Richard O'Sullivan Movies

In this romantic comedy a young women will only marry her boyfriend is he can hold a job for seven days. ~ Sandra Brennan, Rovi

The British TV sitcom Father Dear Father originally ran from 1968 through 1973. Veteran farceur Patrick Cargill starred as a divorced father with two nubile daughters. Complications ensued when the girls moved into the flat just below Cargill's. You may recognize this property as the basis for the 1980s Ted Knight series Too Close For Comfort. This feature-film version of Father Dear Father merely rehashes plot devices from the series; neither of the property's original writers, Brian Cooke and John Mortimer (of Rumpole of the Bailey fame) seem to have been involved in the movie adaptation. ~ Hal Erickson, Rovi

The most horrifying part of this British spooker is seeing former clean-cut teen idol Frankie Avalon cast as Chris, a London hooligan who with his druggie friends decides to spend the night in a supposedly haunted house and hold a seance. The seance is a bust, so the buddies decide to do a little exploration and split up. Unfortunately, one of them gets brutally killed, leaving Chris and his surviving pals to wonder who did the deed. Was it one of them, or was it a monstrous demon? Not wanting to attract undue attention, the punks decide to hide the body, zip their lips, and split from the house. Unfortunately, the cops find out and begin questioning everyone, causing Chris and his friend to return to the house and look for clues. For poor Chris, it is a fatal mistake. Just for the record, though he plays a teen, Avalon was 30 years old when this film was made. In Britain the film was released as The Haunted House of Horror. ~ Sandra Brennan, Rovi

A group of high-spirited youngsters finds friendship, love, and music together while working summer jobs at a holiday camp in this Merseybeat musical. Gerry (John Leyton) is a bartender who fantasizes about being a famous pop star. Christina (Grazina Frame) is an upper-class bird who sneaks off to be a waitress against the wishes of her Aunt Winifred (Hazel Hughes), who would rather she keep up her operatic voice lessons with the great Italian maestro Professor Bastinado (Ron Moody). Susan and Jennifer (Susan and Jennifer Baker) are boy-crazy twins who work in the nursery, and Timothy Gilben (Mike Sarne) is the arrogant nightclub singer who signs on as the camp's entertainer before realizing his audience will be a gaggle of preschoolers. The camp's annual talent show is to be televised live this season, so the gang sets aside their jockeying for each other's affections long enough to form a musical group. They need to practice in secret to keep Christina away from her meddling Aunt Winifred, but Gerry's father (Michael Ripper) recognizes the Professor as a Cockney comic from the old music hall days, and the outed Bastinado is forced to help the kids if he wants to keep his secret. British Invasion pop stars Freddie and the Dreamers appear as five musical, madcap chefs and sing two numbers, while Liverpool beat group the Mojos supply some hard teenage blues during a swinging dance club scene. ~ Fred Beldin, Rovi

In 1963, this colossal and opulent $60 million spectacular was epic in every sense of the word -- an epic investment, an epic in the annals of Hollywood gossip, and, ultimately, an epic flop that nearly dragged 20th Century Fox down the Nile along with Cleopatra's barge. Handsomely mounted by Joseph L. Mankiewicz, who replaced Rouben Mamoulian as director after six days of shooting), the drama follows the eighteen tumultuous years that led to the founding of the Roman Empire. Cleopatra (Elizabeth Taylor) meets up with Julius Caesar (Rex Harrison) and plans to lure Caesar to her boudoir in order to forge an alliance with Rome so that she may hold on to her Egyptian empire. When Caesar is stabbed to death in the Roman Senate, Cleopatra is left without an ally, and Egypt is up for grabs. When Roman general Mark Antony (Richard Burton) comes along, she seduces him in order to make him over into her new protector. But, under the charms of Cleopatra, Mark Antony is reduced from a an awesome and dominating general to a sniveling, drunken wimp. At the Battle of Actium, Mark Antony is defeated and Cleopatra withdraws her troops, dooming Mark Antony and his army. With Egypt in peril, Antony and Cleopatra, the doomed lovers, meet each other for the last time, as the enemy forces close in. ~ Paul Brenner, Rovi

The Webster Boy is a case of a weak script and strong actors combining for a mediocre tale about a love triangle. John Cassavetes is Vance Miller, an American with a serious gambling addiction who is just through with serving time and ready to finally go back to England. His objective is to find his long-lost love Margaret (Elizabeth Sellars) and try to start life over with her. When he does find Elizabeth, she is happily married to Paul (David Farrar) and is the mother of fourteen-year-old Jimmy (Richard Sullivan). As Vance upsets the apple cart trying to win Elizabeth away, young Jimmy faces taunts at school and a sadistic school master -- and doubts as to who his real father might be. ~ Eleanor Mannikka, Rovi

Wonderful to Be Young! was released in Britain as The Young Ones. Given the later output of director Sidney J. Furie, one might suspect that the original title was meant as irony, but in fact this is an upbeat, life-affirming vehicle for British pop singer Cliff Richard. In this one, Richard, the son of millionaire Robert Morley, wants to buy a piece of property before his father can use it for avaricious purposes. Having no spending money of his own (!), Richard puts on a Big Show with his friends to raise the necessary funds. Morley outwits his son, leading one of the kids to kidnap the old guy out of vengeance. But Richard comes to the rescue with several more swingin' tunes. ~ Hal Erickson, Rovi

Ruth Dunning plays a widow with two sons, one good, one bad. The bad one kills a pawnbroker, then begs Dunning to cover for him. She spends about three reels agonizing over the dilemma before she does the right thing. And Women Shall Weep is officially an Anglo-American co-production, but the "Britishness" of the whole affair dominates. Star Ruth Dunning was better known in Great Britain for her extensive work on television, often in similar tearjerkers. ~ Hal Erickson, Rovi

Audrey Hepburn stars in The Nun's Story as Sister Luke, postulant of a Belgian order of nuns. Though frequently disillusioned in her efforts to spread good will -- at one point she is nearly killed by a mental patient (Colleen Dewhurst) -- Sister Luke perseveres. Sent as a nurse to the Belgian Congo, an assignment she'd been hoping for, Sister Luke is disappointed to learn that she will not be ministering to the natives but to European patients. Through the example of no-nonsense chief surgeon Peter Finch, the nun sheds her idealism and becomes a diligent worker -- so much so that she contracts tuberculosis. Upon the outbreak of World War II, Sister Luke tries to honor the edicts of her order and not take sides, but this becomes impossible when her father (Dean Jagger) is killed by the Nazis. Realizing that she cannot remain true to her vows, Sister Luke leaves the order and returns to "civilian" life. The Nun's Story ends with a long, silent sequence in which Sister Luke divests herself of her religious robes, dons street garb, and walks out to an uncertain future. There is no background music: director Fred Zinnemann decided that "triumphant" music would indicate that Sister Luke's decision was the right one, while "tragic" music would suggest that she is doing wrong. Rather than make an editorial comment, the director decided against music, allowing the audience members to fill in the blanks themselves. The Nun's Story is based on the book by Kathryn Hulme, whose depiction of convent life was a lot harsher and more judgmental than anything seen in the film. ~ Hal Erickson, All Movie Guide

This third entry in the "Carry On" sweepstakes concerns William Wakefield (Ted Ray), the much-loved headmaster at a British school, who applies for a new job at a recently built country school. When Felicity Wheeler (Rosalind Knight) and Alistair Grigg (Leslie Phillips) from the Ministry of Education come to the school to check out Wakefield's qualifications, the students, not wanting their headmaster to leave, disrupt the school procedures to sabotage Wakefield's job application. Their subversive behavior comes to a head during a school production of Romeo and Juliet which degenerates into a free-for-all where it becomes every educator and student for him or her self. ~ Paul Brenner, Rovi

Anna Neagle steps down from her expensive musical extravaganzas to play a recognizable human being in No Time for Tears. She plays the dedicated director of a busy children's hospital, battling red tape, family hassles and public indifference. A large and stellar cast appears in this episodic tale, dramatizing the triumphs and tragedies of pediatrics. An unfortunately predictable happy ending sends the filmgoers home without trauma. No Time for Tears came close to the end of Anna Neagle's starring career; she would appear in two more films, and produce two additional features, before returning to the stage. ~ Hal Erickson, Rovi

Jacqueline, played by Jacqueline Ryan, is the daughter of a Belfast shipyard worker Mike McNeil, played by John Gregson. The worker's worth is compromised by his crippling fear of heights. Dismissed from his job, he finds solace in the bottle. All seems hopeless until Jacqueline breaks through Gregson's self-imposed gloom and helps him to regenerate. Jacqueline wouldn't be as effective as it is were it not for the lead actress's blessed avoidance of cloying cuteness. ~ Hal Erickson, Rovi