Maureen O'Sullivan Movies

In this comedy, a plumbing magnate's son, who has started on the bottom rung of his father's business, is hired to fix the pipes in an old European castle. The castle is being let by a destitute prince and his daughter. In order to restore his fortune and prestige, the prince wants her daughter to marry a man of his choosing, but unfortunately, the princess has fallen head-over-heels for the castle plumber. ~ Sandra Brennan, All Movie Guide

Made in 1930, this well-known sci-fi musical chronicles the adventures of a lightning-struck man who awakens to find himself in futuristic New York City, circa 1980. He finds it a strange new world where fantastically attired people are ascribed numbers rather than names and all marriages must be government-approved. He also finds a bewildering array of technical gizmos and innovations that include babies grown in test tubes, videophones, and automatic doors (could the filmmakers see into the future or are our innovations the result of self-fulfilling prophecy?). The story centers on his attempts to get the government to sanction his marriage to his modern girl love. Before the feds will approve, the fellow must prove his worth. He does so by boarding a Mars-bound rocket. Upon the red planet he discovers that it is populated by replicas of the people living on Earth. The film's songs are dismal, but of course that is part of the campy fun. ~ Sandra Brennan, All Movie Guide

Though he'd intended to retire when talkies came in, silent-screen matinee idol Thomas Meighan kept returning to the screen by popular demand until 1934, two years before his death. In Skyline, Meighan is cast as James McClellan, a builder specializing in Manhattan skyscrapers. Though fiercely independent, McClellan generously takes on talented young architect John Breen (Hardie Albright) as his partner, nurturing his protégé into a successful career of his own. What McClellan knows, but Breen doesn't, is that the younger man is McClellan's illegitimate son. Before McClellan reveals the truth, there is an unpleasant story twist when Breen falls in love Paula Lambert (Myrna Loy), his father's mistress. Part and parcel of the film's happy ending is Breen's romance with ingenue Kathleen Kearney (Maureen O'Sullivan). Skyline is based on East Side, West Side, a novel by Felix Riesenberg. ~ Hal Erickson, All Movie Guide

A remarkably smooth 110-minute adaptation of Eugene O'Neill's marathon eight-hour play, Strange Interlude was advertised as "the picture in which you hear the characters think," a nod to O'Neill's technique of having the characters speak their innermost thoughts out loud between dialogue passages (on-stage, the actors stood stock still while delivering their soliloquies; in the film, their thoughts are heard on the soundtrack). Norma Shearer plays Nina Leeds, who during WWI is talked out of marrying her soldier sweetheart, Gordon Shaw (Robert Young), by her professor father (Henry B. Walthall). When Gordon dies two days before the Armistice, the embittered Nina rebels against her father, escaping his dominance by marrying faithful Sam Evans (Alexander Kirkland). Upon discovering that there is a strain of insanity in the Evans family, Nina, desperate to have children, enters into a romance with Dr. Ned Darrell (Clark Gable). She bears his child, a son named Gordon (Tad Alexander as a child, Robert Young as an adult), assuring Evans that the baby is his. Gordon grows up idolizing Evans and despising Darrell, even though the boy is unaware of the circumstances of his birth or his true parentage. Her love for her son bordering on the obsessive, Nina does everything she can to dominate the boy even into adulthood, trying to scare away her son's fiancée, Madeline (Maureen O'Sullivan), by bringing up the insanity issue. Hoping to make up for past misdeeds, Darrell orders Nina to stop poisoning Madeline's mind against Gordon. By the time Evans suffers a fatal heart attack, Nina and Darrell have lost whatever love they shared between them. Through it all, Charlie Marsden (Ralph Morgan), a family friend who has long harbored an unrequited love for Nina, stands on the sidelines vicariously living his life through Nina and Darrell. Of necessity severely cut due to time and censorial constrictions, Strange Interlude still manages to distill the essence of the O'Neill play in its comparatively brief running time. The film's major flaw can also be found in the original play: though the characters age only 25 years or so in the course of the story, by the film's end they are seen doddering around like nonagenarians. The "speaking one's thoughts" gimmick in Strange Interlude was parodied in such comedy films as Animal Crackers, Me and My Gal, So This Is Africa, and even the Walter Catlett two-reeler Get Along Little Hubby. ~ Hal Erickson, All Movie Guide

Produced by William Randolph Hearst's Cosmopolitan Production for MGM, this well made Grand Hotel clone was based on a 1931 novel by Faith Baldwin. Warren William stars as David Dwight, a building and bank magnate who not only attempts to double-cross his backers but is two-timing both his wife (Hedda Hopper) and devoted secretary/mistress (Verree Teasdale). Threatened with losing his conglomeration in general and the 100 stories Dwight Building in particular to Hamilton (Arnold Lucy), David's cynical manipulations end up backfiring with unforeseen tragedy. ~ Hans J. Wollstein, All Movie Guide

As indicated by its "catchphrase" title, Okay America is one of several early-1930s films based on the exploits of gossip columnist Walter Winchell. The big surprise here is that the Winchell counterpart is played not by W.W. look-alike Lee Tracy, as was usually the case, but by baby-faced Lew Ayres. Caring little how many lives he's destroyed in his pursuit of sensationalism, columnist Larry Wayne (Lew Ayres) is arguably the most-hated man on Broadway -- and in some circles, the most influential. Wayne sticks his nose in everyone's business, including Caponelike gangster Alsotto (Edward Arnold) and the grief-stricken family of a kidnapped girl (Margaret Lindsay). Motivated by his lust for power and publicity, Wayne offers to rescue the kidnap victim, and in so doing absolves himself of his past misdeeds -- but not soon enough to avoid the terrible vengeance of the unforgiving Alssoto, whom he has double-crossed along the way. Its downbeat ending intact, Okay America was effectively remade as Risky Business in 1939. ~ Hal Erickson, All Movie Guide

This socially-conscious drama is set in a slum and centers on the events that lead a parsimonious slum lord to change her ways. It all begins when a little boy stumbles down three flights of rickety stairs. The landlady is later approached by a lawyer who tries to collect damages for the child. She refuses to pay, causing her more compassionate uncle to argue on behalf of the boy. The woman won't listen and ends up stomping out. She is then mugged on the street. Afterwards, the police arrest her because she appears drunk; she is sentenced to 30 days. While in jail she meets a slum resident who is jailed after taking the fall for the injured lad's mother who had been stealing food for her poor boy. The heartless woman is finally touched and sees the error of her ways. After she is released, she marries and begins a kinder, gentler life. ~ Sandra Brennan, All Movie Guide

Edmund Gwenn makes his American film debut in this lighthearted adaptation of Frederick Jackson's stage play The Bishop Misbehaves. The central character is a Bishop (Edmund Gwenn) who harbors a fondness for detective stories. This harmless pastime gets him mixed up in the travails of heroine Hester (Maureen O'Sullivan), who hopes to wreak vengeance against the man who stole her father's invention. The key to the plot solution is a packet of valuable patent papers, for which the Bishop, Hester, and handsome American tourist Donald (Norman Foster) put their lives on the line. Hester and Donald are briefly kidnapped by a team of holdup men, but they escape in time to beard the villain in his den -- with, of course, the considerable aid of the "misbehaving" Bishop. ~ Hal Erickson, All Movie Guide

After the death of her circus-aerialist husband, Kitty Lorraine (Alice Brady) dedicates herself to transforming her daughter Shirley (Maureen O'Sullivan) into a celebrity. Kitty is so determined that Shirley will hit the "big time" that she continues to issue instructions to the girl even while undergoing an emergency appendectomy. Artist Warren Foster (Franchot Tone) upsets Kitty's plans by falling in love with Shirley, so mom plans to throw Foster off the scent by marrying her daughter off to titled nobleman Lord Aylesworth (Phillips Holmes). Finally realizing that she may be loving her girl to death, Kitty reunites Shirley with ever-patient Warren. A blend of themes previously explored by such dramas as Applause and Stella Dallas, Stage Mother was the film that introduced the syrupy ballad Beautiful Girl, later showcased (and gently mocked) in Singin' in the Rain. The film's best scenes are Alice Brady's verbal duels with her brash business partner Ted Healy -- and incidentally, one of Healy's stooges, the inimitable Larry Fine, shows up in a one-line bit. ~ Hal Erickson, All Movie Guide

Filmed on what MGM considered a B-picture budget and schedule (14 days, which at Universal or Columbia would have been considered extravagant), The Thin Man proved to be "sleeper," spawning a popular film, radio, and television series. Contrary to popular belief, the title does not refer to star William Powell, but to Edward Ellis, playing the mean-spirited inventor who sets the plot in motion. The recently divorced Clyde Wynant (Ellis) discovers that his new girlfriend, Julia Wolf (Natalie Moorhead), has stolen 50,000 dollars and is carrying on with other men. Not long afterward, he disappears. Anxious to locate her father, Wynant' daughter, Dorothy (Maureen O'Sullivan), goes to private detective Nick Charles (William Powell) for help. Having just married the lovely and wealthy Nora (Myrna Loy), Nick has no desire to return to sleuthing, but the thrill-seeking Nora eagerly talks him into taking Dorothy's case. Shortly thereafter, Wynant's lady friend is murdered; so far as police detective John Guild (Nat Pendleton) is concerned, the still-missing Wynant is the guilty party. Nick is unsatisfied with this deduction, and with the help of his wire fox terrier, Asta, he manages to uncover several vital clues -- including a decomposed corpse. At a fancy dinner party, between cocktails and the first course, Nick solves the mystery and exposes a hidden murderer. The story itself, lifted almost verbatim by scenarists Albert Hackett and Frances Goodrich from the Dashiell Hammett novel on which The Thin Man is based, hardly matters. The film's strong suit is the witty repartee between Nick and Nora Charles, who manage to behave like saucily illicit lovers throughout the film even though they're married. The chemistry between William Powell and Myrna Loy would be adroitly exploited by MGM in several subsequent films, including five additional Thin Man mysteries produced between 1936 and 1948. ~ Hal Erickson, All Movie Guide

Wounded criminal Lucky Wilson (Robert Montgomery) takes refuge in a small Connecticut farm. He falls in love with Maureen O'Sullivan, who at first is unaware of his criminal record. Lucky is fully prepared to shoot his way out when the cops come calling, but he is softened by O'Sullivan's affections and finally agrees to turn himself in. Screenwriters Frances Goodrich and Albert Hackett leaven several potentially melodramatic sequences with some first-rate comic dialogue; many of the funniest scenes belong to nightclub owners Henry Armetta and Hermann Bing. Hide-Out was remade in 1941 as I'll Wait for You, a title which rather gave away the ending. ~ Hal Erickson, All Movie Guide

MGM's The Flame Within was the second entry in the "psychiatric" film-cycle inaugurated by Paramount's Private Worlds. Ann Harding stars as female psychiatrist Mary White, who likes to think that she is personally above her patients' emotional problems. This proves not to be the case when Mary takes a more than professional interest in the plight of self-destructive alcoholic Jack Kerry (Louis Hayward). Also involved in this situation is Kerry's troubled fiancee Lillian Belton (Maureen O'Sullivan), who has twice attempted suicide out of love for the man. Thus, Mary's dilemma is compounded: she has fallen in love with Kerry herself, and where does that leave poor Lillian? A little shaky in terms of psychology, The Flame Within works best on a purely melodramatic level. ~ Hal Erickson, All Movie Guide