Paul Benedict Movies

The American beauty-contest ritual is skewered by screenwriter Jerry Belson and director Michael Ritchie in Smile. The film takes place during an annual pageant in Santa Rosa, CA. The event is supervised by local mover and shaker Brenda DiCarlo (Barbara Feldon), to whom the contest is the most important thing on earth. Nothing -- not even the violent backlash of her neglected husband, Andy (Nicholas Pryor) -- is allowed to interfere with her pet project. Choreographer Tommy French (Michael Kidd), outwardly nasty and cynical, takes money out of his own pocket to insure the safety of the contestants as they parade down a rickety stage runway; chief judge "Big Bob" Freelander (Bruce Dern) discovers that his son is a budding voyeur, information which leads to a silly "politically correct" consequence; and the various contestants scheme to upstage one another through a variety of means (one girl puts Vaseline on her teeth to assure a gleaming smile). Among the contestants are such stars-to-be as Colleen Camp, Denise Nickerson, Annette O'Toole, and Melanie Griffith. Though not a hit itself, Smile has developed a fervent cult following, which led to a Broadway musical version of the property in 1986, with songs by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

The second Norman Lear-produced TV series to be spun off from All in the Family (Maude was the first), The Jeffersons grew out of a character who appeared on the very first episode of Family -- college student Lionel Jefferson (originally played by Mike Evans), the young African-American friend of Mike Stivic, son-in-law of super-bigot Archie Bunker. To Archie's horror, Lionel's entire family moved across the street from the Bunker home in the spring of 1971, and over the next few weeks, viewers were introduced to Lionel's mother Louise Jefferson (Isabel Sanford), who became the best friend and closest confidante of Archie's wife Edith. Later on, two more Jeffersons made their first appearances: Henry Jefferson (Mel Stewart), Lionel's uncle, who was in many ways as racially prejudiced as Archie Bunker; and, finally, Lionel's father and Louise's husband George Jefferson (Sherman Hemsley), bombastic owner of a string of dry-cleaning establishments. Ultimately Henry Jefferson was written out of All in the Family, whereupon George "inherited" most of Henry's anti-white attitudes.
In the middle of All in the Family's fifth season, the Jeffersons had accumulated enough wealth to move out of Archie Bunker's blue-collar Queens neighborhood and into a "dee-luxe" high-rise apartment on New York's fashionable East Side. This was the status quo when The Jeffersons debuted Saturday, January 18, 1975, as a mid-season replacement for the failed CBS sitcom Paul Sand in Friends and Lovers (ironically, All in the Family had also premiered as a mid-season replacement). In short order, viewers were introduced to the Jefferson's new neighbors: book editor Tom Willis (Franklin Cover), his wife Helen (Roxie Roker), their daughter Jenny (Berlinda Tolbert), and eccentric Englishman Harry Bentley (Paul Benedict), a translator at the UN. The fact that the Willises were an interracial couple (he was white, she was black) served as grist for the mill of George Jefferson's bigotry and wisecracking humor; meanwhile, Lionel fell in love with the Willises' daughter Jenny, much to the dismay of George but to the delight of everyone else. Other recurring characters included George Jefferson's diminutive but overbearing mother (Zara Cully), who made no secret of her disdain for Louise; Ralph Hart (Ned Wertimer), the doorman of the Jeffersons' luxury apartment building, whose hand was ever outstretched for the tip that George habitually denied him; and Florence Johnston (Marla Gibbs), the Jeffersons' sassy maid, who seldom worked any harder than she had to and whose never-ending battle of wits with the irascible George was one of the series' highlights. (Florence was not a "regular" during season one, and in fact would not graduate to that status for several seasons to come.) Despite its late start, The Jeffersons closed out its first season as the fourth highest-rated program on network television, posting a whopping 27.6 audience share (even higher than that enjoyed by M*A*S*H). ~ Hal Erickson, All Movie Guide

Hustling is a made-for-television film about a New York reporter (Lee Remick) who investigates the dangerous world of prostitution and becomes friends with a tough, abused hooker (Jill Clayburgh). ~ Stephen Thomas Erlewine, All Movie Guide

Lt. Kojak (Telly Savalas) investigates when two out-of-town conventioneers fall to their deaths from separate hotel windows. It's clearly more than a coincidence--and despite what some authorities believe, the two victims did not commit suicide. Kojak determines that a mad killer is on the loose...and there's every possibility that the perpetrator is a woman. Watch for brief appearances by future sitcom regulars Paul Benedict (The Jeffersons) and Gordon Jump (WKRP in Cincinnati). ~ Hal Erickson, All Movie Guide

One of Terrence Malick's early screenwriting efforts, this loosely-structured road movie finds a questionably sane long-distance trucker named Cooper (Alan Arkin) winding his way through the heart of America. An employee of a questionable hauling outfit who has been assigned to drive a newly hijacked rig to an as-of-yet undisclosed-location, Cooper quickly ditches his partner and points his eighteen-wheeler westward. Picking-up a hitchhiker (Paul Benedict) for some company in the cab, the unstable trucker's journey westward grows increasingly surreal as he runs into numerous eccentric characters, portrayed in cameo roles by such noted names as Ida Lupino, George Raft, Charles Durning, Loretta Swit, Richard Kiel and future director John Milius. ~ Jason Buchanan, All Movie Guide

Up The Sandbox is a complex and difficult film, and it is ambiguous on many points, particularly on whether the protagonist Margaret Reynolds (Barbara Streisand) is a women's liberationist, a closet lesbian, or a masochist. Based on the novel by Anne Richardson Rolphe, it follows Margaret's attempts to tell her husband that she is pregnant with yet another child. The everyday events of her life are punctuated by numerous and complex fantasy sequences which reveal her fears and her desires. It is clear that she is afraid that she and her husband Paul (David Selby) are growing apart -- and that he may be having an affair. Despite the increasingly elaborate and frantic nature of her fantasies, her disclosure, when she finally makes it, has happy results. ~ Clarke Fountain, All Movie Guide

George C. Scott stars as Justin Playfair, a retired, widowed judge who labors under the delusion that he's Sherlock Holmes. Feigning concern, Playfair's greedy brother Blevins (Lester Rawlins) hires psychologist Dr. Mildred Watson (Joanne Woodward) to certify that Justin is insane--and in so doing gain control of the judge's millions. Instead, Dr. Watson is drawn into Playfair's dream world, accompanying the judge on his quest to find the elusive (and imaginary) Professor Moriarty. Reality rears its head when a group of vicious blackmailers, to whom Blevins is deeply in debt, attempt to assassinate brother Justin. In a sequence originally cut from the release version but restored for television, Playfair and Watson are rescued by a group of middle-aged eccentrics, who like the judge would give anything to live the lives of their literary favorites (the most poignant of these is librarian Jack Gilford, who "wishes to God" that he were the Scarlet Pimpernel). ~ Hal Erickson, All Movie Guide

Czech filmmaker Milos Forman's first American production stars Linnea Heacock as Jeannie Tyne, a runaway teenager. While she wanders aimlessly around New York, her suburban parents, Lynn (Lynn Carlin) and Larry (Buck Henry), desperately search for their "missing" daughter. Larry and his best friend, Tony (Tony Harvey), inaugurate a search, but their expedition is sidetracked by a drinking binge at a local bar. Meanwhile, Lynn and Tony's wife, Margot (Georgia Engel), begin discussing their sex lives. Jeannie does finally return home, to constant questioning by her parents about which drugs she has taken; later, after Lynn and Larry join a support group for the parents of runaway children, they turn around and get stoned on marijuana themselves during one of the group meetings, then lapse into a randy game of strip poker -- little realizing that their daughter is close at hand and within earshot. As a critically revered lampoon of late-'60s sensibilities, Taking Off is full of "unknown" Manhattan-based performers who became famous during the '70s and '80s, including Paul Benedict, Vincent Schiavelli, Allen Garfield, Audra Lindley, and, in fleeting roles as auditioning singers, Carly Simon, who performs "Long Time Physical Effects," and Kathy Bates (billed as Bobo Bates), who performs "Even the Horses Had Wings." ~ Hal Erickson, All Movie Guide

This comedy is adapted from a short story by Mark Twain. An abusive carpetbagger marries a plantation owner's daughter to humiliate him. He is cruel to his wife, but she will not complain to her father. The beastly carpetbagger ties the stoic woman to a tree and sets the bloodhounds upon her. They tear off her clothes. This causes the girl's father to die of embarrassment. Meanwhile the girl bears a son. The son grows up and goes West in search of his wretched father. He desires to avenge his mother's honor. Someone else kills his father first. ~ Sandra Brennan, All Movie Guide