939-1945), but despite some success in That Uncertain Feeling, The Lodger, and A Song to Remember, her star quickly began to fade, and the Korda vehicle Lydia (1941), a slow-moving melodrama that had her aging 50 years, didn't help her career at all. Even a good acting performance in the Hitchcock-like chiller Dark Waters (1944) failed to register with the public. Oberon re-emerged only occasionally after the early '50s, until 1973 when she starred in, produced, and co-edited Interval, a strange romantic drama that costarred her future husband Robert Wolders, that failed to find good reviews or an audience. ~ Bruce Eder, All Movie Guide- 1940
'Til We Meet Again is an inflated remake of 1932's One Way Passage. As in the original, the hero is a convicted murderer en route to the death house by way of a merchant ship; the heroine is suffering from a terminal illness. Once more, hero and heroine fall in love, each keeping the facts of his or her imminent doom from the other. The principal difference this time is that instead of William Powell and Kay Francis, the stars are George Brent and Merle Oberon. This cast change does no damage to the basic storyline, but the decision in 'Til We Meet Again to expand upon the secondary romance between the arresting detective (Pat O'Brien) and an accomplice of the condemned man (Geraldine Fitzgerald) throws the focus of the film completely out of kilter. One decided benefit to both One Way Passage and 'Til We Meet Again is the comic presence of Frank McHugh, who plays the same role--a tipsy pickpocket--in both pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, George Brent, (more)
- 1946
If Grecian storyteller Aesop really did exist, he was most likely a black slave. He wasn't an Austrian actor with an Egyptian name, but that's who played him in A Night in Paradise. Turhan Bey portrays the fable-spouting Aesop, who tries to escape his bondage by disguising himself as an old man. It is at the lavish court of King Croesus that the greyed-up Aesop first meets luscious Grecian princess Merle Oberon. The low-born talespinner is smitten, and determines to win the princess for his very own. Moral: If Universal buys a novel by George S. Hellman titled The Peacock's Feather, transforms it into a picture called A Night in Paradise, and appoints onetime Abbott and Costello cohort Arthur Lubin as director, you know what you're in for. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Turhan Bey, (more)
- 1945
One of the most successful filmed biographies of the 1940s, A Song to Remember alleges to be the true story of Polish composer Frederick Chopin. Actually, it has about as much relation to truth as a Heckle and Jeckle cartoon, but with such gorgeous creatures as Cornel Wilde and Merle Oberon in the leads, who cared? Though Wilde, as Chopin, is the nominal lead, top billing goes to Paul Muni, hamming his way through the role of Chopin's mentor Professor Joseph Elsner. Reportedly, Muni developed his characterization long before shooting started, refusing to allow the performances of the other actors to alter his interpretation in the slightest. This may explain why Muni seems to be acting in a vacuum, frequently completely out of rhythm with the film and its characters. Otherwise, Cornel Wilde does a nice job as the tempestuous Chopin, whose patriotic fervency frequently takes priority over his music. Merle Oberon plays novelist George Sand, who despite her preference for male clothing proves to be "all woman" during her torrid, decade-long affair with Chopin. The film's money scene--the one that everyone talked about, keeping the picture "alive" long after its original release--occurs towards the end, when the tubercular Chopin begins hemorrhaging as he performs his Polonaise for the first time (Jose Iturbi is heard on the soundtrack, "doubling" for Wilde's ivory-tickling). Sumptuously photographed in Technicolor by Tony Gaudio and Allen M. Davey, A Song to Remember was the usually penurious Columbia Pictures' top production of 1945. Fifteen years later, the studio hoped to make lightning strike twice with its Franz Liszt biopic Song Without End, but the magic just wasn't there. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Muni, Merle Oberon, (more)
- 1930
In this comedy, a business magnate goes to Monte Carlo for a vacation. There his pal encourages him to begin a flirtation with a lovely young woman. Later he returns home. There he learns that the girl is secretly married to a friend's nephew. Fortunately, the fellow is saved when the woman claims that his pal was really her lover. ~ Sandra Brennan, All Movie Guide
- 1953
Originally titled 24 Hours in a Woman's Life, the British Affair in Monte Carlo stars Merle Oberon and Richard Todd. A compulsive gambler, Todd is on the verge of disgrace and ruin. Ms. Oberon makes it her mission in life to save Todd from himself. The story is told from the point of view of worldly writer Leo Genn, who is obviously intended as the alter ego of Stefan Zweig, author of the original novel 24 Hours in a Woman's Life. Whenever the drama bogs down, the viewer is encouraged to revel in the authentic Riviera locations. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Richard Todd, (more)
- 1941
Affectionately Yours offers the spectacle of glamorous Merle Oberon and gorgeous Rita Hayworth jockeying for the best camera positions, virtually pushing male leads Dennis Morgan and Ralph Bellamy right off the screen! Here's the deal: Neglected wife Sue Marberry (Oberon) obtains a quickie Nevada divorce from her globetrotting war-correspondent husband Rick (Morgan). Still in love with Sue, Rick rushes home to win her back, but by now she has found solace in the arms of her new fiancee Owen Wright (Bellamy). To arouse Sue's jealousy, Rick pretends to carry on an affair with female journalist Irene Malcolm (Hayworth), a scheme that backfires when Irene decides she wants Rick for keeps. Of interest is the supporting-cast presence of Hattie McDaniel and Butterfly McQueen, two years away from their domestic duties in Gone with the Wind. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Dennis Morgan, (more)
- 1930
Previously filmed in 1920, W. A. Darlington's comedy-fantasy Alf's Button was remade as a talkie ten years later. Tubby Endlin stars as WWI "Tommy" Alf Higgins, who learns to his delight and amazement that a button on his jacket was fashioned from Aladdin's lamp. Rubbing the button for luck, Alf summons forth a genie named Eustace (Humberston Wright), who grants him the traditional three wishes. The film makes occasional side-trips to the land of Arabian Nights, these scenes photographed in the pleasing pastels of Pathe color. The material may have been old hat by 1930, but Alf's Button reportedly clocked 203 laughs at its London premiere. ~ Hal Erickson, All Movie Guide
- Starring:
- Alf Goddard
- 1932
The crackerjack director/cinematographer team of Harry Lachman and Rudolph Mate (Dante's Inferno, Our Relations) brought an extra veneer of class to the 1932 Gertrude Lawrence vehicle Aren't We All. She plays a shy and retiring lass who harbors a secret past indiscretion. Her "shameful" secret is revealed just as she plans to marry wealthy Owen Nares. The future husband expresses outrage, but his father Hugh Wakefield comes to Lawrence's rescue by exposing one or two of Nares' past peccadillos, and by inviting the girl's former lover to state his case. This British drawing room comedy was based on a stage play by the prolific Frederick Lonsdale. ~ Hal Erickson, All Movie Guide
- Starring:
- Gertrude Lawrence, Hugh Wakefield, (more)
- 1936
This lavishly appointed Sam Goldwyn soap opera is set in Ireland during "the troubles." Irish rebel leader Dennis Reardon (Brian Aherne) falls in love with Lady Helen Drummond (Merle Oberon), the aristocratic daughter of British diplomat Lord Athleigh (Henry Stephenson). Reardon's underground associates, not so romantically inclined, assume that their leader has sold out to the enemy, when in fact he is working tirelessly for an honorable and equitable end to the hostilities. His best friend O'Rourke (Jerome Cowan) is given the job of assassinating Reardon, leading to a tragic climax more suited to an Italian opera than an Irish political meller. Beloved Enemy was very loosely based on the exploits of Irish patriot Michael Collins, who of course was the subject of the far more accurate 1996 biopic starring Liam Neeson and Julia Roberts. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Brian Aherne, (more)
- 1948
On a trip from France to Allied-occupied Berlin, a group of travelers -- a mysterious and very secretive European woman (Merle Oberon), an American agricultural expert (Robert Ryan), a British educator (Robert Coote), a Soviet Army officer (Roman Toporow), and a French official (Charles Korvin) -- all cross paths in the cramped quarters of a military train. They discover that the notion of the "Allied forces" is breaking down amid their victory in the war; they neither like nor trust each other, nor each other's countries, except where the Germans are concerned, where they share a distrust. And then they cross paths with a German VIP who makes them wonder if they've got all of the Germans pegged right. A bomb goes off, killing their newfound acquaintance, and the suspicions start anew. The mystery surrounding the victim only deepens when they discover that he wasn't who he claimed to be -- and that the army isn't saying who he was. Ryan, Oberon, et al. soon find themselves up to their necks in unrepentant Nazis and militant German nationalists who have banded together against the occupiers to destroy any chance of success for a peace plan being put forward by a visionary German (Paul Lukas). They find Frankfurt a hotbed of sabotage and armed underground resistance, with the occupying armies seemingly caught flat-footed by the plotting in their midst, which includes murder and blackmail. Berlin Express is a spellbinding mix of action, suspense, and topical political intrigue, laced with idealism and a surprising degree of sophistication, a level a wit almost worthy of Graham Greene, and an eye for suspense worthy of Hitchcock. Indeed, the film could almost be considered director Jacques Tourneur's postwar equivalent to Hitchcock's Foreign Correspondent (1940). It also represents a fascinating cultural snapshot, depicting the very last moments of hope for peaceful relations with the Soviets that could be seen in American movies for decades. ~ Bruce Eder, All Movie Guide
- Starring:
- Merle Oberon, Robert Ryan, (more)
Adapted from a Saturday Evening Post serial by Frank and Marian Cockrell, Dark Waters stars Merle Oberon as heiress Leslie Calvin, a woman with a neurotic aversion to water. This stems from the fact that in her childhood, Leslie was one of four survivors of a torpedoed steamship. Preying upon Leslie's fears, conniving Mr. Sydney (Thomas Mitchell), a guest at the Calvin family's Louisiana plantation, concocts a campaign of terror designed to drive the poor girl crazy so that he can claim her vast inheritance. Sydney and his cohorts also have the presence of mind to murder all of Leslie's closest relatives, leaving her utterly helpless. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Franchot Tone, (more)
Deep in My Heart is the MGM-ified biography of composer Sigmund Romberg, here played by José Ferrer. Evidently the scripters didn't feel that the life of Romberg (as set down by author Elliott Arnold, whose book was used as the film's basis) had enough drama to fill out two hours and ten minutes. As a result, the film is overstocked with guest stars, performing such Romberg standards as "One Alone," "Lover Come Back to Me," "When I Grow Too Old to Dream," "Will You Remember," and "Stout-Hearted Men." Among these celebrities are Ann Miller, Vic Damone, Jane Powell, Tony Martin, Cyd Charisse, Rosemary Clooney, and Gene Kelly, the latter performing a dance duet with his seldom-seen brother, Fred. For all the heady competition, it is José Ferrer who renders the most memorable production number: a one-man presentation of the Romberg musical comedy Jazzboat, in which Ferrer assumes all the roles, from star Al Jolson's to the entire female chorus! ~ Hal Erickson, All Movie Guide
- Starring:
- José Ferrer, Helen Traubel, (more)
- 1954
Director Henry Koster and writer Daniel Taradash speculate mightily in this historical tableau charting the rise and fall of Napoleon (Marlon Brando), all due to his unrequited love for noblewoman Desiree (Jean Simmons). The film takes a chronological view of Napoleon's reign and posits Napoleon's love of a woman he wanted to marry as a young general but abandoned for the sake of his career. Both Napoleon and Desiree go their separate ways -- he to become Emperor of France and loveless husband to Josephine (Merle Oberon) and she to become Sweden's disinterested Queen. Napoleon and Desiree meet up again in a whimsical confrontation in which Desiree urges the Little Corporal to surrender and go to St. Helena. The film is based on a novel by Annemarie Selinko that, like the film, takes wild liberties with the truth. ~ Paul Brenner, All Movie Guide
- Starring:
- Marlon Brando, Jean Simmons, (more)
- 1931
The marriage between Larry and Vera Maitland (Carl Harbourd and Dorothy Bartlam) may be over before it begins when Larry falls for glamorous actress Gwenda Farrell (Madeleine Carroll). Rather than storm out of the house in high dudgeon, Vera opts for a more civilized approach. She visits Gwenda in her dressing room, whereupon the two ladies talk over their mutual attraction for Larry. Vera and Gwenda become close buddies, obliging the sheepish Larry to return to his wife. The "money scene" in Fascination shows the two heroines kissing and making up, which tended to make audiences in 1931 a tad uncomfortable. ~ Hal Erickson, All Movie Guide
- Starring:
- Madeleine Carroll, Dorothy Bartlam, (more)
- 1943
With Dorothy Arzner in the director's chair, it's no wonder that First Comes Courage has a more feminist slant than most WWII "underground" films. Merle Oberon plays Nicole Larsen, a member of the Norwegian resistance. To obtain important war information, Nicole romances Nazi major Paul Dichter Carl Esmond, enduring the slings and arrows of those villagers unaware of her motives. Her mission is further complicated when she is reunited with British commando Allan Lowell Brian Aherne, with whom she'd had a prewar affair. Forced to choose between love and duty, Nicole makes the only decision possible under the circumstances. First Comes Courage was based on The Commados, a novel by Elliot Arnold. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Brian Aherne, (more)
- 1935
This French-language version of the 1935 Hollywood musical Folies Bergere retains the original star (Maurice Chevalier) and director (Roy Del Ruth) and Busby Berkeley's big-scale production numbers. It also follows substantially the same plot: A nightclub entertainer (Chevalier), is hired to pose as his look-alike (also Chevalier), a prominent aviation tycoon. The masquerade causes consternation for the entertainer's girlfriend, who of course has no idea what's going on, and for the tycoon's wife, who can't understand why her cold-fish husband has suddenly become so warm and demonstrative. Beyond the obvious language change, the major differences between the two Folies Bergeres are found in their supporting casts: for example, Natalie Paley plays the tycoon's spouse role originally essayed by Merle Oberon, while Sim Viva, as the girlfriend, fills the dancing shoes of the English-language version's Ann Sothern. Folies Bergere served as the basis for two future 20th Century-Fox musicals, That Night in Rio and On the Riviera, neither of which were released in French versions. ~ Hal Erickson, All Movie Guide
- Starring:
- Maurice Chevalier, Ann Sothern, (more)
- 1943
The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Brian Aherne, (more)
- 1955
Heart of a Woman was the first presentation of the TV anthology The 20th Century-Fox Hour. Merle Oberon, Michael Wilding and Marcia Henderson star in this saga of a well-to-do British family. The story opens with the family patriarch (Wilding) marching off to the Boer war at the turn of the century, and ends thirty years later, with the now-aged principal characters coping with the Depression. If the story sounds familiar, it is because Heart of a Woman is adapted from the Noel Coward play Cavalcade, previously filmed by Fox in 1933. This TV remake originally aired October 5, 1955. ~ Hal Erickson, All Movie Guide
- 1967
The posh St. Gregory Hotel in New Orleans is the setting for this drama based on a popular novel by Arthur Hailey. Trent (Melvyn Douglas) is the long-time owner who realizes that the hotel is in dire financial straits. Trent calls on faithful manager Peter McDermott (Rod Taylor) to try and bring about the necessary reversal of fortune so that they can stay in business. After the Duke (Michael Rennie) and Duchess (Merle Oberon) of Lanbourne check in, the Duke is involved in a vehicular homicide after he has too much to drink. His car is traced back to the St. Gregory by hotel detective Dupere (Richard Conte), who blackmails the Duke. Although not on the same level of Grand Hotel, the film contains first-rate performances from a fine cast portraying a variety of eccentric guests. ~ Dan Pavlides, All Movie Guide
- Starring:
- Rod Taylor, Catherine Spaak, (more)
- 1941
Adapted from a French movie entitled Un Carnet de Bal, this is a story of love unrequited. In one of her best performances, Merle Oberon portrays an elderly woman who has spent her life waiting for a man whom she had a brief liaison with but who never returned for her as he had promised. Casting aside three suitors over a forty year period, she has spent her life in solitude. When a party is arranged and all three of her spurned suitors show up, a surprise fourth is also present--her original true love. Denouement is somewhat of a surprise in this romantic love story. ~ Tana Hobart, All Movie Guide
- Starring:
- Merle Oberon, Edna May Oliver, (more)
- 1935
Originally released in 1932, Men of Tomorrow represented the film debut of Robert Donat. The story follows a young, idealistic Oxford student in the years following his graduation. Now a successful novelist, Allen Shepherd (Maurice Bradell) has married college sweetheart Jane Anderson (Joan Gardner). A firm proponent of the "woman's place is in the home" school, Allen walks out on Jane when she accepts a teaching post in Oxford's chemistry department. Eventually he realizes what a heel he's been, and the couple is reunited. Though both Robert Donat and Merle Oberon are cast in supporting roles, they were given top billing when Men of Tomorrow was distributed in the U.S. in 1935. ~ Hal Erickson, All Movie Guide
