Merle Oberon Movies

In her final role, Merle Oberon stars as a middle-aged woman who falls in love with a painter (Robert Wolders) who is two decades younger than she is. ~ Jason Ankeny, All Movie Guide

Although the late Sir Winston Churchill will be forever remembered as the Prime Minister who bravely led Britain through the darkest days of World War II. This documentary focuses on his passion for painting. Artists Lady Birley and Paul Maze give their professional insight on Churchill's work, while Merle Oberon, Dwight D. Eisenhower, and Viscount Montgomery offer their personal recollections of the man as artist and statesman. The feature was reissued in 1990. ~ Dan Pavlides, All Movie Guide

This British television documentary, hosted by Dirk Bogarde, is about the aborted 1937 film I Claudius. The film, directed by Josef Von Sternberg and produced by Alexander Korda with an all-star cast, was shut down after only a few weeks of filming, reportedly because of its extravagant cost. This documentary shows much of the original footage, which hadn't been seen for 28 years, and features interviews with some of the original cast and crew, including von Sternberg, Flora Robson, Merle Oberon and Emlyn Williams. ~ Brian Gusse, All Movie Guide

In this drama, a man is falsely accused of committing two murders, one of which is committed at the dog-track. Now he is pursued by the police and gangsters. To escape the latter, the fleeing fellow dives into a handy car, driven by the woman who really committed the hit-and-run. Mayhem ensues when the police arrest him, but justice eventually prevails. ~ Sandra Brennan, All Movie Guide

Director Henry Koster and writer Daniel Taradash speculate mightily in this historical tableau charting the rise and fall of Napoleon (Marlon Brando), all due to his unrequited love for noblewoman Desiree (Jean Simmons). The film takes a chronological view of Napoleon's reign and posits Napoleon's love of a woman he wanted to marry as a young general but abandoned for the sake of his career. Both Napoleon and Desiree go their separate ways -- he to become Emperor of France and loveless husband to Josephine (Merle Oberon) and she to become Sweden's disinterested Queen. Napoleon and Desiree meet up again in a whimsical confrontation in which Desiree urges the Little Corporal to surrender and go to St. Helena. The film is based on a novel by Annemarie Selinko that, like the film, takes wild liberties with the truth. ~ Paul Brenner, All Movie Guide

Filmed on location, the Franco-American co-production Pardon My French stars Merle Oberon and Paul Henreid. Oberon is cast against type as Elizabeth Rockwell, a staid Bostonian schoolmarm who insists that all "squatters" remove themselves from the French chateau she's just inherited. The head squatter Paul Rencourt, played by Henreid, turns on his patented charm in hopes of deflecting Rockwell from her eviction plans. It so happens that the widowed Rencourt is the father of five precocious children, who despite their appalling behavior eventually endear themselves to Rockwell. Director Bernard Vorhaus was blacklisted not long after Pardon My French was released; the reasons, of course, were political, and had nothing to do with the quality of the film. ~ Hal Erickson, All Movie Guide

In this melodrama, a brilliant pianist is struck blind in an accident and stops working on his equally brilliant concerto. A wealthy woman pretends to be poor and blind to help him regain his confidence, and holds a contest with a large prize for the best musical composition. She, as the blind girl, encourages him to finish his work and enter it. He wins the prize, uses the money to have his sight restored, falls in love with the wealthy woman, and is thrilled to find that his two loves are one and the same. ~ Steve Huey, All Movie Guide

If Grecian storyteller Aesop really did exist, he was most likely a black slave. He wasn't an Austrian actor with an Egyptian name, but that's who played him in A Night in Paradise. Turhan Bey portrays the fable-spouting Aesop, who tries to escape his bondage by disguising himself as an old man. It is at the lavish court of King Croesus that the greyed-up Aesop first meets luscious Grecian princess Merle Oberon. The low-born talespinner is smitten, and determines to win the princess for his very own. Moral: If Universal buys a novel by George S. Hellman titled The Peacock's Feather, transforms it into a picture called A Night in Paradise, and appoints onetime Abbott and Costello cohort Arthur Lubin as director, you know what you're in for. ~ Hal Erickson, All Movie Guide

Doctor Charles Korvin walks out on his musician wife Merle Oberon when he suspects her of infidelity. Twelve years later their paths cross again; Oberon is now saddled with an abusive husband. Possessed of a protective instinct that he hadn't evinced in the first part of the film, Korvin rescues his ex-wife from her miserable marriage, and the two fall in love all over again. Based on a play by Luigi Pirandello (no, it wasn't called Two Characters in Search of a Movie, This Love is Ours is worth watching only when supporting player Claude Rains is on the scene. The 1956 remake Never Say Goodbye was no improvement, not even with Rock Hudson taking over from the stolid Charles Korvin. ~ Hal Erickson, All Movie Guide

The Lodger was the third film version of Mrs. Marie Belloc-Lowndes' classic "Jack the Ripper" novel, and in many eyes it was the best (even allowing for the excellence of the 1925 Alfred Hitchcock adaptation). Laird Cregar stars as the title character, a mysterious, secretive young man who rents a flat in the heart of London's Whitechapel district. The Lodger's arrival coincides with a series of brutal murders, in which the victims are all female stage performers. None of this fazes Kitty (Merle Oberon), the daughter of a "good family" who insists upon pursuing a singing and dancing career. Scotland Yard inspector John Warwick (George Sanders), in love with Kitty, worries about her safety and works day and night to solve the murders. All the while, Kitty draws inexorably closer to The Lodger, who seems to have some sort of vendetta on his mind?..Some slight anachronisms aside (for example, the villain falls off a bridge that hadn't yet been built at the time of the story), The Lodger is pulse-pounding entertainment, with a disturbingly brilliant performance by the late, great Laird Cregar. ~ Hal Erickson, All Movie Guide

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide