Philip Ober Movies

This racist horror film from director Marshall Neilan was inspired by "Chloe -- Song of the Swamp," a minor hit for Eva Taylor. Silent film star Olive Borden is Chloe, a woman of mixed parentage who lives in the swamps with an elderly black voodoo practitioner named Mandy (Georgette Harvey), who hates whites because her husband was lynched. Romance is present in the form of Jim, who wrestles an alligator to rescue Chloe, and her true love Wade (Reed Howes), who works at the local turpentine factory. All the black characters despise white people, and even Mandy turns against the mulatto girl she raised, trying to cut her heart out in a voodoo ritual. As in many such efforts, "whiteness" wins out in the end. This is a sad spectacle to behold today, but was par for the course in 1934. ~ Robert Firsching, Rovi

In this 1951 comedy Irene Dunne stars as Kay, a Manhattan-based songwriter who marries widowed rodeo cowboy Chris (Fred MacMurray). In the tradition of The Egg and I, Kay suffers a great deal of culture shock when she moves into Chris' western ranch. When she isn't being bedeviled by her new step-children, poor Kay is subjected to bumps and bruises as she tries to become an expert horsewoman. Nothing happens in Never a Dull Moment that isn't thoroughly predictable, though the stars bring a degree of freshness to the proceedings. This film was one of several produced for RKO by Harriet Parsons, daughter of gossip columnist Louella Parsons. ~ Hal Erickson, Rovi

Highly respected defense attorney Dwight Bradley Mason (Walter Pidgeon) is able to clear young Rudi Wallchek (Keefe Brasselle) of a murder rap. When it's all over, however, Rudi lets slip a careless comment which leads Mason to believe that his client was guilty after all. Using the evidence at hand, the attorney retraces his steps, only to discover that one of the town's leading citizens is a criminal mastermind. The solution to this ethical dilemma is straight out of the "postman always rings twice" school of crime fiction. Even after justice has been served, however, Mason's conscience dictates that everyone responsible for all previous legal miscarriages be punished -- including himself! ~ Hal Erickson, Rovi

Washington Story stars Van Johnson as mildly liberal congressman Joseph T. Gresham. For reasons that he can't fathom, Gresham has been targeted for abuse by powerful columnist Gilbert Nunnaly (Philip Ober). Working in cahoots with Nunnaly is journalist Alice Kingsley (Patricia Neal), who pretends to be working on a favorable magazine article about Gresham, but who is actually digging up dirt for Nunnaly's benefit. Ultimately, Alice falls in love with the honest Gresham, standing by him during a moment of profound political crisis. The major selling card of Washington Story was producer Dore Schary's decision to lens the film on location in Washington, offering viewers glimpses of the real-life Congress and Senate in action. Remarkably, the film offers a slightly left-of-center hero at a time when McCarthyism was at its height. ~ Hal Erickson, Rovi

The scene is Schofield Army Barracks in Honolulu, in the languid days before the attack on Pearl Harbor, where James Jones' acclaimed war novel From Here to Eternity brought the aspirations and frustrations of several people sharply into focus. Sergeant Milt Warden (Burt Lancaster) enters into an affair with Karen (Deborah Kerr), the wife of his commanding officer. Private Robert E. Lee "Prew" Prewitt (Montgomery Clift) is a loner who lives by his own code of ethics and communicates better with his bugle than he does with words. Prew's best friend is wisecracking Maggio (Frank Sinatra, in an Oscar-winning performance that revived his flagging career), who has been targeted for persecution by sadistic stockade sergeant Fatso Judson (Ernest Borgnine). Rounding out the principals is Alma Lorene (Donna Reed), a "hostess" at the euphemistically named whorehouse The New Congress Club. All these melodramatic joys and sufferings are swept away by the Japanese attack on the morning of December 7. No words could do justice to the film's most famous scene: the nocturnal romantic rendezvous on the beach, with Burt Lancaster's and Deborah Kerr's bodies intertwining as the waves crash over them. If you're able to take your eyes off the principals for a moment or two, keep an eye out for George Reeves; his supporting role was shaved down when, during previews, audiences yelled "There's Superman!" and began to laugh. From Here to Eternity won eight Academy Awards, including Best Picture, Best Director, Best Adapted Screenplay, and supporting awards to Sinatra and Reed. ~ Hal Erickson, Rovi

Because of its misleadingly sensual title and the participation of screenwriter/director F. Hugh Herbert (author of the once-notorious "The Moon is Blue"), Girls of Pleasure Island was ballyhooed in 1953 as the ultimate in sex and sin. In truth, the film is an innocent, inconsequential WW II comedy, designed to showcase Paramount's crop of "new faces." Leo Genn plays Roger Halyard, a stiff-upper-lip British gentleman who lives on a South Pacific Island with his three nubile, naïve daughters, Violet (Joan Elan), Hester (Audrey Dalton) and Gloria (Dorothy Bromiley). Hoping to shelter the girls from the lascivious advances of the opposite sex, Halyard is thwarted when 1500 Marines arrive to transform the island into an aircraft landing base. Despite the best efforts of Halyard, his housekeeper Thelma (Elsa Lanchester),and marine colonel Reade (Phil Ober), romance blossoms between the three girls and a trio of handsome leathernecks (one of whom is a young Gene Barry). Top billing in Girls of Pleasure of Island is bestowed upon Don Taylor as Lieutenant Gilmartin, whose warm relationship with Hester Halyard (Dalton) carries most of the plotline. ~ Hal Erickson, Rovi

Shirley Booth followed up her Oscar-winning performance in Come Back Little Sheba with the high-gloss soap opera About Mrs. Leslie. Based on a novel by Vina Delmar, the film casts Booth as a philosophical boarding house keeper who recalls her life and loves in a long, long flashback. Born on the wrong side of the tracks, Vivien (Booth) escapes her surroundings by becoming a cabaret singer. She meets and falls in love with handsome, secretive George Leslie (Robert Ryan), then becomes his mistress, assuming his last name in the interests of propriety. Upon Leslie's death, Vivien discovers that her lover was actually a fabulously wealthy industrialist. Her experiences are placed in context with the present-day travails of her boarders, notably young sweethearts Nadine (Marjie Millar) and Ian (Alex Nicol). ~ Hal Erickson, Rovi

Ricky (Desi Arnaz) plunges into a deep depression when he learns that MGM plans to shelve his upcoming debut film, "Don Juan." Hoping to save Ricky's movie career, Lucy (Lucille Ball), Fred (William Frawley), and Ethel (Vivian Vance) concoct all manner of wacky schemes. When these fail, Lucy hires a actor to pose as a big-time movie producer who will make Ricky a fabulous film offer in the presence of MGM's CEO, Dore Schary. Unfortunately, the actor she hires happens to be Dore Schary himself! (Ironically, the real Dore Schary was to have appeared in this episode, but at the last moment developed a case of stage fright; he was replaced by Philip Ober, who at that time was the husband of I Love Lucy co-star Vivian Vance.) ~ Rovi

Filmed on location, Escapade in Japan stars child actors Jon Provost and Roger Nakagawa. Separated from their parents, Tony (Provost) and Hiko (Nakagawa) wander through such sites as a Shinto temple, the teeming streets of Kyoto and a geisha house. Believing that they've somehow broken the law, the boys do their best to elude the authorities, who of course only want to reunite the kids with their families. Teresa Wright and Cameron Mitchell co-star as Provost's parents, Kuniko Miyake and Susumu Fujita play Nakagawa's mom and dad, and a young Clint Eastwood shows up as a Marine named "Dumbo." Produced by rapidly fading RKO Radio Pictures, Escapade in Japan was distributed by Universal-International. ~ Hal Erickson, Rovi

After a string of such serious projects as The Shrike and I Accuse, director-star Jose Ferrer lightens up a bit with the frothy comedy The High Cost of Loving. Ferrer plays purchasing executive Jim Fry, who has doubts about his financial future when his company is taken over by a conglomerate. Adding to the dilemma is the fact that Fry's wife Virginia (Gena Rowlands, in her film debut) is expecting her first child. Surrounded by ulcerated status-seekers and "grey flannel suits", Jim and Virginia wonder if they've lost the fundamental values that attracted them to one another in the first place. The film's satirical barbs seem a bit muted today, but that's the price one pays when putting together a "topical" comedy. ~ Hal Erickson, Rovi

There's no shortage of suspects when vitriolic society columnist Mary K. Davis (Marian Seldes) is murdered. Even so, the police charge the dead woman's nurse Leona Walsh (Josephine Hutchinson) with the crime...mainly because Leona has given a full confession to DA Hamilton Burger (William Talman). Inasmuch as Leona's lawyer is Perry Mason (Raymond Burr), she is of course not guilty, but Perry has a tough time proving it--and to make matters worse, Burger intends to discredit Mason in court by calling his secretary Della Street (Barbara Hale) to the stand to testify that her boss has tampered with the evidence! This episode is based on a 1957 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, Rovi

Good actors help raise the level of this downbeat drama of drugs and survival by Philip Leacock. The story is set in Chicago's notorious South side and is based on Willard Motley's novel of a mother struggling to raise her son "right" in spite of the odds against her. Nellie (Shelley Winters) herself is battling her dependency on drugs, battling poverty after her husband was executed for crimes he committed, and also fighting to keep her son Nick (James Darren) from following in his father's footsteps. Nick also wants to rise above his environment but even with the help of some friends, the boy and his mother are up against very tough odds. ~ Eleanor Mannikka, Rovi