Philip Ober Movies

The 1938 Marx Brothers comedy Room Service was the obvious inspiration for "Monkees Manhattan Style" (aka "Monkees in Manhattan"). Arriving in New York to star in a rock musical, the Monkees discover that the show is being cancelled because the backer has bailed out. The boys spend the rest of the episode trying to escape the wrath of irate hotel manager Weatherwax (Philip Ober while simultaneously attempting to raise money for the musical's producer ($Dick Anders). The superb supporting cast includes Doodles Weaver as a butler, "lovable lush" Foster Brooks as a conventioneer, Olan Soule as a waiter, and Susan Howard and Geoffrey Deuel as a honeymooning couple. Songs: "Look Out (Here Comes Tomorrow)", "The Girl I Knew Somewhere", and "Words". At the end of the episode, the Monkees appear out of character for an interview with director Bob Rafaelson -- a tantalizing preview for the series' first-season closer, "The Monkees on Tour." Written by Gerald Gardner and Dee Caruso, "Monkees Manhattan Style" first aired on April 10, 1967. ~ Hal Erickson, All Movie Guide

In the first episode of a two-part story, Rob (Dick Van Dyke) makes quite an impression with his heartfelt speech at a community meeting. In fact, he was so impressive that the Citizen's Committee for Better Government wants Rob to run for city councilman. At first, Rob is thrilled and flattered -- but then he gets an up-close and personal look at contemporary politicking, courtesy of an overly aggressive campaign manager. ~ Hal Erickson, All Movie Guide

The first season of I Dream of Jeannie kicks off with the now-famous episode (originally filmed in black and white) wherein the space capsule carrying astronaut Tony Nelson (Larry Hagman) crash-lands on a deserted island. As Tony surveys the surrounding area, he stumbles upon an ancient-looking bottle--out of which pops a gorgeous, harem-clad genie (Barbara Eden), who has been trapped inside the bottle for 2000 years (or 2500 years, who's counting). Gratefully, the beautiful "Jeannie" conjures up a navy helicopter to rescue Tony and deliver him back to his base in Cocoa Beach, Florida. Tony of course is certain that the entire incident was the result of his imagination--until he finds out that Jeannie has loyally followed him to his home, hoping to remain there permanently! ~ Hal Erickson, All Movie Guide

A typical "wrinkle in time" drama from the pen of Richard Matheson, this episode opens as young heiress Anne Henderson (Diana Hyland), taking a horseback ride near her family estate, is suddenly pursued by a witch-like rider dressed in black. This terrifying experience has no effect on Anne's determination to defy her parents' wishes and elope with irresponsible David Mitchell (Robert Hogan). As it turns out, Anne would have been wise to regard the mysterious horsewoman as a portent of disaster. This extremely intense Twilight Zone episode was originally broadcast on February 21, 1964. ~ Hal Erickson, All Movie Guide

In this goofy comedy, an architect discovers that a recently purchased antique bottle is the home of a jovial but vexing genie who is more than willing to destroy anyone who would oppose or annoy his new master. This creates problems for the architect as he is more interested in impressing his in-laws-to-be than having his wishes granted. ~ Sandra Brennan, All Movie Guide

A decidedly pre-All in the Family Carroll O'Connor stars as freight line owner Tom Slayden. Using underhanded and monopolistic tactics, Slayden has managed to crown himself the unofficial boss of Virginia City. The Cartwrights become mixed up with the ruthlessly ambitious Slayden when one of his henchmen shoots Joe Cartwright in the back for "trespassing." Also in the cast are Judee Morton as Karen Slayden, Denver Pyle as the Sheriff, Phil Ober as Oliver, Chris Alcaide as Gus, William Tannen as Duran, and Roy Engel as the Doctor. Co-scripted by actor (and occasional Bonanza supporting player) Leo Gordon, with Paul Leslie Piel, "The Boss" originally aired on May 19, 1963. ~ Hal Erickson, All Movie Guide

Out of favor with his client, the Holdwell Safe Corporation, ad executive Harrison Fell (Robert Webber) desperately concocts a spectacular publicity stunt to prove the efficiency of the new 801 Burglar-Proof Safe. To this end, he hires retired safecracker Sammy Morrissey (Paul Hartman) to attempt to rob the safe, offering the man a prize of 50,000 dollars. But Sammy balks at the prospect, arguing that he is now in another line of work...and despite his criminal past, no one can accuse Sammy of telling a lie, as proven by the ironic outcome of the episode. ~ Hal Erickson, All Movie Guide

Perry (Raymond Burr) is summoned to Manzan Valley to settle a bitter land dispute. His client is Judy Bryant (Sarah Marshall), who claims the the boundary on her property was illegally changed when the river was rerouted. Judy's key witness is her no-good stepfather Amos (Robert Lowery), who agrees to testify on her behalf--but only if she ponies up $10,000. Soon afterward, Amos is blown to bits by a homemade bomb, and Judy finds herself facing a murder charge. ~ Hal Erickson, All Movie Guide

Gina Lollobrigida plays a Lady of the Evening who is wooed by wealthy young Anthony Franciosa. She leaves him in the dark concerning her checkered past. Alas, Franciosa's father Ernest Borgnine knows everything about Lollobrigida, and breaks the bad news to his son. Aghast at first, Franciosa is willing to forgive Lollobrigida. But since the Production Code was still tenuously in effect, Lollobrigida can't possibly enjoy a happy ending, so she obligingly kills herself. Based on a novel by Tom T. Chamales, Go Naked in the World was written and directed by Ranald MacDougall, and did you know that MacDougall was the husband of Nanette Fabray? ~ Hal Erickson, All Movie Guide

Elmer Gantry (Burt Lancaster), a drunken, dishonest street preacher allegedly patterned on Billy Sunday, wrangles a job with the travelling tent ministry conducted by Sister Sharon Falconer (Jean Simmons). Thanks to Gantry's enthusiastic hellfire-and-brimstone sermons, Sister Sharon's operation rises to fame and fortune, enough so that Sharon realizes her dream of building her own enormous tabernacle. These ambitions are put in jeopardy when a prostitute (Oscar-winning Shirley Jones), a former minister's daughter who'd been deflowered by Gantry years earlier, lures Gantry into a compromising situation and has photographs taken. It took several years for any Hollywood studio to take a chance with Sinclair Lewis' novel, and when it finally did arrive on the screen, producer/director Richard Brooks was compelled to downplay some of the more "sacrilegious" passages in the original. Also appearing in Elmer Gantry are Arthur Kennedy as an H.L. Mencken-style atheistic journalist, and Edward Andrews as George Babbitt, a character borrowed from another Sinclair Lewis novel. ~ Hal Erickson, All Movie Guide

Unlike the typical Bob Hope and Lucille Ball vehicles, The Facts of Life is essentially a domestic drama with comic undertones. Hope is married to Ruth Hussey, while Ball is the wife of Don DeFore. All four are old friends, who for many years have taken each other for granted. A series of unforeseen circumstances requires Hope and Ball to spend a great deal of time together without their spouses, and as a result they fall in love. Though the affair is never consummated, Hope and Ball are prepared to run off together, but in the end they decide that adultery at their age just isn't worth the trouble. Long unavailable for viewing due to legal tangles, The Facts of Life has gained legendary status as one of the few Bob Hope films of the 1960s to concentrate on character development rather than silly one-liners. Recent viewings have revealed that, though a far more mature work than one might expect from Hope or Ball, Facts of Life still relies to a great extent on the sort of TV sitcom material that the fans of the two stars had come to expect by 1960. Still, the film was considered offbeat enough to warrant an Oscar nomination for best screenplay (by longtime Hope associates Norman Panama and Melvin Frank). ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide