Jack O'Shea Movies

The much-maligned Vera Ralston turns in an acceptable performance as star of Republic's A Perilous Journey. Though seemingly inspired by MGM's Westward the Women, the film was actually based on The Golden Tide, a novel by Vingie Roe. In the year 1850, a group of 49 young women charter a full-rigger to sail for California to offer themselves as wives to the gold prospectors. As indicated by the title, the journey is indeed fraught with peril (not to mention a few geographical inaccuracies). Vera Ralston plays Francie Landreaux, who has undertaken the voyage in search of her no-good gambler husband. Instead, she finds romance in the arms of rough-and-ready Shard Benton (Scott Brady). A Perilous Journey is pepped up by several song numbers, written by Victor Young and Edward Heyman. ~ Hal Erickson, All Movie Guide

A mystery man works behind the scenes in this tuneful Roy Rogers western in which the local theatre owner attempts to ruin the honest businessmen of Deadwood. Even the sheriff, Jordan (Monte Blue), answers to nasty Jake Marvel (Ralf Harolde), whose reign of terror forces the decent people to become outlaws themselves. Enter Bill Brady, aka Brett Starr (Rogers), a sharpshooter with Professor Mortimer "Gabby" Blackstone's (George "Gabby" Hayes) traveling medicine show. Although a fugitive from justice, Bill comes to the aid of the beleaguered citizens, discovering along the way that a trusted friend isn't quite who he claims to be. Roy sings his own and Fred Rose's "Sundown on the Rangeland", Rose and Ray Whitley's "The call of the Dusty Trail" and Jule Styne and Sol Meyer's "Joe O'Grady". ~ Hans J. Wollstein, All Movie Guide

Bowery Buckaroos would have the viewer believe that pint-sized sweetshop proprietor Louie Dumbrowski (Bernard Gorcey), perennial patsy for the Bowery Boys, is actually notorious western desperado Louie the Lout. When sheriff Luke Barlow (Russell Simpson) rides into the Bowery to arrest Louie for murder, the Boys-Slip (Leo Gorcey), Sach (Huntz Hall), Whitey (Billy Benedict), Gabe (Gabriel Dell) and the rest-head to Hangman's Hollow to prove Louie's innocence. They also intend to "prosecute for gold" on behalf of Catherine Briggs (Julie Gibson), the daughter of Louie's murdered partner, using a map painted on Sach's back to guide them to a lost gold mine. While posing as rough, tough westerners, the Boys discover that saloon owner Blackjack (Jack Norman) was responsible for the death of Catherine's dad. Forcing a confession out of Blackjack, the boys save Louie's hide and collect their share of the gold-but their good fortune is, as always, very short-lived. A mild but enjoyable western spoof, Bowery Buckaroos is kept afloat throughout by a breezy sense of the ridiculous: At one point, Indian actor Iron Eyes Cody surveys the situation and mutters "Something not kosher here!" ~ Hal Erickson, All Movie Guide

Code of the Prairie was among the first of cowboy star Sunset Carson's vehicles for Republic Pictures. There is nothing extraordinary about the plot, in which Carson, wrongly accused of a crime, vanquishes the villains with a spectacular (and undoubled) display of fisticuffs. What is unusual is the billing. Comedy relief Smiley Burnette is actually billed above nominal leading man Sunset Carson, proof positive of Burnette's enormous popularity with western fans. Burnette's top-dog status in the Carson series would continue until 1945, when he left Republic to join Charles Starrett at Columbia Pictures. ~ Hal Erickson, All Movie Guide

Bantam-weight western star Don "Red" Barry certainly deserved his designation as "The Cowboy Cagney" in Republic's Desert Bandit. Barry is cast as two-fisted Texas Ranger Bob Crandall, who after being dishonorably discharged heads to the Mexican border to start life anew. He falls in with a gang of gun runners, headed by corrupt lawman Largo (William Haade). It turns out, of course, that Crandall's "disgrace" was merely a ruse to allow him to work undercover in bringing Largo and his minions to justice. More realistic than most Republic B oaters, Desert Bandit is climaxed by a tension-filled shootout between hero and villain. ~ Hal Erickson, All Movie Guide

Kirk Alyn, erstwhile Superman of the serials, plays government man Dave Worth in the Republic serial Federal Agents Vs. Underworld Inc. Worth is put on the trail of a famous archaeologist who has disappeared. He learns that the far-reaching criminal organization Underworld Inc. wants to get its mitts on the Golden Hands of Kurigal, the key to a huge fortune hidden away in an unknown foreign country. The brains of the bad-guy operation is bad-girl Neela (Carol Forman), a master-or mistress-of disguise. Former Miss America Rosemary LaPlanche portrays Dave Worth's ever-imperiled girl Friday. Federal Agents vs. Underworld Inc managed to sustain audience interest for a full 12 chapters. ~ Hal Erickson, All Movie Guide

After a brief mid-1940s burst of originality, Monogram's Johnny Mack Brown western series settled back into the commonplace with such entries as Flashing Guns. In this outing, Brown tries to save his pal Shelby (Raymond Hatton) from being thrown off his ranch by crooked banker Ainsworth (James E. Logan). To do this, our hero must prove that the banker is in cahoots with the local gambling boss (Douglas Evans). This he does, and as a bonus exposes the banker as the secret head of an outlaw gang. Good location photography keeps this rubber-stamp western afloat. ~ Hal Erickson, All Movie Guide

Frontier Pony Express is a fast-paced Roy Rogers program western which could stand up on its own with any big-budgeted "A" picture. Per the title, Rogers plays an express rider, working the California-to-Kansas City route. While the Civil War rages in the East, our hero must contend with Yankee and Rebel forces who've encroached upon his home turf, both trying to win California over to their side. Meanwhile, businessman Lassiter (Edward Keane), ostensibly on the Confederate side, is actually a mercenary who hopes to play one army against the other so that he can move in and take over the territory himself. There's an awful lot of plot in this 58-minute oater, but Roy Rogers still finds time to serenade leading lady Mary Hart. ~ Hal Erickson, All Movie Guide

In his first starring role in several years, Robert Armstrong essays a dual role in Gangs of the Waterfront. Armstrong is seen as ruthless gangster Dutch Malone, who happens to be the exact double of mild-mannered taxidermist Peter Winkly. Hoping to avenge the death of his brother at Dutch's hands, Winkly poses as the gang boss, with the covert assistance of DA Brady (William Forrest). One of the curiouser bits of casting finds Martin Kosleck, usually seen in wartime films as Joseph Goebbels, as an Italian gangsters. Filmgoers with long memories would note that Gangs of the Waterfront bore a resemblance to the 1935 Edward G. Robinson vehicle The Whole Town's Talking. ~ Hal Erickson, All Movie Guide

There's practically no western action in Hands Across the Border, but there's music aplenty. Roy Rogers stars as a wandering cavalier (named "Roy Rogers", naturally), who comes to the aid of entertainer Kim Adams (Ruth Terry). The daughter of a rancher, Kim does her patriotic bit by raising prize horses for the Army. But villainous Brock Danvers (Onslow Stevens) does his best to keep Kim's stock from reaching the Army, and that's when Rogers comes to the rescue. The final two reels of Hands Across the Border is a virtual nonstop parade of musical numbers by the likes of Hoagy Carmichael and Ned Washington, and featuring Rogers, Ruth Terry, Janet Martin and that zany European comedy trio The Wiere Brothers. ~ Hal Erickson, All Movie Guide

With its slight resemblance to Destry Rides Again (1939) -- probably not entirely coincidental -- this rousing Western from Republic Pictures remains a joy throughout. John Wayne plays Tom Craig, a mild-mannered druggist from Boston who opens a shop in wild and woolly Sacramento shortly before the Gold Rush. The town is "owned" by the Dawson brothers, Britt (Albert Dekker) and Joe (Dick Purcell), who poison Craig's tonic when saloon hostess Lacey Miller (Binnie Barnes) takes too much of an interest in the handsome newcomer. Town drunk Whitey (Emmett Lynn) has one drink too many, and all of Sacramento is soon in a lynching mood. The news of "gold in them thar hills" saves the druggist in the nick of time, but his business is destroyed. While everyone is heading for the gold fields, Craig prepares to leave town with snobbish debutante Ellen Sanford (Helen Parrish), whom he intends to marry. News of typhoid fever among the prospectors changes his mind, however, and the man once referred to as "a human hitchin' post instead of a two-legged man," risks his own life to save the suffering populace. The Dawson brothers, meanwhile, plan to hijack the medical supplies and sell them to the highest bidder, but when Britt Dawson learns that Lacey is helping the sick and may be stricken with the disease herself, he has a change of heart and eventually confesses to spiking Craig's medicine. Cast against type for most of the film, John Wayne fails to make his amiable druggist entirely believable but remains simply John Wayne throughout -- which is as it should be. Binnie Barnes is rowdy and fun whether leading a chorus of "California Joe" by Johnny Marvin and Fred Rose, or jealously interrupting a tête-à-tête between Wayne and 19-year-old Helen Parrish. Usually cast as glacial "other women" in Hollywood films, the British-born Barnes had actually begun her professional career touring Europe and South Africa with bucolic American headliner Tex McLeod, which was as good a preparation as any to play In Old California's saloon belle. Patsy Kelly, who shoots down her laundry with a Winchester, and Edgar Kennedy, as Wayne's tooth-ache plagued sidekick, add to the general fun. ~ Hans J. Wollstein, All Movie Guide

The United States Air Force dropping bombs on decent, taxpaying ranchers is perhaps not your standard B-Western theme but that is exactly what happens in In Old Monterey. It's 1939 and war is breaking out in Europe. Fearing a possible invasion, the air force feels the urgent need to test its weaponry but the locals, lead by Gabby Whittaker (George "Gabby" Hayes), refuse to relocate and the government dispatches army attaché Gene Autry to contribute his special blend of musical persuasion. The patriotic populace is one thing, however, but Gene and sidekick Frog Millhouse (Smiley Burnette) must also contend with greedy borax mining magnate Stevenson (Jonathan Hale) and his foreman Gilman (William Hall, who have a vested interest in keeping things exactly as they are. In the end, the villains are willing to commit murder to keep the military from taking over. Gene, Smiley and a hayseed congregation calling itself The Hoosier Hot Shots perform "It Happened in Monterey", "Born to the Saddle", "Little Pardner", "My Buddy", "The Vacant Chair", "It Looks Like Rain" and "Tumbling Tumbleweeds" in this uneven music Western/propaganda film restored by Gene Autry Entertainment in 2001. ~ Hans J. Wollstein, All Movie Guide

In 1939's Days of Jesse James, the title character was played by Don "Red" Barry, with official star Roy Rogers carrying the brunt of the plotline. Two years later, Rogers was cast as ol' Jesse himself in Republic's Jesse James at Bay. Since Jesse is herein depicted as a "good guy", whose train-robbery rampage is motivated by the chicanery of a crooked railroad executive, someone else would have to handle the film's villainy. That someone was also Roy Rogers, cast as Jesse's lookalike, a local outlaw named Clint Burns. Typical of the anachronisms festooning the script of Jesse James at Bay is the presence of not one but two female newspaper reporters, played by Gale Storm and Sally Payne. ~ Hal Erickson, All Movie Guide