Warren Oates Movies

The 1955 film version of John Steinbeck's East of Eden will always be popular because of the presence in the cast of James Dean. Even so, the film covered only a small portion of the original novel. For those Steinbeck completists who prefer a more thorough treatment, we submit for your approval the TV miniseries adaptation of East of Eden, which first aired February 8, 9 and 11, 1981. This eight-hour dramatization begins in the years following the Civil War. Braggadocio union officer Cyrus Trask (Warren Oates) is the father of gentle, loyal Adam (Timothy Bottoms) and hellraiser Charles (Bruce Boxleitner). Enter the bewitching, mean-spirited Cathy Ames (Jane Seymour), who leads both brothers on and causes an irreparable rift between them. Eventually, Adam marries Cathy, taking her and their twin sons to a 900-acre farm in California's Salinas Valley. Cathy rebels against this cloistered existence and runs off to work in a house of ill repute. In Part Three, we finally meet the "James Dean" character: Cal Trask (played by Timothy Bottoms' brother Sam), who can never hope to come up to the standards of his "good" twin brother Aron (Hart Bochner) in the eyes of his father. Cal's "bad" reputation obscures his good intentions, but by film's end he is compelled to reveal to brother Aron that their mother had not died as father Adam has claimed, but in fact has become a hard-bitten bordello "madam". Adapted for television by Richard Shapiro, East of Eden was part of ABC's informal "Novels for Television" series. ~ Hal Erickson, All Movie Guide

Middle-aged Colleen Dewhurst shocks her family-and herself-when she announces she is pregnant. Partly out of concern for her health, and partly out of selfishness, the family argues over whether or not she should go to term. Husband Pat Hingle is indecisive until he witness the baby's development via ultrasound. The film's final scenes are an amalgam of truly touching moments and bedslat comedy. Timothy Hutton makes one of his first major appearances as Dewhurst and Hingle's teenaged son. First telecast October 22, 1979, And Baby Makes Six was intended as the pilot for a weekly series; as it turned out, it yielded only a feature-length sequel, Baby Comes Home (1980) ~ Hal Erickson, All Movie Guide

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, All Movie Guide

The 1978 series pilot True Grit is based on the 1969 John Wayne film of the same name. Warren Oates brings his own characteristic touches to the old Wayne role of Rooster Cogburn, the "one-eyed fat man" (now a one-eyed thin man with a beard) who agrees to help headstrong orphaned teenage girl Mattie Ross (Lisa Pelikan). Mattie wants to get to her relatives in California, but she and Cogburn get off to a bad start when Rooster loses their train fare in a poker game. He tries to recoup their loss by mining for gold in Wyoming, then by riding shotgun on the gold shipments. Had the pilot sold, it would have detailed the further adventures of Cogburn and Mattie (as indicated by the original network title, True Grit: A Further Adventure). ~ Hal Erickson, All Movie Guide

Director Roger Donaldson's directorial debut was also a breakthrough film for New Zealand filmmakers, being the first film from New Zealand to open in the United States. Sam Neill stars as a man named Smith who lives in a near future of economic collapse in New Zealand. Smith is a husband who discovers that his wife has been having an affair. Unable to deal with it, he decides to move out and live by himself. But the precarious political chaos in New Zealand has created a right wing backlash, with repressive government forces murdering opponents to the government's policies. Smith finds himself joining a group of freedom fighters that sets out to preserve democracy. Opposing Smith and the freedom fighters are the government thugs and an apolitical soldier of fortune named Willoughby (Warren Oates). ~ Paul Brenner, All Movie Guide

Though set in Key West, Florida, a goodly portion of 92 in the Shade was filmed in England. Peter Fonda plays Tom Skelton, a bum who gets a job as a fishing guide in his old home town. Nobody wants to have anything to do with Skelton, least of all rival guides Nichol Dance and Carter (Warren Oates and Harry Dean Stanton). Faced with financial disaster and widespread hostility, he turns to his wealthy grandfather Goldsboro (Burgess Meredith) for help. Taking time off from his lovemaking sessions with sexy secretary Bella (Sylvia Miles), his grandfather pumps some money into Tom's operation, and our hero makes his peace with Carter. A climactic fight with Nichol puts an end to that problem, while Tom's romantic relationship with Miranda (Margot Kidder) helps him sort out his priorities. Director/writer Thomas McGuane adapted the script from his own novel. ~ Hal Erickson, All Movie Guide

A famous gunfight is chronicled in this lively western. ~ Sandra Brennan, All Movie Guide

In this war drama, things are looking quite hopeless for a besieged regiment under enemy attack. It is their commanders knowledge of history that ultimately saves them. ~ Sandra Brennan, All Movie Guide

Lee Van Cleef plays a fiercely independent river ferryman in the Old West. Bandit Warren Oates, fresh from decimating a local town, rides up with his gang and demands that Van Cleef transport the crooks and their booty across the river. He refuses, and is taken prisoner. Biding his time, Van Cleef is able to turn the tables on the vicious gang. Heavily influenced by the ultraviolent "spaghetti western" school, Barquero attempts to add a contemporary note to the proceedings by having Warren Oates take an hallucinatory "trip" after smoking an unidentified weed. ~ Hal Erickson, All Movie Guide

One of the better Disney features of the late 1960s, Smith relies not upon humanized Volkswagens or singing bears but on the considerable talents of its cast. Glenn Ford stars as Smith, a tenacious modern-day rancher who comes to the aid of a fugitive Native American boy (Frank Ramirez). When a sadistic sheriff (Keenan Wynn), anxious to railroad the boy into jail on a trumped-up murder charge, begins stomping upon the basic civil rights of everyone within his reach, Smith vows to see that justice is done. Acting as the boy's defense counsel, Smith profoundly moves the jury with an impassioned speech about the wrongs done the American Indian in the name of "The Law." As good as Glenn Ford is (and this is one of his finest and subtlest performances), Smith is stolen by its hand-picked supporting cast, including Warren Oates as an Indian turncoat and Jay "Tonto" Silverheels in a minor role. Many of the bit parts are expertly filled by members of the Indian Actors Workshop of Hollywood. ~ Hal Erickson, All Movie Guide

Dan Blocker made his first non-Bonanza appearance in nine years in the 1968 TV movie Something for a Lonely Man. Blocker plays a blacksmith, John Killibrew, who leads several Easterners to a boomtown in the High Sierras -- only to discover that the town is slated for extinction because the railroad has decided to bypass the community. Now the laughing stock of his comrades, Killibrew determines to save the town by turning it into an industrial center. To do this, he "borrows" a derailed steam engine from the railroad and drags it into town. When things look the darkest for Killibrew, he takes comfort in the works of Ralph Waldo Emerson -- and the affections of pretty Mary Duren (Susan Clark). Widely regarded in 1968 as one of the best TV movies to date, Something for a Lonely Man retains its low-key appeal a quarter of a century later. ~ Hal Erickson, All Movie Guide

The winner of the 1967 Oscar for Best Picture (as well as four other Oscars), In the Heat of the Night is set in a small Mississippi town where an unusual murder has been committed. Rod Steiger plays sheriff Bill Gillespie, a good lawman despite his racial prejudices. When Virgil Tibbs (Sidney Poitier), a well-dressed northern African-American, comes to town, Gillespie instinctively puts him under arrest as a murder suspect. Tibbs reveals himself to be a Philadelphia police detective; after he and Gillespie come to a grudging understanding of one another, Tibbs offers to help in Gillespie's investigation. As the case progresses, both Gillespie and Tibbs betray a tendency to jump to culture-dictated conclusions. Still, the case is solved thanks to the informal teamwork of the two law officers. Based on the novel by John Ball, In the Heat of the Night inspired two sequels, both starring Poiter as Virgil Tibbs. In 1987, a TV series version of In the Heat of the Night appeared, with Carroll O'Connor as Gillespie and Howard Rollins as Tibbs. ~ Hal Erickson, All Movie Guide